Content Posted in 2022
A Buddhist Inquiry into the Phrase Bunkyo of Kūkai'sBunkyo Hifuron, Shaoxin Shi
Academic Communication and Its Production Sphere: Popular Media and the Configuration of Chinese Modern Literary Theory, Jiangfeng Hu
"A Close Affinity with the Concept of the Dao": Toward Walter Benjamin's Idea of Revolution, Fenves Peter
A Close-up: On U, the Reader InOutside, Lee Kyoo
A Comparative Study of Aesthetics between Fang Dongmei and Xu Fuguan, Cheng Xu
A Comparison between Bakhtin’s and Levinas’ Ethics of the Other and Its Aesthetic Significance, Xiao Bi
A Critical Investigation into the Evolution of Zhu Gongdiao's Musical Narrative Scheme, Zhimei Sheng
A Critical Reflection on and Construction of Modern Chinese Literary Theory, Yichuan Wang
A Critical Review of Xia Chengtao's Views on the History ofCi-Poetry and the Construction of the History, Zhixi Qian
A Critical Survey of Four Concepts in Literary Theories Concerning "Ethics", Yuanqiao Li
A Critical Survey of the Researches on the Historical Materials of Contemporary Chinese Literature, Xiuming Wu and Tao Zhang
A Critical Survey of Xu Zhongyu's Theory of Literature around the Anti-Japanese War, Xuezhen Wang
A Critique of Chernyshevsky, Jianjun Li
A Critique of Derrida's Deconstructive Mode of Thinking, Bing Li
A Critique of Su Manshu from the Perspective of Modern Buddhist Literature, Guilin Tan
A Critique of the Three Approaches to Studying Liang Qichao's Aesthetic Thoughts, Xianwu Mo
A Cultural Inquiry into the German Enlightenment Tragedy, Yuan Zhang
A Cultural Study of Unrelated Homonym in Internet Language, Mofan Xu
A Diachronic Approach and Synchronic Interpretation of Xu Zhongyu's Academic Lineage, Zhixiang Qi
A Differentiation and Rectification on "Modern Xiqu", Wei Li
A Discussion of "Wen Bi" Theory in the Southern Dynasties from the Taboos of "Bi", Yunyun Tang
A Discussion of "Off-Site Requisition" in Literary Theory, Guoqiang Qiao
Adorno's Critique of "Spontaneity" of the Avant-garde Art, Peijie Chang
A Dynamic Analysis of the Essence of Art, Yan Chen
Aesthetic Anthropology Should Focus on the Aesthetic Connotation of Ethnic Culture, Zheng Wang
"Aesthetic Dignity of Words": Aestheticism in Theodor W. Adorno's Early Theory on the Philosophy of Language, Yaochong Wang
Aesthetic Experience of Semir Zeki, "Father of Neuroaesthetics", and Related Research, Jun Hu
Aesthetic Features of China's Original Piano Music in the Early 20th Century, Wei Chen and Xin Chen
Aesthetic Freedom and Ethical Obligation: A Review of the Construction of Lyotard's Theory of the Sublime, Xiaoyuan Ma
Aesthetic Intuition and The Truth of Art: A Phenomenological Interpretation of "the End of Art", Hongbin Su and Yusheng Liao
"Aestheticization of Everyday Life" in China, Desheng Wang and Lei Li
Aestheticization of Evil and the Theory of Poetic Justice, Jian'gang Wang
Aesthetic Modernity Forms of Contemporary Taiwanese Prose Theory, Jiangzhen Cai
Aesthetics as Politics: Three Contemporary Interpretations of Kant's "Sensus Communis", Sanda Li
Aesthetics in Cross-Cultural Perspective, Davies Stephen
Aesthetics of the Sublime and Its Connotations and Properties in Postmodern Literature, Qi Chen and Quansheng Hu
Aesthetics of Translocality and Crossmediality in Isaac Julien's Ten Thousand Waves, Yingjin Zhang
A Feminine Gaze: A Lacanian Analysis of the TV Series Journey to the West, Guanjun Wu
Affirmative Action and Identification: A Rethinking of the "Seventeen Years" Minority Film, Chun Liu
After-Poststructuralist Image Theory: Jacques Rancière’s Reconstruction of Roland Barthes’s Photography Theory, Tiantian Wu
A Further Reflection on the References of Verbal Signs and Images, Jingpeng Zhao
Agamben's Art Theory: Poiesis, Transmissibility, and the Opening of Pure Potentiality, Yin Bai
A Genealogical Study of the Meaning Generation of Literary Text, Changling Fu
A Hypoplastic Philosophic Fiction: A Reperusal of Li Ping'sWhen the Sunset Disappears, Dongfeng Tao
Alain Badiou's Inaesthetic Critique of Poetry, Yushen Wang
A la Recherche du Temps Perdu: Enlightenment on "Hatred" and "Love", Xiaolei Guo
A Last Blow? T. J. Clark on Pollock and Abstract Expressionism, Geyi Zhu
Allure of Things and Vicarious Causation: Harman's Poetics of Objects, Xie Shaobo
Allusivity or Explicit-Implicit Comparison: A Critical Review of the Tradition of François Jullien’s Indirect Writing, Xiangyan Jiang
Aloofness of Tai-ge School Literati in the Qianlong Era (1736-1795): A Case Study of Shen Deqian, Haosu Zhang
American Contemporary Literary Studies and Natural Science, Yongfang Qi
A Methodological Exploration into the Conceptual History of Style as Key Concept in Art History, Ting Zhang
An Access to Europe's "Límpensé": François Jullien's Conceptualization of Classical Chinese Aesthetics, Zhenhua Han
Analyzing Poetics with Calligraphy: Calligraphy and Poetics of the Classicist School in the Ming Dynasty, Xianpo Yuan
An Analysis of the Interpretation Process and Naming Principle on Five-Character Paralleled Metrical Poetry in Poetic Theory, Jialin Zheng
An Analysis of the Phenomenon of Titling Fu with Poetry in the Tang Dynasty, Haoyu Tang
An Analysis of Visual Behavior in Art Cognition, Chenguang Ling
An Anthropological Reflection on Lu Xun'sOld Tales Retold, Lili Liu
An Art-Culturological Analysis of the Appeal for Literary Autonomy among the Beijing School Writers, Qingmin Zhang
"Andersstreben" and Cross-media Narrative, Diyong Long
An Elucidation of Herbert Marcuse’s Poetic Thought of “After-Auschwitz”, Fumin Shen
A New Discussion on Kuang Zhouyi's Ci-Poetry Criticism, Keqiang Sun
A New Exploration of the Title of "Cheng Xiang" in Xunzi, Chaobin Zou
A New Exposition of Su Ting's Comments on Li Bai with a Comment on Li Bai's Early Literary Explorations, Qinghai Liu
A New Horizon of the Study of Classical Chinese Literature, Bowei Zhang
A New Interpretation of "Xing, Guan, Qun, Yuan", Qizhou Wang
A New Investigation of the Ideas "Fu Ji" and "Fu Xin", Hui Tao
A New Terrain of Textual Research: On Xia Chengtao's Study on Jiang Kui'sCi-Poetry, Qin Guan
An Examination of Collected Historical Biographies in the Ming and Qing Dynasties from the Perspective of Article Studies, Shihai He and Lu Chen
An Exploration into the “Essence of Things” in the Poetics of the Jin and Song Dynasties, Danjun Cai
An Exploration into the Logics of Language Construction during the May Fourth Period, Wei Deng
An Exploration of Literary Mimesis through the Perspective of Mirror Neurons, Huibin He
An Exploration of Literary Ontology from the Perspective of Friedrich Kittler's Media Theory, Guang Yang
An Exposition of Zhu Xi's "Preface to Annotations toThe Book of Songs", Hui Zhang
An Interpretation of Painting for Preservation of Life from the Perspective of Aesthetic Life-Rearing, Fanren Zeng and Ruoyu Huang
An Interpretation of “Xingwei”, Chao Sun
An Investigation into Chen Wenshu's Criticism on Parallel Prose through Poetry, Jinsong Li
An Investigation into the Relationship between the Categories "Qi" and "Vein" in Ancient Literary Theory, Xiang Xiong
An Investigation of Gao Qi's Poetic Theory, Zhaoming Liu
An Investigation on the Antenarrative in Ancient Chinese Novels, Runbao Wan
An Ontological Comparison between Rhapsody and Tomb Art in the Han Dynasty, Xiaoyang Wang
Anthropocosmic Resonance in Post-Mao Chinese Environmental Literature, Visser Robin
Antimonies in Transcultural Studies of Representation, Xi Lin
Anti-Theory and Theory: A Study of F. R. Leavis's Concept of Criticism, Xiangchun Meng
A Parody of The Romance of The West Chamber in The Plum in a Golden Vase, Yuanyuan Feng
A Philosophical Discussion on Liu Xie's Concept of Literary Talent Mindset, Shugong Zhao
Apocalypse Now: Walter Benjamin and the Legacy of Political Messianism, Wolin Richard
A Probe into the Liu Xie's Concept of Literary Virtue, Xinglu Zhou
A Probe into the Mode ofZhuanWriting inThe Literary Mind and the Carving of Dragons, Xianpei Wang
A Probe into the Modern Evolution of the Conceptualization of “Image” and Its Interaction with “Artistic Conception”, Ronggang Jiang
A Probe into the Social Ecology of Scholars’ Making a Living in Strange Stories from a Chinese Studio, Yongbin Xu
A Re-Examination of "Imagistic Thinking": With a Focus on Zhu Guangqian and Li Zehou, Qian Cao
A Reflection on German Classic Aesthetics and the Construction of Contemporary Chinese Aesthetics, Fanren Zeng
A Reflection on the Institutional Genealogy of Internet Literature, Ting Ouyang and Youquan Ouyang
A Reinvestigation of Kant's Concept of "Interesse": A Reinterpretation of the Chief Element of the Power of Judgment, Xianliang Xu
Arendt's Aesthetics of the Political and Its Modern Politico-Philosophical Implications, Hecheng Li
A Research on One Hundred Years of Cross-cultural Interpretation to A Dream of Red Mansions, Xiaohong Yu
A Review of Literary Trauma Theory: Past, Present and Reflection, Xuemei Zhao
A Review of the Academic Conference on "Hearing and Culture", Zhiping Yang
A Revolutionist's Loyalty Crisis and Its Dissolution: A Re-Reading of Wang Meng'sBu Li, Dongfeng Tao
Art and Annotation: On the Relationship of Visibility and Annotation in the Visual Arts, Majetschak Stefan
Art and Objecthood: An Explication of the Debate Inspired by Martin Heidegger, Zhenglong Wang
Art as the Foundation of History: On the Historical Dimension of Heidegger's Art Criticism, Congcong Song
Articulation Theory and the Evolution of Cultural Studies, Dongli Yang
Art Making as Analysis: Thought-Images and Image-Thinking, Bal Mieke
Art's Border Crossings, Crisis or Rebirth of Aesthetics: A Study of Rancière's Critique of Lyotard, Haochen Zhang
Art, Theory and Social Justice: An Interview with Professor Martha Nussbaum, Yun Fan and C. Nussbaum Martha
A Semantic Analysis of Kant's Judgment of Taste, Shuangyu Xue
"Asked of Everyone as if a Duty": On Immanuel Kant's Question about the Idea of a Common Sense, Chen Chen
A Study of Acoustic Narrative in A dream of Red Mansions, Zhiping Yang
A Study of Little John and the Making of Quasi-Middle Lu Xun, Chongke Zhu and Liping Liang
A Study of Franco Moretti's "Materialism of Form", Chunrong Qian
A Study of F. R Leavis's Cultural Criticism, Xiangchun Meng
A Study of Liu Yongji's Litterateur Temperament through an Analysis of the Separation and Reunion of Xueheng and Xiangjun, Wenxin Chen and Junwei Jiang
A Study of Pictorial Representation under the Impact of Direct Perception Theory, Manting Yin
A Study of Remarks on Prose in the Ming Dynasty and the Construction of Prose Theory from the Viewpoint of the Modern Times, Zongjie Gong
A Study of Tan Ying's Reception of and Reaction to the Zhexi School, Wei Xu
A Study of "The Anti-modern Modernity" and Its Change in Two-way Travels, Yuyu Wu
A Study of the A-signifying Semiotics of Félix Guattari, Shubao Dong
A Study of the Composition ofThe Journey to the West from the Perspective of Western Literary Theory, Hongbo Zhu
A Study of the Concept of “Cyborg”, Guodong Li
A Study of the Origin of "the Feng Brothers" Poetics from Home Influence and Discipleship, Yafeng Li and Youliang Zhang
A Study of the Phenomenon of the Quasi-Peach Blossom Spring and the Poetry in the Late-Qing Dynasty, Qihua Sun and Shijin Luo
A Study of the Prototypes of Romance, Limin Li
A Study of the "World" Metaphor in Contemporary Western Narrative Theories, Jianguo Yang
A Study on Contemporary Literary Theory: Reflecting, Adjusting and Deepening, Daren Lai
A Study on Internet "Virtual Aesthetics", Fanting Zeng
A Study on "Standardizing by Chinese Characters" in Zhang Taiyan's On National Learning, Xuehu Chen
A Study on the Framework of "Literary Research Methodology" in 1904 Educational System Reform, Xuehu Chen
A Study on the Multi-Dimensional Space in Frank O'Hara's Urban Poetics, Xiaoling Wang and Mingyuan Zheng
A Study on the Prose Remarks in Edo and Meiji Periods of Japan, Dongbo Bian
A Study on the Realm and Spirit of Drunkenness in Ancient Chinese Aesthetics, Yulong Tan
A Summary of the Fifth Youth Forum Academic Conference Held by the Chinese Association of Literary and Art Theory, Yan Xing and Wenjie Na
A Supplement to Kant's Antinomy of Appreciative Judgment, Junfeng Cao
A Synopsis of "'TSLA Young Theorists' Forum", Jiguo Gao
A Synopsis of International Symposium on "Body Aesthetics and Contemporary Aesthetic Culture", Jiaxing Wang
A Synopsis of the 18th Annual Conference of The Society of Chinese Ancient Literary Theory, ZiCheng Zhang
A Synopsis of the 2ndYouth Forum of the Society of Chinese Literary Theory, Zhedan He
A Synopsis of the Conference of "Literary Theory and Criticism in 1980s", Chunxiao Zhang
A Synopsis of "The Symposium of Construction of and Reflection on Literary Theory in the New Century", Chuanlan Yin
A Synopsis of "The Symposium on Contemporary Western Literary Theory and Construction of Chinese Literary Theory", Yonggang Zhang
A Synopsis of the Symposium on "Modern Chinese Foreign Literature Studies over Six Decades", Suzhou Liu and Jing Chen
A Synopsis of the Symposium on "Transformation of Literature and Art and the Innovation of Literary Theory", Haijing Chen
A Synopsis of Young Theorists' Forum on "Contemporary Western Frontier Literary Theory", Feng Lv and Bo Zhang
A Techno-Political Poetics Built on the Body: On Brian Massumi'sb Parables of the Virtual, Yunfan Yao
A Textual Critique on Mencius' Perception of "Tracing back Intent through Understanding", Hongqiu Huang
