Abstract
Chinese cultural poetics as constructed by Chinese scholars is a response to the international academic trend in the 20th century, and it has not only developed a new arena for literary studies and literary theory in China but also brought about an all-around and profound theoretical innovation. This paper focuses on the cultural and aesthetic features of literature, cultural identity and subjecthood of nationality, and the theoretical innovation attributed to the "other" theory. The paper summarizes four main features of Chinese cultural poetics, and argues for the theoretical potentials of Chinese cultural poetics.
First Page
31
Last Page
40
Recommended Citation
Gu, Zuzhao. 2013. "On the Theoretical Innovations of the