A Textual Research on Du Fu’s Absorption of Elaborate Writing from Yin Keng and He Xun, Xu Hu
A Thematic Research of Merleau-Ponty's Le Doute de Cézanne, Ying Zhang
A Veritable Memoir of the Leavisian Scrutiny Group, Ruiqing Zhang
Bai Xianyong's New Aesthetics of Kunqu Opera, Sheng Ding
Baroque Irony in Contemporary French Fictions: A Case Study of "Playful Fiction", Jia Zhao
Beauty as an Action of Art: from the Aspect of Aesthetics of Life, Baogui Zhang
Beauty as the Intuitive Presentation of Idea: a Phenomenological Interpretation of Hegel's Aesthetics, Hongbin Su
Becoming, Intensity and Transversal Communication: the Cross-cultural Dialogue between Deleuze's Thoughts and Taoist Thoughts, Dandan Jiang
Beginning, Elaboration, and Counterpoint: The Intention and Method of Edward Said's Music Criticism, Sheng Li
Beginning, Renewal and Spirit or Ashes: On Heidegger's Historical Consciousness in His Discussions of Hölderlin's Poetry, Xiaoming Chen
Behavior Language, Unconscious Structure and Literary Activities, Dakang Ma
Behind “not a single word”: On the Relationship between Lu Xun and His Grandfather, Junlin Gao
Being Is Media: Heidegger’s Media Ontology and Its Poetic Effect, Xiaoxi Shan
Benevolent Neighborhood Is Beauty: The Meta-problem of the Aesthetic Thought in Pre-Qin Confucianism, Haozhe Tan
"Benjamin: Existence Toward Space": A Confluence of Philosophy, Poetics and Messiah: An Interview with Peter Fenves, Sha Li and Fenves Peter
Benjamin in Love: A Re-interpretation ofMoscow Diary, Shicong Sun
Between Mythos and Philosophia, Keping Wang
Between Language and Time: Yale School's Theoretical Generation and Its Location in the Intellectual History, Dengyun Dai
Between Medusa and Nymph: On Agamben's Theory of Image, Jiang Lan
Beyond the "Adaptation Paradigm": The "Spreadable Literature" and Its Contemporary Characteristics, Lulu Zhou
Beyond the Binary Opposition between Collectivism and Individualism: A Reflection on the Concept of Collective Memory, Dongfeng Tao
Black Noise, White Noise, and Ghostly Sound: the Ontology of Noise in the Context of Deleuze's Conception of Event, Yuhui Jiang and Yan Zheng
Bodily Practice and Symbolic Overflow: How the Perceptual Becomes a Theorist in Practice, Weibang Liu
Body, Aesthetics and Politics: On Eagleton's View of Body, Wei Wang
Body-ethics or Body-aesthetics?: An Investigation into Terry Eagleton's Recent View on Body, Zhike Yin
Body, Life-world, and the Reconstruction of Literary Theory, Xiaohua Wang
Brush Strokes, Texture and Appreciation of the Original Painting, Zhenhao He
Can "Contemporaries" Know How to Read?, Rabaté Jean-Michel
Canon Model: On the Repetitive Structure of Oral Narration, Ruoran Huang
Changes and Established Rules: The Relationship between Collected Ci-poetry of Wan Shu and His Rules of Ci-poetry, Yanpeng Wang
Changing Authorship: The Evolution on Literary Practices and Theory, Miaomiao Xu
Charles Morris's Pragmatics and the Paradigm Shift in Southern Song Landscape Painting, Lian Duan
Charm of Fictitious History: The Literary Value of New Historical Fiction, Ping Wang
Childishness, Consumption and Sovereignty: Georges Bataille on Writers and Poets, Sheng Zhang
Chinese Drama Writing and the Evolution of the Drama Genre, Changji Li
Chinese Folk Literature as a Discipline: With a New Interpretation of Hu Shih's Vernacular Literature, Xiaoling Li
Chinese Images in English Poetry: A Comparative Reading between Literary Fictionalization and Western Consciousness, Fanjian Zeng and Hanbo Liu
Chinese Native-soil Literature: Occurrence and a Hundred Years of Evolvement, Cece Wei
Cinema as Politics: On Rancière's Philosophy of Film, Xinghua Lu
Classic Literary Criticism as the Embryo of Productional Literary Criticism, Wenfang Yao
Classic Literary Genres and the Canonization of Literary Genres, Fenran Jia
Cleanth Brooks's Theory of Fiction and His Critical Practice, Feiliang Fu and Shunqing Cao
Clearing a Path to China: A Probe into Hall and Ames' Methodology of Sino-Western Cultural Comparison, Yunhua Liu
Cognitive Mapping and the Adventures of the Postmodern, Kellner Douglas
Cognitive Thinking and Contemporary Chinese Theory of Literature and Art, Shousen Yang
Common Sense, Nature of the Mind and Humanism: A Study on Kant's Aesthetic Taste, Liqun Lv
Comparative Studies of Literature and Dance: An Interdisciplinary Approach, Huafei Chen and Mingwen Xiao
Confrontation with the Unconscious: A Reading of C. G. Jung's The Red Book, Jianchang Xing
Confronting the Challenge of Cultural Studies: The Future of Comparative Literature, Ning Wang
Constructivism and Its Discontents?: the Philosophical Origin of "Science Wars", Qing Feng
Consumption of Celebrity and the Republican Apparatus: Lu Xiaoman, Xu Zhimo and Tabloids in Late 1920s Shanghai, Jianhua Chen
Contemplations on the Construction of an Internet Literature Evaluation System, Ting Ouyang
Contemporary Chinese Art and Western Theory: The Question of Hospitality, Kenaan Hagi
Contemporary Russian Literature and Art Policy and Ideology Reconstruction Against the Revival of Orthodox Church, Gangjian Tian
Continuation and Construction: On the Edition Study of Contemporary Chinese Literature History and Its Limitation, Xiuming Wu and Tao Zhang
Contributions of Kantian Aesthetics to the World and Its Significances to China, Jishan Lin
Conversion and Roaming: Xia Yan in the Vision of "the State Theories", Xing Tian
Cosmopolitanism and Cultural Translation, Shaobo Xie
Critical Climate Change: A Theoretical Perspective for the Construction of World Literary History, Yuan Yuan
Critical Explication of "Rectified Words" inThe Literary Mind and the Carving of Dragons, Qing Gui
Critique of "Aesthetic Non-differentiation" Thought: Reflections and Transcendence in the Early Gadamer's Aesthetics, Jianhua Xiao
Critique of Foucault's Theory of Discourse, Xian Zhou
Cross-Cultural Recognition of Musical Expressiveness, O. Young James
Cruelfictions of Psychoanalysis: from Freud to Kafka; from Derrida to Mignotte, Rabaté Jean-Michel
"Cultivating Our Own Garden": How Does Art Face the Imperfect World?, Yun Fan
Cultural Code: The Public Image of Imagination, Hecheng Li
Cultural Poetics and Cultural Creativity, Jinyao Shen and Jizhong Lin
Cultural Studies Revisited and Renewed: An Interview with Professor John Storey, Cong Zhang and Bing Zhao
Cultural Study by Taking Image as Methodology, Yong Li
Cultural Turn and the Legitimacy of the Theory of Contemporary Chinese Aesthetic Ideology, Yanfeng Li
Culture Industry and Mass Deception: Critical Perspectives on Contemporary Concerns about Soft Power in China, Gregory Mahoney Josef
Culture Trauma, Morality and Solidarity: The Social Construction of "Holocaust" and Other Mass Murders, C. Alexander Jeffrey
Cunning Apparatus and the Pain of Modern Literature: A Parallactic Reading of Kojin Karatani's Literary Theory, Shangrong Han
David Harvey's Interpretations of Space in French Literature, Jin Liu
Deciphering Hölderlin's "Hyperion": Eccentric Eros — On the Image of the Poet as the Divine Mediator, Sha Li
Deconstructing Utopian Imagination: The Allegory of Solaris and Others, Dan Chen
Deleuze's Affect Theory and Becoming-Literature, Yue Ge
Delivered by Aesthetics: the Buddhist Taste in Wang Guowei's Comments on A Dream of Red Mansions and the Symptoms of His Aesthetic Thought, Hongxiang Xu and Wei Du
Denotation and Meta-Narratives: Double-Layered Narrative of Films Based on Real Stories, Yuping Zhao
"Descendants of a Blurry-Eyed Dragon": A Lacanian Analysis of the Post-Maoist Structuration of Chineseness, Guanjun Wu
Desecration Disguised as Deification: The Image of the Imperial Family in Ovid's Exilic Poetry, Yongyi Li
Desire, Currency and Modern Urban Space: A Rereading of Shi Zhecun's "The Spring Sun", Xiaoping Song
Desktop Drama and Stage Drama: Technical Problems of Traditional Chinese Drama in the Mid-Ming Dynasty and Shen Jing's Contribution, Wanshu Zhu and Wen Zhu
Development, Pragmatism, and Innovation: Classical Xiqu Studies in Shanghai in the Past 70 Years, Jingfeng Huang
Dialectics between Politics and Literature: on Overseas Studies in Chinese Literature, Jin Ji
Dialectics of the Avant-Garde and the Regressive: Adorno on Primitivism in Modern Art, Zhijing Wu
Difference and Nexus between Yijing and Chanjing: a Brief Discussion and Response to Yang Chu, Zuzhao Gu
Differentiation and Reconstruction of Value: Function and Value Orientation of Literary and Art Criticism in the New Era, Shuzhuo Jiang and Shi Li
Different Types of Modern Chinese Literary Criticism, Zidong Xu
Digital Research on Media Literary Theory, Youquan Ouyang
Discourse of Art Criticism and Visual Metaphor, Chenguang Ling
Discourse Power and the International Status of Chinese Contemporary Literary and Art Theory, Shengxun Shi
Discovery and Invention of Image Effects: A Study of Gombrich's Theory of Caricature, Chun Mu
Disenchantment: Gu Cheng and Hai Zi in the Illusion of Cultural Memory, Dong Yan
Does Lu Xun Subvert the Discourse of National Character?, Dongfeng Tao
Double Inscription and the Concept of Origin in Lafcadio Hearn's Kwaidan , Yu-Kai Lin Carlos
Dromocracy and the Evolution of Space-Time: On Paul Virilio’s Theory of Space of Logistics, Shiqi Wu
Eagleton on Culture and the Death of God: A Discussion of "the Theological Turn" of Western Leftists, Xi Wang
Earl Miner, Comparative Poetics and the Construction of World Poetics, Ning Wang
Early Reading Theories of Louis Althusser and the Misjudgment of Surface Reading, Jianzeng Zhou
Ecocriticism and Shakespeare, until 2016, C. Estok Simon
Ecolinguistics and the Foundational Construction of Language Theory for Contemporary Ecological Literary and Cultural Studies, Kuiying Zhao
"Ecological Justice": Two Kinds of Metaphysical Defense, Qing Zhao
Ecological Sensibility in Contemporary Western Cinema and the Theory of Ecocinema, Shaoyi Sun
Ecstasy and Writing: A Reflection on the Cultural Motif of the Celestial Script, Yongping Li
Elegance and Naturalness: Two Aesthetic Dimensions of Traditional Chinese Thought on the Qin Music, Jing Zhang and Shuzhi Zhao
A Dream of Red Mansions and Xu Zhenya's Novel Writing, Yingjie Bai
A Review of Yan's, Bao's and the Xies' Poetry and Fang Hui's Poetics of the Six Dynasties, Houjun Zhao
Capitalism and Freedomas Text/Antitext: Deconstructing and Decentering Friedman’s Neoliberal Canon, Gregory Mahoney Josef
Changxieyao and Changjiedeng: Prosodic Theory and the Evolvement of Five-Character Poetry in the Early Tang Dynasty, Hongqiang Xiang
Chuxiang, Annotations and Performances of Moon Prayer Pavilion: A Case Study of Li Zhuowu's Annotated Edition and Ling Yanxi's Engraved Edition, Shumei Ding and Ranran Zhang
Collected Essays of the Qing Dynasty and the Concept of Literary History in the Early Twentieth Century, Hengchang Chang
Dream of the Red Chamber Internet Fan Fiction and Literary Canonicity, Rojas Carlos
Huaxia Mythological Astronomy and the Comparative Literary Studies of the Multi-ethnic Chinese Nation, Yunhong Dai
Literary Mind and the Carving of Dragonsand the Study on Texts in the Ming Dynasty, Jianzhong Bai
On the Poetry of the Chineseand Early Overseas Dissemination of the Chinese Classical Poetry, Yan Wang and Yan Fang
Oriental Miscellany and Theatre Reform of Modern China, Liming Zhao
"Qin Virtue" and "Wenxin": Innovation of Ji Kang's "Qin Fu" Based on Tradition and Its Impact, Zhanyun Song
Qiyun and Rhythm, Feng Peng
St John the Baptist: Da Vinci's Irony, Chunlian Chen
The Rent Collection Courtyard: Theme Park as Politics, Nian Zhang
Xing in Mei Shi: A Theory on Genetic Poetics, Xiaoming Liu and Xiangrong Sun
Zhuzhi Poetry's Shift of Writing Pattern and Its Improvement of Status in the Qing Dynasty, Yi'an Zhu
Encountering the World, Brown Marshall and Yin Bai
Engaging or Not: The Theoretical Divergence between Roland Barthes and Jean-Paul Sartre, Songlin Jin
English Scholarship on Modern Chinese Literature in the Past Fifty Years, Zhang Yingjin
Environmental Civility: Culture, Education, Enlightenment, and Wisdom, Sepänmaa Yrjö
Erasure and Whitewash: A Critical Analysis of Two Non-ecological Rhetorical Functions of Environmental Discourse, Kuiying Zhao
Espen J. Aarseth's Thought on Hypertext Aesthetics, Chunhua Nie
Essential Differences between the Late Qing and the May Fourth Written Vernacular Chinese, Yu Gao
"Establishing Xiang to Fully Express Idea" and Chinese Aesthetic Culture, Dakang Ma
Esteeming the Poetic Style: Yan Yu's Theory of Bense and Its Four Elements, Yongliang Shang and Yaqing Duan
Ethical Interpretation of Narrative Perspective in Novels, Shouyi Jiang
Evaluation of the Identity of “Fengren” in Classical Chinese Poetics, Shiwei Lv
Event and Art: Lyotard's Politics of Phrase and the Postmodern Sublime, Hui Zhou
Events Toward the Future: Event Theory Turn from the Perspective of Contemporary Thinkers, Jiang Lan
Event-Truth and Literary Criticism: On Badiou's Reading Beckett, Cheng Tan
Existentialism in Hong Kong: Reading from the Perspective of Mass Culture, Lei Zheng
Experience and History: Hoggart'sThe Uses of Literacy, Xiangyu Cheng
Explicating the "Meaning Triad" in Lady Welby's Significs, Feng Sun and Youxiang Tu
Exploring the Lives of Song Dynasty Women through Hong Mai's Yijianzhi, Egan Ronald
Ezra Pound's Poetry Translation and Stylistic Innovation, Liming Chen
Fallacy and Generation: The "Symbolist" Baudelaire and Chinese New Literature, Liang Han and Bo Zhang
Fang Dongshu's Comments on the Jiangxi Poetics, Sheng Wu
Fang Hui's Reverence for Tao Yuanming and the Self-Salvation of Jiangxi Poetry School in Late Southern Song Dynasty, Fei Liu and Houjun Zhao
Federal Literatures: Toward a Theory of Literary Intranationality, Braz Albert
Feminist Perspectives on Gender and the Sublime, Rong Chen
Fictional Characters from the Perspective of Possible Worlds Theory, Bei Qiu
Fiction as Illocutionary Act: John Searle's Theory of Fiction, Qing Feng
Film Posters as an Alterative/Alternative Archive for Chinese Film History, Yingjin Zhang
For an Ontological Critique of the Narrative of Social Crises, Zhiqiang Zhou
Foreign Language Writing of Overseas Chinese and the “Re-writing” of the History of Modern Chinese Literature, Leiming Chi
Formal Aesthetics of Ballads: Ideas of Literary Language in the Chinese Ballad Campaign, Chengzhu Cao
"Form" as a Term in Chinese Aesthetics, Qinfang Lai
Form in the Vein of Pragmatist Aesthetics: Dewey's Debt to and Distance from Emerson, Xiaofang Yin
Forms, Approaches and Limitation of Avant-garde Art's Intervention in Society, Lei Li
Foucault and Damnatio Memoriae: An Introduction to the Mnemo-Government of Cinema, Yang Li
Four Characteristics of Ancient Chinese Aesthetics, Fa Zhang
Four Interrogations Concerning the Methodology of Digital Humanities, Qingfeng Yang
Franco Moretti's Reconstructionist "New Theory of Literary Evolution" and World Literary History, Yuping Wu and Hanwen Fang
Fredric Jameson's "National Allegory": A Defense, Qin Wang
F. R. Leavis and Cultural Studies: From Leavis to Hoggart, and to Williams, Ruiqing Zhang
From Antihumanism to Posthuman: Beyond Anthropomorphical Dialectics, Chunxiao Zhang
From Author to Reader: The "Reader Consciousness" and the Transformation of Qi-Liang Poetry, Yanfeng Cai
From Commitment to Uselessness: On Georges Bataille's Concept of Literature, Tianshu Zhao
From Cultural Studies to Literary Studies: The Evolution, Turn, and Problems of Diaspora Theory, Qixing Zhou
From Saturday to the "Saturday School": A Discussion on the "New/old" Debate in the Early 1920s, Meng Luo
From Function to Semantics: History and Theories of the Picture Frame, Yuan Gao
From "God from Lofty Mountains" to "God from Shaman Dance": Natural Aesthetics in Pre-Qin Dynasty, Shilun Zhong
From Hades to Heimat: Quo usque tandem? — The Travels and Travails of Critical Theory, Weber Samuel
From "Image" to Simulacrum: Derrida's Discussion on Writing, Shubao Dong
From Modern Art to Postmodern Art: A Paradigm Shift Centered round Objecthood, Yousong Chen
From "Nature" to "Nature-as-such": A Reflection on the Object of Ecocriticism, Qian Wang
From Neutrality to the Other: Levinas on Blanchot, Jiajun Wang
From Non-philosophy to Art-fiction: An Analysis of Francois Laruelle’s Non-aesthetics, Shichang Nie
From "Phenomenological Body" to "Reversible Flesh": the Transformation of Merleau-Ponty's Aesthetic Theory, Zhifeng Shu
From "Poetry Critique" to "Drama Critique": Lü Tiancheng and Qi Biaojia's Critique of Drama, Chao Wang
From “Political Man” to “Free Man”: The Transformation of the Nature of Man in Wang Meng’s Fictions and Its Crisis, Xingpei Shen
From Texts to the World: A Methodological Exploration-Review of La Géocritique: Réel, Fiction, Espace by Bertrand Westphal, Fang Gao and Siqi Lu
From Textual Experiments to Experimental Texts: Expressive Repetition in “Artificial Intelligence Literature”, Tianhua Zhu
From the Bicameral Man to the Self-presider: About The Inner Voice of Characters in Narrative Works, Xiuyan Fu
From the Name and Essence of Poetic History to the Narrative Tradition, Naibin Dong
From the Sacred World of Rituals to the Imaginary World of Literature and Arts, Dakang Ma
From the subaltern to the precariat, During Simon
From the Text Game to the Source of Violence: the Idea of Mimesis in Derrida and Girard, Cheng Lu
From the Vernacular to Colloquial: A Reflective Approach to Modern Poetry over the Past Century, Siyun Zhao
From "Truth" to "Place": On the Turn of Martin Heidegger's Artistic Thought, Yaxin Feng
From Unfortunate Ending to Conscious Will: The Transformation of Wang Guowei’s Tragic Ideas, Wei Si
From "和" to There: Marxist Hermeneutics with Chinese Characteristics, Gregory Mahoney Josef
Function Words through the Critical Lens of Traditional Stylistics and Its Later Interpretations in the Early Modern Era, Fangzhou Chang
Fundamental Issues about Aesthetics Study of Chinese Myth in the Past 100 Years, Huaiyi Wang
Game Impulse's Negation of Time in Time: Temporality in Schiller's Aesthetics (II), Yanshun Liu
Gao Ershi's Concept of the Refined and the Mundane in Calligraphic Art, Bin Zhou and Shuqiang Cui
Gender as Cultural Production: The Cultural Critique in Contemporary Western Marxist Feminism, Rui Ma
Genesis and Evolution of the Concept "Chinese Painting" — the Art of the Early Republican China, Yiran Xiong
Genre Criticism in Ming Dynasty and Zhu Yao'sThe Genre of Ancient Rhapsody, Shihai He
Globalization and the Culture of Tourism: A Complex Connectivity from the Postmodern Perspective, Jing Yang
Guest Editor's Introduction to the Issue in Focus, Weiguo Zhao
Habermas and Hermeneutics: From Verstehen to Lebenswelt, Wolin Richard
"Heaven's Scheme" and Randomness from the Perspective of Comparative Literary Theories, Mingfen Huang
Herder on Sculpture: Touching, Tactility and Body, Yanping Gao
Hermeneutics of Language, Truth and New Pragmatism: Richard Rorty’s Interpretation of Donald Davidson, Yonghua Tang
Herodotus and the Origins of Ancient Greek Poiētikē, Xiaofeng Liu
He Shaoji's Inheritance and Revision of the Poetic Concept of Natural Spirituality, Shuangxia Xiang
Highlights of Symposium on "Studies of Contemporary Art: Philosophical and Sociological Dimensions", Zheng Tao
Historical Changes of the Concept of Female Beauty in the Pre-Qin Period from the Appreciation of Ugliness to Beauty, Yongzhen Cheng
Historical Evolution and Reflection on the Concept "the Essence of Literature", Daren Lai
Historical Totality: The Plight of Re-enchantment: A Critical Review of Jameson's Major Code of Narrative Politics, Kaiyan Zhang
“History” and “Historical Materials”: How to Chronologize the Fiction Theory in the Ming and Qing Dynasties, Zhiping Yang
History and Nationalism in Images: A Review of the MovieBack to 1942, Guo Feng and Ao Tian
History as Re-presentation: with Reference to Nation, History and Narrative of the State, Xinjian Xu
History in Round Numbers: Why One Hundred?, Prendergast Christopher
History, Miscellaneous History and Fiction, Jinfeng Zhou
History, Trauma, and Literature: Dominick LaCapra’s Theory of “Writing Trauma” and Its Ethical Significance, Peng Zhang
Hölderlin and the Destiny of Germany, Lin Lou
“Homegrown” Practices and Discursive : Revisiting the Debates on Foreign Literature Research in the 1990s, Xinyuan Du
Homer's Epics in Lessing'sLaokoon, Hui Zhang
Hong Mai's Experiences as Reflected in His Prefaces to Yijian Zhi, Dan Zhan
Horace's Poetry and the Literary Order of Augustan Rome, Yongyi Li
How Can A Literary Theory Be in the Era of Post Theories?, Wei Song
How Consumer Phenomenon Enters Literary Writing, Changzhong Wang
How Horizontality Became a Medium: Rosalind Krauss on Pollock's All-over Paintings, Yubing Shen and Qiuyue Mao
How the Althusserian Critics Inherit and Develop Marx’s Thought of Artistic Production, Jifang Duan
How the Postmodern Literary Theories Entered China and Inserted Influences?, Liyuan Zhu
How to Study Literature with "After Theory": Focusing on Eagleton's Event of Literature, Yan Sun
How to Understand Installation Art: with a Focus on Theatricality, Zhengbo Zhang
How Traditional Chinese Theatre Reflected Modern Life: Discussions during the Seventeen Years, Jingfeng Huang
Huang Tingjian’s Prose Writing Methods and the Rise of Prose Theories in the Southern Song Dynasty, Jinjin Le
Human, Animal, and Life in the Posthuman Turn: From Agamben to Young Marx, Xingkun Wang
Humanistic Discourse and Knowledge Production of Literary Theory in the Early Years of the New Era, Yaming Lu
Hyperspace in Postmodern Spectacle of Image: A Critique on the Space Philosophy of Urban Intelligent Surveillance, Zhiwen Deng
Iconic Consciousness: The Material Feeling of Meaning, C. Alexander Jeffrey, Rui Gao, and Di Zhao
Ideas of Chinese Literary Creation Seen from the "Crossing-through" Theory of Literature, Xuan Wu
Ideas of Photography Studies in France: Reflections on Three Contemporary Paradigms, Yichen Lu
Ideas of Poetry Study and the Paradigms of Chinese Poetry Studies, Shilun Zhong
"If There Is No God, Nothing Is Permitted at All": Žižek on Cyberspace, Yuchen Dai
Ihab Hassan: The Pioneer of the Theorization of Postmodernism, Juan Mao
Image and the Intrusion of Antinarrative: Rosalind Krauss' Structuralist Criticism, Yubing Shen and Zheng Tao
"Imagery Beyond Images" in the Creative Process of Idea-imagery, Zhirong Zhu
Imagery in Chuang Tzu from the Perspective of Pictorial-Linguistic Semiotics, Zhaohui Bao
Imagining and Constructing "Popular Literature": the Popularization of Literature and Art in China since the "May Fourth" Movement, Zhiping Zhang
Inaesthetics and Art as Procedure of Truth: An Introduction to Badiou's Art Thought, Jiang Lan
Incorporation of Tang Short Stories into Song Poetic Verses, Zhenqian Zhang
In Defense of Hu Shih's Revision of the 81st Trial in A Journey to the West, Hongbo Zhu
Indefinability, Mystique and Theological Implication in Adorno's Natural Beauty, Ting Wang
Indexicality Strikes Back: From the Photographical Past to the Digital Present, Jia Peng
Inheritance or Critique: On the Relation between The Origin of German Tragic Drama and The Birth of Tragedy, Yunfan Yao
Innovation and Development: The Innovative Development and Route of Chinese Literary Theory in the New Era, Shiwen Liu
Innovation in Temporal and Spatial Narration of The Plum in the Golden Vase and Its Significance to the History of Fiction, Jinju Wang and Zhiwei Du
Integration and Innovation: the Construction of the Aesthetics of Poetry for the Future, also on the Relationship between Traditional Poetics and Modern Poetics, Lvkun Zhang and Shiyi Wei
Intention and Language: On Hirsch's Linguistic Explication of the Author's Intention, Hong Pang
Intercultural Theatre under the Lens of Cultural Appropriation, Wei Feng
International Politics of Literary Theory: A Study of Western Theory as Doctrines and a Discipline, Jinghua Lin
Interpreting “que” in Du Fu’s “Qiang Village”, Ren’er Huang and Chao Tong
Investigating into the Naming of "Expository Preface" as a Form of Classical Chinese Generic Criticism, Chengxue Wu
Investigating the Connotations of the Genre of Paixie in Ancient Chinese Poetry, Yi Wang
Ironical Appropriation of Revolutionary Signs: For Memories Buried in Forgetting, Jiwu Zhou
Is "Place" Ended: Dialectical Thoughts on Space Theory, Jun Zhu
Is Queer Theory Equal to Gay and Lesbian Studies？, Lanlan Du
Is Wang Guowei's Theory of the Poetic State Focused on Feelings: A Discussion with Mdm. Ye Jiaying, Zhi Geng
Jacques Rancière on Literarity, Haiting Zheng
Jacques Ranciere's Regimes of Art and Contemporary Political Art, Hongsheng Jiang
Ji Yun's Theoretical Construction in On the Tang-Dynasty Imperial Examination Poetry, Guozhong Peng
Jonathan Culler and Feminism, Fang Wu
Joyce le Sinthome: Literature and Writing under the Perspective of Lacanian Psychoanalysis, Juanjuan Ye
Kantian Influence on Early Zhu Guangqian, Qian Cao
Karaoke-Style Rituals and Music: On the Practice of Karaoke and the Problem of Modernity, Guanjun Wu
Keywords in the Studies of Regional Literature: A Case Study of Jiangnan in the Qing Dynasty, Shining Luo
Kierkegaard and 19th-Century Urban Space of Copenhagen: A Modernistic Critique, Jinjian Tianwang
Kitsch, Mecacci Andrea
Knowledge Production and Canonization of Modern Chinese Poetry: Selected Modern Chinese Poetry (1919-1949) in Historical Perspective, Chang’an Fang
Kristeva and the Generation of Postmodernist Literary Theory, Xuemei Zhao
Kuang Zhouyi's Monthly Lessons for the Annotation of Cheng Meng'an's Ci-Poems: A Summary Review, Yuping Peng
"Lament" as a Genre in Literary Mind and the Carving of Dragons and Selections of Refined Literature, Junling Zhao
Le Cinéma comme Expérimentation Philosophique, Badiou Alain and Yang Li
Letters on Literature and the Internalized Drive for Literary Debates in the Ming Dynasty, Hua Ye and Huan Du
“Levi’s Paradox” and Its Solution: Giorgio Agamben’s Poetics of Witnessing, Yiqun Zhou
Li Bai as a Critic of the Poetry Scene in Emperor Xuanzong's Reign, Qinghai Liu
Li Bai's "Twelve Imitations of the Old Poems" and Its Image Construction, Yinan Zhang
Life, Art and Potentialities: Agamben's Concept of Poetics-Politics, Xingkun Wang
Life, Conduct, and Scholarship: Achievements of Prof. Xu Zhongyu, Qingbing Tong
Li Jinxi's Theory of Chinese Language and Literature Education in Tertiary Institutes: "Integration" and "Remedy", Fengxia Cao
Literariness, Anti-Essentialism and Spatial Turn, Wei Wang
Literary Consumption in the Era of Electronic Media, Youfeng Hu
Literary Debates and Paradigm Shifts in Overseas Studies of Modern Chinese Literature, Zhang Yingjin
Literary Expression in the Discourse of Artistic Interpretation, Chen'guang Ling
Literary Folkloristics: the Trend of Interdisciplinary Research in the Recent Thirty Years, Meili Shen and Qinjian Chen
Literary Research Methodology in Big Data Era: A Survey of Franco Moretti's Quantitative Analysis, Xiaohui Chen
Literary Theory: Nationality in an Age of Globalization, Fan Nan
Literary Theory Should Adapt Itself to the Times: On Prof. Xu Zhongyu's View of Literature and Art, Fengjie Liu
Literary Theory Today, Culler Jonathan
Literature and History: On Hayden White's Theory of Tropology and Its effect, Zilu Yang
Literature and the Therapy of Passion: Catharsis against the Extreme Violence, Darmon Jean-Charles and Xi Xiao
Literature as a Passage of Life: An Overview of Deleuze-Guattari's Literary Critical Thought, Jing Yin
Literature as Event: On Eagleton from After Theory to The Event of Literature, Yonghua Tang
Literature Ecology in the 1980s and the Publication of Anthologies, Yong Xu
Literature Filtering through Life Reality, Xuan Wu and Yuanyuan Qiao
Literature of Small Nationalities: Rewriting History, Boundary and Transgression, Changzhong Li
Literature's Loss of Status? Which Status? Whose Status?, Carvalhão Buescu Helena
Literature through the Lens of Davidson's Event Theory, Qiao Zhang
Little Nightmare in a Vast Cosmos: Dark Ecology and the Poetics of Nightmare in Videogames, Yuhui Jiang
Liu Cixin'sThe Three-Body Problem and the Desire to the Future, Feng Wang
Liu Shipei’s Interpretation of the Concept of Chinese Literature, Ruiqing Li
Liveness and Mediatization: Theater in the Age of Media, Qian Li
Looking Through Endgame: On Adorno's Conceptions of Modernist Theatre, Cheng Lu
Lubomir Dolezel's Literature Fiction and Possible Worlds Theory, Yu Zhang
Lucretius's Poetic Enlightenment: A Reading of De rerum natura, Xiaofeng Liu
Lu Xun's Idea of Fiction Writing and His Brief History of Chinese Fiction, Qingxin Wen
Lu Xun’s Imagery and Its Visual Representations, Naiwu Zhang
Lu Xun's Quartet of Chinese Practice during the Late Qing Dynasty and the Early Republican Period, Guiliang Wen
Manchu Shamanist Mythology and Ecological Aesthetics, Lijie Yan
Manliness and Masculinity: Towards a Distinction of Two Key Terms in Men's Studies, Hongsheng Sui
Mao Jin's Emphasis on Celebrated Drama and the Compilation of Sixty Plays, Jianxin Liu
Marx and the Problems of 20th Century Aesthetics, Zhenglong Wang
Marxism and Form: An Interview with Prof. Fredric Jameson, Jiangang Yang and Xian Wang
Marxism's Assimilation with and Borrowing from Formalism in Fredric Jameson's Literary Criticism, Jian'gang Yang
McLuhan's Media Explorations through the Rear-View Mirror: Vortexes, Spirals, and Humanistic Training, Lamberti Elena
Meanings and Relationship among "Dao-De-Sheng-Wen" in "Yuan Dao" of Literary Mind and the Carving of Dragons, Kai Li and Yong Miu
Media Ontology: The Philosophical Basis of the Research of New Media Literature and Art, Xiaoxi Shan
Mediated Subjectivity: Reflections on and Reinterpretations to Discourse of Post-human Subject, Xiaoxi Shan
Mediocre Drama: Jean Baudrillard's Remark on Andy Warhol, Shuyuan Wan
Metamodernism: Thoughts on Literary Theory “after Postmodernism”, Hongyue Wang
Microreading/Microwriting, Perloff Marjorie
Middle School National Language Education in Early Modern China and the Formation of Modern Fiction Concept, Xiaojun Liu
Millet's Seeding: Form and Subject in the 1920s Evolution of New Literature, Yunhao Chen
Mimetic Violence and the Issue of the Other: A New Interpretation of René Girard, Xue Li and Xiao Bi
Modern Aesthetic Symptoms in Among the Flowers and Lois Fusek’s Poetics of Equivalent Translation, Hui Tu
Modernity, the Avant-Garde and Mass Culture: A Reflection Inspired by Walter Benjamin, Yong Wang
Modern Myth and Its Types of Presence, Xianglin Yan
Moé: Soft Politics in Contemporary Visual Culture, Ming Wu
Mourning, Vision, and Effusion: Georges Bataille’s Writing of Tears, Guangji Wei
Mo Yan's Polarizations: An Interpretation of HisBig Breasts and Wide Hips, Yong Zhao
Multiple Metaphors behind the Playing: An Explanation of Hu Shi's Interpretation ofA Journal to the West, Hongbo Zhu
Muses and Dongb Longf: The Literature behind Literatures, Xinjian Xu
Musicalization: Xu Zhimo's Poetic Aesthetics, Liming Chen
Mutiple Faces of "The Other", Yamin Hu and Xiang Xiao
Myth as a Meta-Narrative, Zhiqiang Xu
Mythological Narrative of The Clouds and Its Tragic Characteristic, Chunlian Chen
Narrative Act and Literariness: On Formal Analysis and Literariness, Xu Liu
Narrative and Poetry of History: A Case Study of Poetry Annotations of Du Fu in the Early Qing Dynasty, Changzheng Yang
Narrative Frequency and Three Dimensions of Time, Weihua Li
Narrative Function and the Order of Life: Analyzing the Performative Mode of Moggallāna Folk-Opera, Zhiquan Zhang
Narrative Function of the Description of Daily Meals in A Dream of Red Mansions, Jinju Wang and Yujie Zhang
Narrative Reliability and Literary Authenticity, Shouyi Jiang
Narrative, Situation and Metaphor: How Plato's Republic's Opening Paragraphs Are Written and Read, Linfang Zhu
Narratology as a Discipline: An Interview with Gerald Prince, Guoqiang Qiao and Prince Gerald
Natural History and the "Scientific Discourse Community" of the Three Zhou Brothers, Jianrong Liao
Natural-object Metaphor and Chinese Literary Criticism, Xiaoling Feng
Negation of Life: Reassessing Schopenhauer's Influence on Early Nietzsche's Metaphysics of Art, Dong Lü
Neo-Confucianism's Premises Facing Aesthetic Questions: Art, Ethics and the Way in Zhou Dunyi's Thought, M'Bondjo Maud
New Changes and Redemption: On the Russian Formalism's Genre Theory, Jun Chen
New Changes of Confucianism during the Late Qing Dynasty and the New Novel's Imagination of the Nation, Jun Zhu and Xun Sun
"New Literature" and "Old Tradition":The Interaction between Modern and Traditional Zhanghui Novels, Bingru Guo
New Media Literary Spectacle and the Materiality of Literature, Caishu Zhou
"New Scholar-Official Community" and Art Theory in the Tang and Song Dynasties, Qiang Tong
Nietzsche's Idea of "the Death of Tragedy" and the Poetics of Nostalgia, Chaoyong Wei
"Nineteen Old poems" and Metaphysics, Jiemo Zhang
Nobel Prize for Literature and the Making of World Literature, Dadui Yao
Non-academic Discourse Practice: Contemporary Association among Aesthetics, Politics and Ethics: A Review on Rancière's Seminar withTheoretical Studies in Literature and Art, Yin Bai and Feng Lv
Non-fictionality of Lu Xun's Old Tales Retold: On the Stylistic Effect of Literary Game on Lu Xun's Historical Writing, Jianhuai Li and Guangya Zhao
Norms and Nature Appreciation, Robert Stecker
Notes on Text Theory, Youxiang Tu
Obstacles of Reception and the Textual Features of Wu Jingzhi'sThe Scholars, Yongqiang Liu
On Academic Confidence, Xian Zhou
On Aesthetic Depth Psychology and the Appreciation of Art, Yuneng Zhang and Gong Zhang
On Anti-Conventionality and Limitation of Non-Fictional Writing, Zhigang Hong
On Auscultation, Xiuyan Fu
On Beauty: Its Naming and Reference, Hongxiang Li
On Benjamin's Critical Model of "Aestheticization of Politics" Via an Analysis of Italian Futurism, Yun Zhou
On Comparative Bibliography of Western Aesthetics, Xian Zhou
On Dark Ecology and Its Aesthetic Dimension, Jin Zhang
On Death and Hope in Lu Xun's "Upstairs in the Tavern", Hong Zhang
On Deng Tingzhen's Ci-Poetry, bailing Yang
On Different Models for Lyric Poems, Culler Jonathan and Danhong Cao
On Du Fu's Reception of Yu Xin's Poetry and the Implications to Du's Poetic Theory, Yao Zhong
On "Shi" in Chinese Calligraphy: Time, the Body, and Origin, Xinqiao Qiu
On Heidegger, Jameson Fredric and Yu Zhu
On Issues of Internet Literature as a Research Topic, Youquan Ouyang and Yufei He
On Jean-Luc Nancy's Reinterpretation of the Sublime, Qi Wang
On Kant's "Problem of Ugliness", Daozheng Pan and Jinchao Li
On Li Linfu and the Poetic Circle in the Golden Age of the Tang Dynasty, Fang Ding
On Literary Theory: Its Way of Unveiling, Semiotic Rectangle and Absolute Deterritorialization, Jin Zhang
On Literature as an Art Form and its Ways, Feng Peng
On Liu Gangji's Practical Ontological Aesthetics as an Advance of Practical Aesthetics, Liyuan Zhu and Wenying Zhang
On Liu Shipei's "On the Difference of the Southern and the Northern China's Literature", Jian Wu
On Liu Xizai's Aesthetic Concept of the Author's Primary Bound, Xingchuan Tao
On Liu Xizai's Paradox about the Exhaustibility of Meaning, Xingchuan Tao
On Liu Yin's Idea of "Relaxing in the Study of Cultural Arts" and Literary Thoughts, Wanli Yang
On Lou Fang's Concept of Moderation in His Prose Compilation The Recipe for Classical Prose, Xiaochuan Yu
On Lu Ji's Concept of Audible Meaning as a Form of Synesthetic Criticism, Songqing Chen
On Middle English Ballads and "Medievalized" Traditional British Ballads, Huiyi Bao
On Narrative of Literary Folklore, Dongwei Mei
On Plato's Religious Justice and Artistic Justice, Yun Wang
On Pleasure, Imagery and Value of Beauty as the Characteristics of Aesthetics, Zhixiang Qi
On Poetry's Moral Cultivation: Style Reverence and Moral Cultivation in the Late Qing-Dynasty Ci-Poetry, Shuiyun Chen
On Rancière's Concept of Modern Fiction, Danhong Cao
On "Real Author" and "Implied Author", Yuyu Liu and Yanni Lei
On Richard Rorty's Concept of Imagination, Xiaolin Li
On Schelling's Ontological Aesthetics, Fanren Zeng and Qun Reng
On Some Issues Neglected in Modern Chinese Aesthetic Studies, Zuzhao Gu
On Spectral Criticism, YanBing Zeng
On Steinberg's Appreciation of Jasper Johns: A Reflection on the Criticism of Avant-garde Art, Xiaolin Qiu
On Terry Eagleton's Revolutionary Criticism, Wei Wang
On the Abstraction of Modern Art and the End of Art, Xiuyin Peng and Zhendong Wu
On the Acceptance ofThe Books of Songs in the Qing Dynasty Poetry, Guoan Chen
On the Aesthetic Significance of Kant's Concept of Schema, Hongbin Su
On the Artistic Origin of Wen Tingyun's Music Bureau Style and Its Influence on Ci-Poetry, Qinghai Liu
On Theatricality, Ke Shi
On the Classification and Significance of Poetry by Elegant Ladies in the Ming and Qing Dynasties, Qingxiu Song
On the Composite-Sign Literary Text and the Layers of Sign in the Text, Xiaoxi Shan
On the Construction of Aesthetic Image in Aesthetic Activities, Zhirong Zhu
On the Core Scope and Self-Consistency of Media Art and Literature, Qing Yan
On the Difference over Literary Ideas between China and the West, Qingbing Tong
On the Edition Criticism of New-Era Novels and Its Academic Value, Xianhai Luo
On the Evolution of Wang Yuanhua's Methodology for Literary Theory, Zhongyi Xia
On the Experiential Basis of Beauty, Hongxiang Li
On the Factors to "The Extraordinary out of the Ordinary" in the Late Ming Dynasty, Gang Chen
On the "Flavour" in Poetry Commentaries in Song Dynasty, Aiping Huang and Xun Sun
On the Formation Mechanism of Contemporary Discourse on the Public, Chonghong Luo
On the Formation of Appreciative Criticism in Ancient China, Chunqing Li
On the Four Dimensions of Cross-Cultural Aesthetic Appreciation, Qingben Li
On the Four Forms of Contemporary Cultural Criticism, Minghua Xiao
On the Genealogy of Heresy in Revolutionary Literature, Huiying Xie
On the Generic Hybridization between Fiction and Biography, Qinghua Wang
On the Idea of Coercive Interpretation, Yang Lu
On the Idea of Progress in the Literary Criticism in the Seventeen Years after 1949 and Its Influence, Pengcheng Kou
On the Institutional Theory of Art from the Perspective of Cultural Sociology, Xiao Kuang
On the Interrelated Dimensions of Materiality in Literary Criticism, Jin Zhang
On the Intervention of Literary Means in Painting and its Boundary, Xiaoli Wang
On the Literary Ideas of the Yangming School, Qingtao Xue
On the Lyrical Tradition of Chinese Prose, Jianhui Chen
On the Marginalization of Natural Beauty in the Western Aesthetics under the Context of Modernity, Zedong Zhou
On the Methodological Evolution and its Limitation of Literature Anthropology, Daqiao Wang
On the Methodological Problem of the Discussions of “Chinese Identity” in the Exploration of “Cultural Politics”, Xiaoping Wang
On The Misunderstanding and Reception of "To Be a Poet in The Spare Time", Xiang Xiong
On the Modern Transformation of Ancient Literary Theory, Yun Wang
On the Motivations of the Theory of Imposed Interpretation and Their Paradoxes, Qilin Fu
On the Paradigm Shift in Literary Theory Research, Dengyun Dai
On the Paradigm Transformation of Literary Studies: from Literature to Literariness, Hanguang Ma
On the Perspectives of Gender Representation and Ethical Contradiction in Women's Self-Portraits, Chenguang Ling
On the Poetic Method "Duotai Huangu": A Clarification of Misunderstandings, Changhong Zhang
On the Poetics of Materiality, Jin Zhang
On the "Portrait Paintings" in the Late-Ming Fictions and Xiqu, Yaping Cai and Guofu Cheng
On the Possibilities, Construction, and Functions of Trauma Narratives, Weihua He
On the Psychoanalytical Practice and the Artistic Practice, Althusser Louis and Zhifeng Wu
On the Publicity of Cultural Critique, Dongfeng Tao
On the Rationality and Casual Criticism in Poetry Commentaries in Song Dynasty, Shanshan Xie and Qiaobin Deng
On the Reference of Directional Positioning in the Han-Dynasty Stone Carvings, Qing Wang
On the Reflexivity of the Functional Specialization of the Literary Theory Discipline System, Yuyun Feng and Liming Zhou
On the Relationship between Self-Annotations and the Lyrical Implications in the Tang-Dynasty Poetry, Na Wei
On the Relationship between the Morality Advocating Campaign in the Qing Dynasty and Popular Novels, Caixun Chen
On the Representative Narration of Literary History, Guoqiang Qiao
On the Rise of the Early Notion of Literary Genres inChina, Chengxue Wu and Guanlan Li
On the Significance of "Bone" and the Unique Connotation of Liu Xie's Concept of "Wind and Bone", Aibin Yao
On the Site-Specificity of Public Art, Baldini Andrea
On the Stylistic Origins and Literary Forms of Ci and Fu, Zhixi Qian
On the Sublime Visual Image of Chinese "Mountain-like Altars": A Response to Professor Wu Hung's Theory, Zhaorong Peng
On the Suzhou-Poetics Centrism in Qian Qianyi's Selected Poems across Dynasties, Yijin Bai
On the System Theory Tendencies of Contemporary World Literary Theory, Lan Hao
On the Temporality in Shklovsky's Literary Thoughts, Yanshun Liu
On the Theoretical Construction of the Characteristics of Tongguang Style Poetry by Tongguang Style Poets, Xiaowei Zhang
On the Theoretical Innovations of the Chinese Cultural Poetics, Zuzhao Gu
On the Theory of Literary "Craftsmanship" during the Six Dynasties, Dongxiao Yang
On the Tongcheng School’s Preposition of “Both Poetry and Prose Following One Principle”, Wuzheng Pan
On the Tragic Consciousness of Chinese Aesthetics, Zhirong Zhu
On the Ways for Literature to Pervade Reality, Xuan Wu
On the Word-Image Intertextuality and Its Aesthetic Characteristics of the Illustrated Book Big Breasts and Wide Hips, Hongyue Wang and Chunlei Yang
On Visual Representation and Richard Wollheim's Concept of Spectators' Seeing, Manting Yin
On Wang Youpu's Criticism on the Ancient-Style Prose and Its Value, Zukun Yu
On Xu Zhongyu's Thoughts of College Chinese Education, Huaping Cheng
On Yao Nai's Poetic Quality and the Origin of His Poetics, Yin Jiang
On Yu Yan's Poetic Thoughts, Shuzhen Yue
On Zhu Dongrun's Theory of Biographical Literature and its Characteristic Complexity, Yeping Gu
Opportunities and Challenges: Reflections on the Cultural Situation and Destiny of Modern Poetry in the Past Century, Guoming Yin
"Organic Entity" and the Evolution of Zhu Guangqian's Early Thought, Hongbing Zhou
Originality in Modern and Contemporary Chinese Drama Revisited: Spoken Drama vis a vis Chinese Opera, Huizhu (William) Sun
Origin, Truth and the Structure of Messianic Time: On Theology of Walter Benjamin's Philosophy, Guoping Hu
Our Modernity: The Cross-cultural Potential of Chinese Scholarship, Yiqing Liu
Out of "the Prison of the Self": Maurice Blanchot on Death, Literature and "The Other", Lingling Zhu
Ouverture and Closure in Interpretive Contexts, Margolis Joseph
Ouyang Xiu's Research ofBook of Changes and the Turn to Classical Style Prose, Gang Cheng
Overseas Research on Marxist Aesthetics: A Comparative Reading and Thought Construction, Song Li and Muyi Yu
Paris and the Worlding of Minor/Small Literatures: The Case of Basque Literature, Verbeke Frederik
Particularities in Time and Space: on Historicism in Stephen Greenblatt's New Historicism, Zhu Wang
Passion and Politics in Revolution: A Psychoanalytical Reading of Ding Ling, Ban Wang and Xiaohua Cao
Paul Ricoeur's Narrative Explanation Concerning the Issue of Time, Feixiong Fu
Peeping and Moralizing: Daniel Defoe's Practices of Literary Production, Zhenming Hu
Penglai, Cinnabar, and the Great Roc: The Presence of Daoism in Du Fu's Poetry, Haoming Liu
Pen Names in the "Seventeen Years Period" and the Ecology of Contemporary Chinese Literary Criticism, Pengcheng Kou
Performing the Melancholy of City: Body, Death, and Photography, Xiao Cai
Periodizing Postmodernism, McHale Brian
“Personal Accounts” and Realism in the Discourses of Fiction Criticism in the Early Republic of China, Zipeng Luo
Personal Experience About Frankfurt School: From "Non-Identity" to "Singularity" — An Interview with Professor Samuel Weber, Yong Zhao and Weber Samuel
Personality Transformation and Writing Transference in Li Yu's Novels and Dramas, Mingqi Zhong
Phenomenological Interpretation of Chinese Creation Myth of Pangu, Qian Wang
Physical Instruments and Image Art, Tian Li
Play and Liminality in Chinese Cinema: Star Studies in the Perspective of Performance Theory, Yingjin Zhang and Qianliang Yi
Playfulness and Parody: The Narrative Tension in Japanese Collection of Pseudo-Biography Kikai gisenden, Dongbo Bian
Playful Reception of Classics: On Parodization of Du Fu's Poems in the Song Dynasty, Hua Yao
Playthings of History, F. Jones Andrew, Dun Wang, and Yiren Zheng
Pleasure and Aesthetic Experience from the Perspective of Neuroaesthetics, Jun Hu
Poetic Art and Virtue: Plato on Ancient Greek Poets, Zhimeng Lin
Poetics of Gesture: Agamben's Biopolitical Criticism, Yunbo Zhi
"Poetry-Rituals-Happiness" in Chinese Thought and Aesthetics as a Discipline, Chengwan Lao and Meng Qi
Poetry under Imperial Order and Seven-Character Metrical Poetry in the Early Tang Dynasty, Shun Liu
Political or Ethical: Chen Duxiu's Motive for Writing "Towards a Literary Revolution", Xu Xu
Politics or Aesthetics? —— T. J. Clark's View of Social History of Art, Yubing Shen
Polyphonic Novel and Polyphonic Music, Qian Hao
Postcolonial Ecocriticism: Greening Studies of Postcolonialism, Fuguang Miao
Postemotional Representations and Psychological Symptoms in the Narrative Mechanism of Internet Literature, Wanbo Wang
Postmodernity, Hegemony, Sexuality, Alderson David
"Post-New Period" and the Structural Position of Everyday Life, Huanjiang Qiao
Potentiality, Resistance and Bare Life: Giorgio Agamben on Melville’s Bartleby, Yanjun Wang and Yaping Wang
Potential of Poetic Dialogue: Guo Xiangzheng's Innovative Appropriation of Li Bai, Tingting Zhao
Practicing a Community: Collectives of Western Avant-Garde Theatre and Its Performative Turn, Ziwen Gao
Prefaces and Postscripts in Early Dunhuang Bianwenand the Establishment of Research Paradigm for Modern Folk Literature, Yajing Wang and Xun Sun
Pre-Qin Concepts of “Image” and Aesthetic Imagism in Chinese Poetry, Yiming Huang
Preservation and Distortion: the Recording, Editing and Publishing of Yangzhou Storytelling, Huarong Wang
Problems with Contemporary Western Environmental Aesthetics, Yu Zhao
Prof. Xu Zhongyu's Researches into Literary Theory, Qinghua Wang
"Pure Pleasure", "Absolute Beauty", and "True Self": A Study of the Metaphysical Dimension of Aesthetics, Xuguang Liu
Qian Gurong in Literary Criticism from 1949 to 1966, Jianjun Xu
Qian Zhongshu's Old-Style Poetry: A Case Study of his Collected Poems and On the Art of Poetry, Zhixi Qian
Qi Rushan and Mei Lanfang's Chinese Montage: Modernizing Peking Opera Through Recomposition, Tingting Zhao
Questions about Studies of The Book of Songs in the Recent Century, Yufeng Xie
Ranges of Understanding: On the Vast Scope of Art Interpretation. A Wittgensteinian Perspective, Majetschak Stefan
Raymond Williams and His Contrapuntal Reading of Literary Representations, Weihua He
Reading Narrative: Deterritoralization and Becoming, Daizong Yu
Readymade and the Placing/Stellen of Truth: A Heideggerian Interpretation of Duchamp's "Fountain", Yulong Miao
Reappraisal of the Aesthetic Thoughts of Giambattista Vico, Liyuan Zhu and Ming Li
Reconsideration of Humanism and Literature, Gong Zhang and Yuneng Zhang
Reconsidering Yan Shu's "Worldly-wise and Self-preserving" Personality, Mingzhen Shao
Reconstructed Time: Gilles Deleuze’s View of Time Based on “Involuntary Memory”, Yuyu Wu
Reconstructing the Poetic Appeal of Contemporary Chinese Prose: A Case Study on Zhao Lihong's Prose, Zhouwen Wu
Redefining Art, Anying Chen
"Redefining Literature and Art": Strategies for Reconstructing the Political Dimensions of Literature, Chuanlan Yin and Fengjie Liu
Re-evaluating "Foregrounding": The Prague School's Contributions to Aesthetics, Lei Yang
Reflection and Development: A Review of 70-Year Study on Ci-Poetry in Shanghai, Guozhong Peng and Zehhua Liu
Reflection on the Discursive Evolution of the Socialist Realism in the Soviet Union, Qichao Zhou
Reflections onThe Cambridge History of Chinese Literature: An Interview with Professor Stephen Owen, Min Wang
Reflections on Forgery in the Context of Art Institutions, Sujun Li
Reflections on Gombrich's Art Theory in the Postmodern Context, Baoqing Mu and Guangsheng Zou
Reflections on Post-Human Discourse: Centering on Slavoj Žižek, Xinting Liu
Reflections on Structuralist Narratology, Shouyi Jiang
Reflections on the Post-Modernist Concept of Literary History in A New Literary History of America, Song Li
Reflections on the Researches to the Essence and Existence of Song-Yuan Drama in the Past Century, Jiansen Chen and Jiali Mo
Regarding the Naming of Things: Another Approach to Onomatology, Hong Yan
Reinterpreting the Aesthetics of "Zerstreuung": From Walter Benjamin to Jonathan Crary, Peng Zhang
Reinterpreting the Concept of Human in the Pre-Qin Classics of Literary Theory, Jianzhong Li
"Relating instead of Making" and the Sage Myth, Qicui Tang
Reparative Reading，Postcritique, and Methodology in Literary and Cultural Studies, Ling Yang
Reportage as a Non-fictional Narrative Mode, Xiaoyuan Ding
Representing the Unrepresentable: Rancière on the Ethical Turn of Aesthetics., Jing Rao
Restraining in Theory: A Review of the Debate between Derrida and Searle, Qing Feng
Rethinking Camp: From Sontag's "Notes on Camp" to Camp Films, Wensi Li
Rethinking Writers’ Ethnic Identity: Essentialism vs. Free Choice, Jianhua Yu
Retrospect and Re-exploration of Structuralism, Qichao Zhou
Return to Roman Jakobson: On the Linguistic Source of "Literariness", Wei Feng
Reversion and Subversion: The Internal Logic and Cultural Dynamics of the Historical Transformation of Luxury Consumption, Shiping Jiang
Review of "Western Aesthetics in the Perspective of the East" Summit Forum, Shenggui Song and Weina Yang
Revisiting the Relationship between Xiqu Illustrations and Stage Performance in the Ming Dynasty, Hao Zhu
Rewriting and Rewritology: A Poststructuralist Approach to Literary History, Jinlong Xiao
Rewriting the Classical: Contemporary Writers’ Reception of the Story “Goose Cage Scholar”, Wenbin Gu
Richard Rorty and the Possibility of a Neo-pragmatic Literary Theory, Yonghua Tang
Richard Wagner’s Aesthetics and the Musical Turn of Symbolism, Guohui Li
Robert T. Tally Jr.’s Spatial Literary Studies, Ying Fang
Ruminating on Garbage: Exemplified by Kunal Vohra's Film The Plastic Cow, Chang Chia-ju
Sade, Jouissance of Reason and the Practical Reason of Evil, Kailin Yang
Schapiro, Semiotics and Iconography, Xin Gao
Schematizing Without a Concept: Kant on the Harmony of Imagination and Understanding, Wei Li
Schiller's Aesthetic Thoughts from Moral Politics to the Construction of Aesthetic Utopia, Juan Li
Scholars' Caps in Unoffical History of the Scholars: Rereading Details from a Holistic Perspective, Ziyun Liu
Second Nature and Modern Art: On Lukács' Response to Hegel's "End of Art", Kaihua Lu
Seduction: from the "Aesthetic Stage" to the Postmodern Mirror: Baudrillard's Interpretation of Kierkegaard's Seduction, Jingjian Shang
Self-Understanding before the Text: Paul Ricoeur's Conceptualization of the Textual Meaning, Fei Wu
Semiotic Analysis of “Repulsion” and Its Social and Aesthetic Functions, Guanghui Tan
Semiotic Differance and the Re-disappearance of Image in Ming Landscape Painting, Duan Lian
Shakespeare and Econo-Literary Criticism, Min Jiao
Shao Yong as the Origin of the Mind philosophy in Journey to the West: A Critical Examination, Hongbo Zhu
Shen Congwen and the Study of Material Culture, Jin Ji
Shih-hsiang Chen's Theory on Chinese Lyrical Tradition and Its Limitation, Cheng Xu
Shock and Immersion: The Complex Aesthetic Experience of Chinese New Mainstream Film, Xiaofang Lu
ShouldCi-poems Be Included inComplete Tang Poems, Yufeng Xie
Signs of the Return to Literary Studies from the Debate on Literary Canon, Wenfang Yao
"Singer-songwriter" as Method: On Authenticity and Authorship of Popular Music, Shuwen Qu and Danzhou Li
Sinophone Literature and World Literature in Chinese, Fengliang Li and Ping Hu
"Sister Xianglin's Doubts": The Situation and Dilemma of Soul in Luxun's Short Story "New Year Sacrifice", Hong Zhang
Social Conventions: The Structural Elements of Literature, Dakang Ma
Somaesthetics and the Justification of Body-Mind Monism: An Account from the Perspective of Marx's Historical Materialism, Yingmin Fang
Some Issues Concerning the "Chorus" in Nietzsche's The Birth of Tragedy, Youfeng Hu and Mian Wu
Some Theoretical Categories in Sanskrit Poetics, Xi-nan Yin
Sound and Listening as a Figurative Narration, Yuhui Jiang
Space: A Keyword for Art History Research, Juan Mao
Speculative Aesthetics and Subject-Object Relation: Michelangelo Antonioni and Samuel Beckett as Examples, Chang Chen
Speech Act and the Fiction in Literature, Dakang Ma
Spirit Resonance and Empathy: A Topic in the History of Modern Chinese and Japanese Aesthetics, Yinglong Peng
Spivak's Strategies of Theoretical Construction for Subaltern Studies, Yihua Chen and Peiyuan Lin
State-oriented Essays and "Author" Consciousness: Discourse Construction of the Original Literary Criticism of "A Discourse on Literature", Yuelin Zhang and Yang Yang
Statistical Literary Theory: New Literary Research Paradigm in the Era of Big Data, Caishu Zhou
Strength of Voice: The Making of "Literary Culture" and the "New Individual", Jing Yang
Style-Breaking in Song-Dynasty Ci-Poetry and Its Acceptance in the Context of "Flexible Method", Xiaoli Wang
Su Shi's Temple-Visiting Poems and the Progression of His Chan Enlightenment: with an Additional Discussion of Three Types of Northern Song Literati's Temple-Visiting Poetry, Shunchen Li and Chang Gao
Symbolic Structure and the Reconstruction of Sensation, Ma Dakang and Wang Zhengzhong
Symmetries in the Semiosphere: A Typology, Leone Massimo
Symptomatic Reading, Surface Reading, and the Renovation of Literary Criticism in the New Millennium, Ling Yang
Synopsis of The 9th Youth Forum of Chinese Association for Theory of Literature and Art, Xin Lu
Tactile Culture or Auditory Culture: A Different Future of the Post-Visual Culture, Lianjie Liu
Tarrying with the Surface: The Screen Theory of Slavoj Žižek, Guangji Wei
Tasting Beauty: Aesthetic Implications of Chinese Cuisine, Zhaorong Peng
Teaching of Western Literature and New Literature in Modern China: A Case Study of English Education at St. John's University, Shanghai, Laiming Yu and Huan Yan
Technology and Perception: An Inter-Pretation of McLuhan, Heisenberg and Zhuangzi, Huimin Jin
Technology, Apparatus and Meaning: Two Approaches to Myth Interpretation, Jing Rao
Telling, Telling Style Essay and Storytelling, Jinfeng Zhou
Terminological Transformation of “Literature”: Establishing a New Literature in Modern China, Xinjian Xu
Terry Eagleton's Borrowing from Aristotle's Metaphysics Thought, Zhike Yin
The 18th-Century Theories of Reading and Contemporary Cognitive Narratology, Wen Jin
The Achievements of and Inspirations from The Psychology of Tragedy, Ersu Ding
The Adaptation of Chuanqi in Fiction Anthologies of the Ming Dynasty and Its Significance for Stylistics, Minghua Ren
The Aesthetic Ethics of Evil: Understanding Evil in Modernistic Narrative, Shiren Tang
The Aesthetic Ideas in the Taichi Diagram and Chinese Calligraphy Art, Lei Wei
The Aesthetic Ideology of Post-Marxism, Yongkang Fan and Fengjie Liu
The Aesthetic Regime of Art and the Construction of Its Politics: on Jacques Rancière's Aesthetic Thoughts, Haiting Zheng
The Aesthetics of Cinematic Violence and the Mechanism of Affect Theory, Qi Gai and Guihai Lin
The Aesthetics of Parody in The Late Ming Dynasty, Jianqing Tuo
The Affect Theory of Tao with "Wuhua" from an Animal Perspective, Suqin Hu
The Allure of Moving Images: Unmasking Roland Barthes, Anni Shen
The Anatomy and Aesthetic on Modernity Fragments: on the Thought Genealogy of Fragments from Simmel to the Frankfurt School, Xiangrong Yang
The Antiquity-Revival Movement and the Study of Ci-Poetry in the Ming Dynasty, Yi Yu
The Application of Referent in Western Marxist Critical Theory and Its Significance, Bi Zhang
The Application of the Art of Blank-leaving in Painting to Modern Fiction and Its Significance, Huizhao Li
The Art Form, National Image and Culture Discount in Korean Movies: An Empirical Study Based on the North American Market, Linxia Chen and Ying Du
The Artistic Field during the Yongle-Xuande Reign the Ming Dynasty and the Writing of the Ministerial Style, Xianpo Yuan
The Artistry in the Historical Storytelling Scripts of the Song and Yuan Dynasties, Dajun Xu
The Art of Guan Hanqing's Dramaturgic Structure, Jianzhong Xu
The Art that Can not be Reduced: Sociologists of Art on the Specificity of Art, Wenchao Lu
The Audience Awareness in the Self-Annotations among Mid-Tang Poets such as Bai Juyi and Yuan Zhen, Zhiyue Yu
The Autonomy of Art and the Justice of Aesthetics, Dai Xu
The Autonomy of Literature and Literary Standards: A Study of Earl Miner's Methodology of Comparative Poetics, Jianxun Ji and Jianfeng Zhang
The Becoming of a Minor-Literature from a Minor-Language, Yue Ge
The Becoming of Literary Significance: A Review of the Debate Jakobson vs. Riffaterre and Culler, Fei Jiang
The Birth of the Modern Discipline of Literary and Art Theory during the Period of the May Fourth Movement, Zhixiang Qi
The Boat as Polis: Some Issues of the Political Philosophy in Early Greek Poetry, Xiaofeng Liu
The Body and Its Theoretical Problems in Virtual Art Experience: An Investigation Based on Physical Practice in VR Films, Xiaoxi Shan and Xueli Li
The Body Prescribed, the Subject of Desire, and the Discourse of Body in Literary Criticism, Xuezhi Niu
The Boundaries, Implicit Speech, and Blind Areas of the Narrative of Love in the Red Classics, Yanbing Hui
The Canonization of Gui Youguang's Shouxu and Its Significance in Literary History, Liang Dai
The Category, Complexity, Starting Points and Methodology of Image Studies, Jirong Chen
The "Central Land Prosody" and the Rise and Fall of the Musical Verse from the North and the South, Shunhua Li
The Changing of the Person in the Narration in Modern Chinese Literature and its Intellectual Implications, Huiying Xie and Weiwei Zhou
The Characteristics and Significance of Ouyang Xiu’s “Guest as Host” in His Ancient-Style Prose, Guang Xu
The Characteristics of Chinese Creative Culture and Its Form of Existence , Xuan Wu
"The Chinese Encyclopedia" in Foucault'sThe Order of Things, Jinshan Che
The Chineseness of Chinese Fiction: Taking Wang Zengqi as an Example in Response to the Query of Howard Goldblatt, Cancan Ouyang
The Classical Propositions of Ancient Opera Studies in the Historiography of Opera in the Period of the Republic of China, Jingfeng Huang
The Combination of Emotions and Things in Traditional Chinese Poetics, Guikui Li
The Complete List of Theoretical Studies in Literature and Art, Vol. 1-6, 2020, Studies in Literature and Art Theoretical
The Conception of Canonization inThree Hundred Tang Poems, Honglin Wang
"The Concept of Ben-se" in the Horizon of Chinese Poetic Criticism, Mingfu Pan and Zhaopeng Wang
The Concept of Image in Chinese, Western and Japanese Cultures, Haohui Xi
The Concept of Image in Zhu Guangqian's Early Aesthetic Thoughts, Huaiyi Wang
The Concept of Nature's Aid in the Literary Creation of the Womanhood Poetics in the Qing Dynasty, Qingxiu Song
The Concept of Subjectivity and the Body Image in Ancient Greek Aesthetics, Xiaohua Wang
The Concept of "Tianji" in Ancient Chinese Literary Criticism under the Perspective of Phenomenology, Jing Zhang
The Concept of Witty Humor in the Poetry in the Qianlong-Jiaqing Reign of the Qing Dynasty, Jieling Liang
The Connotation and Referent of Chuanqi in the Study of Fiction in the Ancient China, Qinghua Wang
The Construction of Eco-Aesthetics and the Building of Academic Self-Confidence, Xiangzhan Cheng
The Construction of Literary Theory Centered on Literary Criticism, Xilin You
The Construction of Literary Theory of the Individual Chuanqi in the Mid-Tang Dynasty, Junjun Li
The Construction of Orthodox Order and the Canonization Process in the Ci-Poetry Circle of the Qing Dynasty, Mingsheng Cao and Xianyi Sha
The Construction of Shuobu in the Genealogy of Zixue, Wenqing Wu
The Constructs of Literary Form and its Multilateral Relationships, Fan Nan
The Creation of New Tunes for Ci-Poetry in the Qing Dynasty and Their Dual Forms of Music and Text, Shen Liu and Xianyi Sha
The Crisis and Future of National Memory in the Digital Age, Jingrong Zhao
The Criticism on Su Shi's Poetry in Yuan Haowen's "Thirty Poems on Poetry", huainan Liu
The Cultural Logic of Digital Capitalism: "Participation" from Artistic Critique to Data Production, Zhongtao Zhang
The Cultural Nature of Material Objects and the Return Route of Material Culture, Liang Xu
The Cultural Political Significance of Form: On the Musical Practices of the New Worker's Art Troupe, Chunlin Guo
The Cultural Politics of Conspicuous Consumption in China, Min Zhou
The Cultural Significance of the Chain Ci-Poems in the Ming Dynasty, Jingyi Wang and Xisheng Qian
The Cultural Theme in Terry Eagleton's Critical Theory, Hailiang Mai
The Dao Shown in Skills or Integrated into Skills: An Examination of Zhuangzi's Aesthetics on Skills, Huoqing Chen
"The Dark-houred Clock": Embodiment and Abstraction in Celan's Poetry, Lemberger Dorit
The Death and the Revival of the Author, Hajdu Péter
The Debate on the Grade of Tao Yuanming in Zhong Rong'sTastes of Poetryin Modern Academic history, Xun Yang
The Decline and Reconstruction of "Poetic" Text in Chinese "Renaissance", Changsheng He
The Decline of Dualism and the Rise of Soma-esthetics in Western Aesthetics, Xiaohua Wang
The Deep Path in Foucault's Critique of Reason and Its Enlightenments for Post-Theory, Yang Liu
The Definition, Potentiality and Paradigm of Art History, Feng Peng
The Degeneration of the Space: On Baudrillard's Critique of Contemporary Architecture and Urban Space, Shuyuan Wan
The Destiny of Art: On Jean Baudrillard's Aesthetic Thought, Shuyuan Wan
The Destiny of Western Theory in China: Jameson and Jamesonism, Kang Liu
The Differentiation Aesthetics in the Representations of the Clothing, Food, Residence and Traveling of Migrant Peasant Workers, Bo Feng and Deming Xu
The Dilemma of Minority Ethic Group's Literary Theory and the conjunction with "aphasia" of Chinese Literary Theory, Xinyong Yao and Yajuan Liu
The Disciplinary Boundaries and Intrinsic Basis of Aesthetics of Theory of Life, Jianjiang Wang
The Discourse of Revolt and the Study of Contemporary Literary Theories, Yun Fan
The Discourse System of the Qing Loyalists: a Case Study of "Zhenyuan Courtiers", Jingru Pan
The Disintegration and Reconstruction of the "Value" in the Study of The Book of Songs in the Twentieth Century, Changhua Wang and Pengge Zhao
The Dissemination of American Deconstruction and Its Reception in China, Xiaoming Chen
The Dissemination of Translated Novels in Modern China, Dakang Chen
The Distinction of Han and Wei Dynasty's Poetry and Its Poetic Significance, Honglin Wang
The "Drama-embedded Mode" of Popular Novels of the Ming and the Qing Dynasties, Pengfei Li
The Earliest Experiment Report of College Chinese: A New Interpretation of The Teaching of Practical Writings by Liu Bannong, Eryuan He and Wenli Feng
The Early and High Tang Poets' Inheritance and Development of the Traditions of Yanzhi o rYuanqing, Qinghai Liu
The Education of Teachers of Chinese and the Spirit of University: On Xu Zhongyu's Literary Theory, Xiaoguang Lu
The Bi Xing Poetics in the Late Ming and Early Qing Dynasties: The Cases of Zhu Heling, Feng Ban, He Shang, and Wu Qiao, Zhuoying Huang
The Emergence and Development of "Chinese Aesthetics" in the Modern Times: A Historical Inquiry , Qiang Zhao
The Emergence and Development of Poetic Treatises during the Ming Dynasty, Miaomiao Zheng
The Encounter Between François Cheng and Contemporary French Poetry, Chunfeng Wu
The Energeia and Image in the Thought of Gadamer in His Late Years, Lijun Sun
The Enigma of Visibility: Merleau-Ponty's Philosophical Reflection on Painting in Eye and Mind, Yaojun Zhang
The Epistemological Attributes of Literary Theories, Jianchang Xing
The Essence of Qian Gurong's Aesthetic Personality, Jun Wu
The Essentialist and Anti-Essentialist Features in Gates' Literary Theory, Yanli He
The Eternal Return of Camus, Roger Philippe
The Ethical Landscape in the Transformation of Modernity in Shen Congwen'sBorder Town and After, Yan Chen
The Ethics of Memory in Adorno's Aesthetic Utopia and Its Transform, Wenjun Ding
The Everlasting Voyage of Heteronymy: Badiou's Discussion about Pessoa and Plato, Huan Wang and Jiang Lan
The Evil of Rhetoric: A Critique of Augustine's Criticism on Rhetoric in Confessions, Xiaobai Chu
The Evolution of "Global Village" Theory: From Tribal Phenomena to the Media Ecology, Huifang Gao
The Evolution of Narration and Lyricism and Changes in Five-Character Poetry, Han Li
The Evolution of the Concept "Emulating Pre-Tang Regulated Verses" in Ancient Chinese Poetics, Zhanzhao Liu
The Evolution of the "Poetry as an Expression of Aspirations" Theory and Its Multi-layered Significance, Zhixi Qian
The "Expropriated" Subject: A Case Study of the Negative Character Qian Shouwei in "Model Plays", Yihan Chen
The Extension of Value in Literary Classics: A Case Study of Mark Twain's "Running for Governor", Lili Liu
The Fallacy and Verification of Criticism on Contemporary Chinese Confessional Poetry, Lei Wei
The Falsity of Life and the Truth of Existence: A Thematic Exploration into Ingmar Bergman's Works, Ru Pan
The Formation of Body Modernity and Its Discourse Dimension: A Case Study of "Body Encounter" in Modern China, Jigang Huang
The Formation of Chinese New Poetry as Translated Modernity, Liming Chen
The Four Dimensions of Literary Memory and Historical Consciousness, Yonghe Lu
The Fragmented Ancient Chinese God System, Dake Zhu
"The French Theory" in the United States, Yang Lu
The Function of Generalization in Art History: Understanding Art across Traditions, Davies David
The Futures of Comparative Literature, Lezra Jacques
The Genealogical Evolution of Apollo's Images, Hui Tang
The Genealogy, Objects and Subjects of Visual Culture Studies, Qiong Wu
The Genealogy of Affect Theory, Qianyue Liu
The Genesis of Literature, Shuying Du
The Genesis of Wang Guowei's Theory of "Jingjie", Zhi Geng and Pengcheng Kou
The Gestation, Evolution and Cultural Implication of the Concept of "Author" in Ancient China, Chunqing Li
The Gestation of Foundational Meaning in Aesthetical Activities, Yuan Zhu
The Historical Genesis and Contemporary Development of the Theory "Chinese Artistic Spirit" during the Twentieth Century, Shuiping Tao
The Historical Origin and Changing Connotation of Recording "the Extraordinary" in Chinese Ancient Novels, Yueling He
The History of Art Field: An Open and Neutral Art History, Huizhe Zhang
The Human-Nature Relationship in the Pre-Cultural-Revolution 17-Year Literature, Yu Wang and Liu Hong
The Idea about Writing to "Convery the Truth" of the Aixuan School in the Southern Song Period and Its Cultural Significance, Tianxi Zheng
The Ideal Qualities and Their Value in Niu Yunzhen's Historical Criticism, Zhouyin Huang
The Illusion of Emergency and the Future of Cultural Studies: Thirty Years of Cultural Studies and Cultural Criticism in Mainland China, Zhiqiang Zhou
The Illustrations of the Novel and Image Narration, Xianzhang Zhao
The Image Consciousness in Literary Criticism of Fu in Ancient China, Jie Xu
The Image of Characters in Twentieth-Century Chinese Fiction, Zidong Xu
The Implication of History-in-Poetry and the Reception of Li Shangyin in the Late Qing-Dynasty Poetry Circle, Weizhong Ma and Chen Li
The In-betweenness of Humankind and Thing: A Crisis of Modernity from the Perspective of Philosophy of Technology, Zhengbo Zhang
The “Incarnation” of Immanence: On the Genealogy and Sense of Gilles Deleuze’s “New Christ”, Hui Shi
The Influence of Emanuel Swedenborg’s Mysticism on William Blake’s Poetics, Pengfeng Zhang and Shukui Zhan
The Influence of Gender Theory on Women Studies and Its Debates, Chenghua Zhang
The Influence of Hu Yinglin's Shi Sou on Emura Hokkai's History of Japanese Poetry, Xin Hu and Ming Yan
The Influence of Shangqing Taoist Sect's Meditation Method on the Pre-Song-Dynasty Fictions, Qingchuan Wan
The Inheritance and Innovation of Chinese Creation Culture, Ning Guan
The Inheritance of Misty Poetry's Tradition and the Crisis of New Poetry, Guoyuan Xu
The Innovation on Early Modern Language and the Change of Fiction's Language Style, Xiaojun Liu
The Institutional Nature of Texts: On the Reform of Yuan Zhen’s Imperial Proclamation Writing, Zhihui Zhong
The Intellectual Trajectory of Marxist Literary Theory from Abstraction to Concreteness, Diyong Long
The Intentional Confusion of Narrative Viewpoint in Eileen Chang's Novels, Zidong Xu
The Interaction Between Genres and Its Significance for Literary History, Zhongmou Zhang
The Interaction of Yin and Yang: Ouyang Xiu's Idea of Music and His Poetics, Wei Cheng
The Invention of "Japanese" Literature in Colonial Korea, or How Shameless Literary Engagement Could Be under Colonial Conditions, Mihara Yoshiaki
The "Invention" of System in the Development of Western Art, Manting Yin
The Italian Renaissance in China, Xin Gao
The Jiayin Style of Writing in a Europeanized Classical Chinese with Elasticity and its Relation with the New Literature, Qingshu Meng
The Knowledge Generation of Theory and the Inner Logic of Chinese Literary Theory, Hongqi Yang
The Landscape Sentiments as the Chinese Symbol and Expression of an Ecological Art, Guoming Yin
The Linguistic Refashioning of an Internal Exile: Duoduo and His Pre-exile Poetics, Chee Lay Tan
The Literariness of Theory: A New Perspective on Writing Textbooks of Literary Theory, Yang Liu
The Literary Concepts through Novel Titles of the Ming and Qing Dynasties, Guofu Cheng
The Literary Criticism of Records of History in the Song Dynasty, Xinke Zhang and Hong Li
The Literati Identification of Wang Shizhen and Its Significance, Xiang Xiong
The Literati Purport of Jiazhuan and Theoretical Reflection on Its Ideas of "Using Literature as Play", Xiaoju Huang and Weiguo Zhao
The Locality of Theory: Name, Reality, History and Position, Xuehu Chen
The Logic Construction of the Principles of "Aesthetics of Pleasant Feeling", Zhixiang Qi
The Logic of Space: The Internal Relationships within the Spatial Layers of Literary Context, Jie Xu
The May Fourth Movement and Tradition: Cultural Undertaking behind Fierce Rebellion, Xudong Gao and Tongwen Shi
The Melancholy of Antonio in The Merchant of Venice: From the Perspectives of Usury and Credit, Min Jiao
The Meta-Ethical Traits: Nothingness, Différance and Spectrology, Hongsheng Wang
The Method of Phenomenology and the Recent Development in Chinese Contemporary Aesthetics, Xuguang Liu
The Modernity and Dilemma of Art Revolution, Xiaofeng Zeng
The Modernized Representation of Chinese Classical Literature in Taiwan Modern Poetry, Sheng Wu
The Modern Origin of Animation and the Intermediality of Animation Art, Xueqin Feng
The Motivation and Practice of the Rise of Classical Aesthetics Research in the 20th Century's China, Wei Han
The Musicality of the Chuci Style Revisited: the Establishment of the Music Symbol "Xi", Weihua Dai
The Mythistorical Pattern in the Studies on Origins of Civilization, Qian Wang
The Myth of the Concept of Parallel Studies in Comparative Literature, Mengze Yao
The Naissance of Dystopia, Rourou Zhao
The Name and Nature of the Psychology of Art: An Exploration of Interdisciplinary Studies of Literature since 1976, Fengjie Liu
The Narration of Desire in the Late Qing Dynasty Novels and Modernity, Weiwei Fang
The Narrative Function and Stylistic Significance of the Official Papers in the Tang-Dynasty Fictions, Guofu Cheng and Liang He
The Nature of Crime and the Role of the Judge: Judge Bao in Ballad-Stories, L. Idema Wilt and Guanwen Wu
The Nature of the Incident of the Tea Merchant Lai Wenzheng and Its Suppression by Xin Qiji, Zhaopeng Wang and Peng Xiao
The Neo-noir Crazy Stone Phenomenon, H. Kuoshu Harry
The New Trend of Literary Research in the “Age of Images”: A Summary of the 2020 Conference of the Chinese Association for Literature and Art “Language and Image”, Haibo Yang and Keyu Xu
Theoretical Construction of the Sinicized Marxist Theory of Political Literature and Art, Jianzhou Fu
Theoretical Features of Comments on Zhuangzi's Prose in Qing Dynasty and Their Artistic Value, Bo Li
Theoretical Fiction Notes in the Late Qing Dynasty and the Modern Transformation of Chinese Fiction Criticism, Qingxin Wen
Theoretical Traces of Raymond Williams' "Structures of Feeling" and "Cultural Materialism", Jifang Duan
Theories of Literature and Art and the Information Theory Since 1980s, Yongfang Qi
The Origin and Development of Verse Structure of "Introduction, Development, Contrast, and Conclusion", Xiaowei Zhang
The Origin and Evolvement of Aesthetic Poetics from the Perspective of Genealogy, Jianchang Xing and Hao Zhang
The Origin and System of Modern French Aesthetics: A Reinvestigation Based on the Literature, Ying Zhang
The Origin of the Concept of Modern Chinese Aesthetic Education and Its Background of Disciplinary System, Hongchao Wang
The Origin of the Title "the Four Dreams of Linchuan" and the Deep Significance of The Peony Pavilion, Baocheng Kang and Yanfang Chen
The Origins of Yao Xie's Poetics and the Construction of the "Siming School" of Poetry in East Zhejiang, Chen Li and Yazhong Ma
Theorization and Pluralism: A Study of Danto's Idea on the End of Art, Bing Zhang
Theory about the Essence of Literature from the Perspective of Ontology, Zhongyuan Wang
Theory and Death, Liang Xu
Theory and Philosophy: Antonyms in Our Semantic Field?, Jay Martin
Theory of Western Literature: Multiple Names, Entangled Content and Complicated Development, Fa Zhang
The Paradigm, Features and Limitations of “New World Literature”, Lan Hao
The Paradigm of "Ego Absent" in Classical Chinese Poem Writing: A Case Study of Tang Poems, Yuqin Jiang
The Paradigm Shift of Literary Theory and Its Discourse Renovation, Wenfang Yao
The Paradox of Modernity and the Enlightenment through Myth: Hans Blumenberg’s Theory of Myth and Its Political Implications, Jihua Hu and Yu Shan
The Paradox of "Self": New Literature's Ethical Problems of "Individual Liberation", Jianhua Song
"The Pattern of Dao": A Conceptual Study of the Core Categories in Ancient Chinese Aesthetics, Mingdong Gu
The Perceptional Foundation of Impressionism, Haiyan Li
The Performativity of Cultural Trauma and the Construction of Trauma Discourse, Jianhui Wang
The Philosophical Art Criticism of Rosalind Krauss, Wenji Zhou
The Pioneering Efforts of Wu Weiye’s Ci-Poetry and the Founding of Scholars’ Ci-poetry in the Qing Dynasty, Guoan Chen
The Play-text Forms of Early Zaju and Narrative Sanqu in the Jin and Yuan Dynasties, Dajun Xu
The Poetic Education in Academies of Classical Learning in the Qing Dynasty, Nensheng Cheng
The Poetic Origins of Media Studies: Some Quantitative Preliminary Understandings, Murvai Peter and Scheffel-Dunand Dominique
The Polar Opposites in the Criticism of Li Yu over Three Centuries, Mingqi Zhong
The Political Dimension of "Empty Signifier": From Levi-Strauss to Žižek, Weijing Xiao
The Political Dimension of Vernacular Fictions during the Ming Dynasty as Exemplified by Fictions on Major Historical Events, Qingchuan Wan
The Political Ethics of Aestheticism: “Beauty” and “Virtue” in Wang Guowei’s Early Poetics and Thoughts, Haowei Jiang
The Political Position of Poets in thePolis: An Interpretation of Pindar'sEighth Pythian, Lin Lou
The Political Turn and Rational Return of Critical Discourse in Its Localization in China, Wenfang Yao
The Politics of Form: The Correlation between Formal Reconstructions in Free Verse and Anarchism, Guohui Li
The Politics of Technology: Reflections on Overseas Modern Chinese Visual Cultural Studies, Xiayun Yu
The Possibilities and Paths of Art History, Yichuan Wang
The Postmodern or the Present: Time as the End, Yaojun Zhang
The Poverty of Experience and Its Wayout in the Information Age: An Exammination from the Perspective of Walter Benjamin, Bin Sun and Yanfen Zhang
The Power of Image: Medieval Debate on Icon and Its Theoretical Value, Qiong Wu
The Pragmatic Path of the Somatic Turn in the Western Aesthetics, Xiaohua Wang
The Predicament of Anglo-American Aesthetic Experience and Its Extrication, Yu Zhao
The Predicament of Literary Theory Teaching in the Era of Pictorial Reading and Its Solutions, Xiaoping Liang
The Primer Tradition and Reflections on Chinese Education over the Past 100 Years, Zihui Zhu
The Primitive State of Antique Chinese Elenchus in Spoken and Written Style, Dalei Hu
The Priori Grounds for Kant's Judgment of Taste, Youfeng Hu
The Problems of Aesthetic Study and the Dialectical Reflection in Adornao's Aesthetics, Tao Li
The Production of Thought and the Knowledge Innovation of Literary Theory, Xijian Li
The Progressive Logic of Contemporary Literary Theory and Its Theoretical Reflection, Daren Lai
The Promise of the Future: Dimensions of Future in Walter Benjamin's Philosophy of History, Guoping Hu
The Proposition of Li Yu's Reincarnation and the Development of Ci-Poetry in Early Qing, Changqiang Chen
The Prosperity of Internet Literature and the Literary Change: Synopsis of Internet and the Transformation of Literature Symposium, Wenfeng Ouyang and Lei Lv
The Public Nature and the Governance of Contemporary Visual Culture, Xueqin Min and Liyong Zheng
The Public Sphere and Literary Journals and Newspapers: Investigating the Discursive Formation of the Utopia in Late Qing Dynasty, Man Leung Shuk
The Pursuit of Subjectivity in the Minorities Literature: An Examination of Literary Language Use in the Southwest Border Area, Yonggang Zhang
The Quarrel between Philosophy and Poetry in Agamben's Literary Horizon, Hongsheng Jiang
The Reality Concerns and Creative Construction of Chinese Contemporary Literary Theory: A Symposium Survey, Dongmei Zhang
The Realm Aesthetics of “Quick” in Su Shi’s Poems, Chunjie Zhu
The Reception and Variations of Letters of Ouyang Xiu and Su Shi in Japan, Bo Ci
The Receptive Dimension of "The Music of Today Derives from the Music of Antiquity", Miaodan Chen
The Reconstructed Picture: On the Formation and Transformation of the "Fangweng Style", Yuqi Shang
The Reconstruction of Chinese Metaphysics, Xushu Zhang
The Re-Enchantment of Aesthetics: Back to Metaphysics, Xuguang Liu
The Reform Movement of 1898 and the Modern Fate of Eight-Legged Essay, Weizhao Chen
The Relationship between Meaning, Images, and Words of Yang Wanli's Poetics, Ruiqing Li
The Research Style and Original Achievements of Xu Zhongyu's Theories on Literature and Art, Xishan Zhou
The Returning Dream-seeking Trip: the Narrative of America in Chinese Popular Culture since the 1990s, Guozhan Chen
The Return of Beauty?, Welsch Wolfgang
The Reversibility of Art, Lucretius, Gravity and Semâ Bekirovic'sHow to stop falling, Allen Graham
The Revival of the Ancient in Ming-Dynasty Essays: Its Political Appeal and the Chosen Approach, Jiaqi An
The Rhetoric of "New Manchu": With a Focus onNew ManchuMagazine in Puppet Manchurian State, Xiaoli Liu
The Semiotical Expansion of Critical Theory: The Semiotical Methods in Baudrilard's Academic Research, Jian'gang Yang
The Sense of Beauty as Sensus Communis: the Issue of Sense of Beauty in Aesthetic Experiences, Xuguang Liu
The Seven Hermits of the Bamboo Grove in Literature and Images, Guangsheng Zou and Yunfei Liu
The Shaking Continent: A Metageographical Critique of Eurocentrism, Yujun Xu
The Shift from "Thought" to "Spirit" in Lu Xun Studies since 1976: A Case Study of Wang Furen's A Mirror of China's Anti-Feudal Ideological Revolution, Jian Wang and Guoen Chen
The Significance and Influence of Gu Jin Ci Tongas Exemplified by the Poet Wang Hong, Xuejun Chen
The Significance of Bai Juyi as "The Third Pole" in the Tang Poetry, Shijin Luo
The Significance of Concept Differentiation, Dakang Chen
The Significance of Hu Yinglin's "Generational Stylistic Degradation" in Poetics and Culture, Minghui Wang
The Significance of Literary History in the Evolution of Literary Meta-language, Han Qian
The Significance of "Sense of Beauty" in Eighteenth-century British Aesthetics, Jialian Li and Yunfeng Lei
The Sociology of Texts and the Institutionalisation of Literary Languages, Zima Peter·V.
The Soma Dimension of Kant's Aesthetics and Its Significance for Ecoaesthetics, Xiangzhan Cheng
The Sound of the Study of "Literature": A Survey of Issues of Sound in Ancient Liteary Texts and Studies on Texts, Yinchi Chen
The Structure of Narrative Dynamics in Lyric Poetry: Exemplified with Classical Chinese Lyric Poems, Junqiang Tan
The Study of the Literature of Minority Ethnic Groups: Some Reflections on the Concepts and Methods, Weiwei Yan
The Subject qua Other: A Hauntological Spell on Lacan, Yuan Yuan
The Substance of Wei Xi's "Genuine Air" and Its Theoretical Implications, Zebao Zhu
The Symptom of a Journey: A Lacanian-Agambenian Analysis of Journey to the West, Guanjun Wu
The System of the Press and the Emergence of Chinese Contemporary Literature, Jun Zhang
The Tendency of Restoring Ancient Ideas in Tang Xianzu's Literary Theory of Love: A Case Study of The Peony Pavilion, Zhimei Sheng
The Tension of Expression and Ways to Balancing, Yue Jiang
The Theatre of Purgation and the Theatre of Cultivation: as Related to the Complex Definitions and Ramifications of Theatre, Drama, Chinese Opera in the Context of Chinese and Western Cultures, Huizhu (William) Sun
The Theoretical Evolution and Literary Orientation of "Symptomatic Reading", Wenfang Yao
The Theorization of Rhythm in Modern Chinese Aestheticism, Hongxia Li
The Three Faces of Donald Davidson’s Pragmatic Literary Theory, Qiao Zhang
The Tool and the Entity: The Language Philosophy in Zhuangzi's Aesthetics, Xianglin Yan
The Tradition of "Good Writing" and the Narrative of Ming-Qing Marvel Tales, Cui He
The Transformation of the Self-Congnitive Mechanism in the Left-Wing Intellectuals after the 1927 Revolution, Guanghai Zhang
The Transformation of Urban Writing in Modern fictions and Its Significance of Fiction History: With a Focus on Shanghai and Guangzhou, Daqing Deng and Xun Sun
The Transforms of linguistic literary theory by Media Literary Theory, Xiaoxi Shan
The Transition from Ritual to Text: The Value of Poetics of Verse Composison in the Spring and Autumn Period, Yanqing Liu and Xinke Zhang
The Translation and Writing of Modern Chinese Poetry: A Case Study of Xu Zhimo, Liming Chen
The Triple Connotations of Eagleton's "Event" in The Event of Literature, Zhike Yin
The Turn of Heidegger's Thought and the Structure of His Inquiries into the Problem of Being, Yunpeng Zhang
The Two Narratives of the History of Avant-Garde Poetry after the "Misty Poetry", Yuqin Jiang
The Two Worlds and the Tragic Sense in Chen Yinque's Poetics, Jingru Pan
The Unfinished Theoretical System of Modernism: Origins in the Forms of Knowledge, Xiaoming Yi
The Urban Imagination of Shanghai Literature: with Focus upon the 1990s', Yuan Feng
The Value of Fiction: The Aesthetic Politics of Speculative Design and a Future Poetics, Li Zhang
The Vibration of Appearance: The Immanence of Paintings, Kelin Li
The "Village Opinion" Society and the Fundamental Concept of Literary Values in the Sixteen-State Period, Danjun Cai
The Violent "Linguistic Utopia": the Issue of Evil in Terry Eagleton's theory, Jian Wang
The Visible and the Articulable: Investigating Foucault's Philosophy of Art through Paintings, Zhong Zhang
The Void as the Effect: the Constructive Precondition of Buddhist Aesthetics, Yun Wang
The Voyage of Gremais' Matrix, Han Qian and Xiuduan Huang
The Way of Life, "The Third Sex", and the Method of Reconstructing "Literary Native Soil": Centering on Yan Lianke's They, the Women, Zhudi Ye and Leiguang Wang
The Weapons of Criticism and the Criticism of Weapons: A Synopsis of the Symposium of "Contemporary Literary Theory and Criticism Practice", Kaiguo Wang and Jing Niu
The Will to Power: Retreating from the Ontological Position, Xueqin Feng
The Writing of Art History: From Classics to Living History, Xiaokang Gao
The Zen Buddhism's Thoughts of No Difference between Form and Empty in Dream of the Red Chamber, Ranran Wang
Thinking is Folding: Deleuze's Problematique of the Baroque, Kailin Yang
Thoughts on Chinese Aesthetics of Vitality, Xuan Wu, Tiantian Cai, and Shu Yan
Three Alternative Forms of Ancient Chinese Fiction, Pengfei Li
Three Arguments Relating the Study of Ci-Poetry, Zhongyi Xia
Three Decades' Research on Foreign Literary Theory in Theoretical Studies in Literature and Art, Guoshan Tao
Three Dimensions of Ecological Aesthetics: Félix Guattari's Thought of "The Three Ecologies", Huiqing Zhang
Three Dimensions of Kant's Laws of Nature, Youfeng Hu
Three Faces of Genre: Exploring Theoretical Approachesto Western Film Genre, Lin Gui
Three Issues in Art Theory, Xian Zhou
Three Meanings of Moderation: The Effective Integration of Literary Aesthetics and Ethic Politics as a Practice of Rhetoric Politics, Fengjie Liu and Tiange Fan
Time, Space, Meaning, and Narrative: Literary Interpretation of Alain Robbe-Grillet's Concept of Game, Mingxing He and Yingyi Han
T. J. Clark's Logic of "Negation" and the Practice from an Opposite Perspective in Social Art History, Haoyang Li
T. J. Clark's Modernist Art Theory, Yi Zhuge
Tongcheng School's Criticism of Anti-order Writing: On Annotative Criticism in Classical Prose Anthologies, Xinping Yang
Toward a Digital Poetics for Electronic and Internet Literature, Mingfen Huang
Toward "Rhapsodie": On Jean-Pierre Sarrazac's Modern and Contemporary Dramatic Poetics, Yinghui Zhao
Towards a Thick Description of Maoist Discourse: With Help from Zhao Shuli, Vukovich Daniel
Towards "Post-Critique": A Debate Over the Future of Western Literary Studies, Hansong Dan
Toward the Future: A New Interpretation to Liang Qichao'sThe Future of New China, Liyuan Jia
To Write back is to Write for: The Intellectual Trap in the Critique of Western Centralism, Ning Zhou
Traditional Misunderstanding of "Meaning not Fully Expressed by Language" and a Correction from the Perspective of Philosophy of Language, Jianzhang Zhao and Yingfang Zhao
Transcending the "Word-Image" Debate: the Writing Experiment of T. J. Clark's The Sight of Death, Yi Zhuge
Transition and Coordination: Unreliable Narration in Eighteenth-Century English Fictions, Yue Wang
Translated Literature in the Narrative of Modern Chinese Literary History, Binghui Song
Translucency and Quasi-Temporality: The Accident of Literature from the Perspective of Technical Theory, Zhizhong Zhang
Traumatic Memory: Psychic Reality and Cultural Representation, Jingrong Zhao
Trends of Literary Theory in the Post-Theoretical Era: Towards Posthumanism, Ning Wang
Truth / Method: The Gadamer-Ricoeur Debate, Jin Qiu and Fenggang Du
TSLA Vol.41 Issues 234-239 Nos.1-6, 2021
Two Faces of Literary Ethics: Martha Nussbaum’s Literary View and Its Inner Tension, Yun Fan
Two Historiographical Approaches to Evaluate Qi Baishi: The Myth of the "People's Painter" and Its Counterargument, Zhongyi Xia
Two Main Routes of the Construction of Western Marxist Literary Theory, Xianguang Feng
Two Major Approaches of the Interaction between Literary Criticism and Historical Materials: A Data-Driven Analysis, Xiuming Wu and Tingting Shi
Types and Subtypes of Artistic Justice, Yun Wang
Types of Subjects and Value of Guyi Poetry in the Southern Dynasties, Xiaohua Zhao
Understanding as Obstacle: Exercise as a Perspective for Intercultural Research, Pfizenmaier Ruben
Unfinished Subject: Empathy and Subject-Construction in Do Androids Dream of Electric Sheep？, Simeng Miao
Unnatural Narratology and Contemporary Narrative Poetics: An Interview with Professor Brian Richardson, Richardson Brian and Biwu Shang
Unveiling Aestheticism: Reflections on the Dissemination of Western Aestheticism in China, Chengyong Jiang and Xiang Ma
Variations on Art and Technology: From Machine Aesthetics to Bio Art, Qiong Liu
Verbal Image and Image-Idea: A Divide of Semiotic Interpretation of Poetry, Xinshi Li
Virtual Heterotopia: The Mechanism of Pleasure and Reception of Contemporary Popular Culture, Yanshu Gou
Visual Modernity and Media Archeology:The Techniques of the Observer and Modern Visual Culture in China, Hongfeng Tang
Visual Turn and Modern Logic of Somaesthetics, Wei Zhang
Walter Benjamin’s Critique of Surrealism and Its Body Politics, Wengui Xu
Wang Pijiang’s Newly-Discovered Book Poetic Remarks from the Xiaoshemo Studio and Its Value to Poetic History, Tingting Yang
Wang Yuanhua's Concept of Ideology-Academics as Social Remedy and Its Implications to Intellectual History, Chengwan Lao and Guoqiao Lan
Ways of Seeing: Historicization, Technologization and Chinese Artistic Experience, Tairan Liu
Weng Fanggang's Song-Dynasty Poetics in the Perspective of Literary History, Yunyun Tang
Wen Yiduo's Translation and the Formation of Metrical Poetics, Liming Chen
Western Literature or Western Learning? On Wang Tao's Experience and Practice, Huaiqing Duan
"What Are Poets for" and Ecological Ethics, Kuiying Zhao
"What Are Poets For?": An Interpretation of Hesiod's Classical Poetics, Lei Peng
What Are the Consequences of Literary Theory? Regarding to Stanley Fish's Non-Consequentialist Concept, Houliang Chen
What is a Literary Text? A Deleuzean Approach, Surin Kenneth
What Is "die reine Sprache" about: A Discussion on Walter Benjamin's Early Philosophy of Language, Fanke Wan
What is Narrative Ethic Criticism?, Hongsheng Wang
What Is Our Contemporary Art Theory, Jian Li
What is the Antimimesis of Narrative? An Exploration of Brian Richardson's Unnatural Narratology, Biwu Shang
What is The Time of Contemporary Art?, Rancière Jacques
What Kind of Game It Is? A Comparison between Bourdieu’s Literary Field and Becker's Art World, Wenchao Lu
What's Wrong with Star Wars, Star Trek and Žižek?: A Marxist Analysis, Gregory Mahoney Josef
Where Are We and What to Write?: An Interview with Professor Ha Jin, Zhenling Li and Jin Ha
Where Did the Souls Go?: Revisiting the Chinese Art from the Xinhai Revolution to the May Fourth Movement, Yichuan Wang
Where Is Literary Theory Going?: A Synopsis of the Symposium on "The Future of Literary Theory", Liangcong Zhang and Yuyun Feng
Why Is K. A Land Surveyor?, Yanbing Zeng
Word-Image-Meaning: Unique Discourse in Chinese Culture and Aesthetics, Fa Zhang
Words as Signatures: Agamben and the End of Poetry, Jiang Lan
World Literature as a Literary Space, Mengze Yao
"Writers Should Learn Philology First": The Genesis of a Common Sense in Literature, Feng Lin
Writing//Posthuman: The Literary Text as Cognitive Assemblage, Katherine Hayles N.
Xia Chengtao's Ballad-Form Poetry and His Innovational Thought about Poetry Types, Xiaojuan Xin
Xu Fuguan’s Modern Interpretation of “Writings Are for Conveying Truth”, Wei Qin
Xunzi and Solomon on Aesthetic Responses to Loss, Higgins Kathleen
Xu Zhongyu's Contributions to the Study of Ancient Chinese Literary Theory, Shuzhuo Jiang
Yan'an Lu Xun College of Art before and after "The Rectification Movement", Siyun Zhao
Yan Lianke and Chinese Literature in the Perspective of World Literature, Zhang Yingjin
Ye Shi's Distinction Between Discourse and Literariness and His Concept of Literary History, Qingcai Guo
Yi Shunding's Theory about Ci Poetry and His Ci Writing: Also on His Connection with the Community ofCiPoetry in the Late Qing Dynasty, Songqing Chen
Zeng Guofan's Theoretical Ideas on Poetry and Prose and their Modern Significance, Pengjun Zuo
Zhang Taiyan's View of Literary Language and Qian Xuantong's "May Fourth" Literary Revolution, Xiaohui Wang
Zhidun's Five-Character Poems and Their Significance in the History of Poetry, Yanfeng Cai
Zhiyan and Zhuangzi's Concept of Yan, Shugang Liu
Zhu Guangqian and British Empiricist Tradition and his Revisions over Benedetto Croce, Lang Jin
Zhu Guangqian and Expressionism: An Alternative Way to Bridge the Chinese and Western Aesthetics, Xun Dai
Zhu Guangqian's Translation of Hegel's Aesthetics and the Construction of Modern Chinese Literary Theory, Yongyin Li
Žižek and the Repoliticization of Western Contemporary Literary Theory, Xinting Liu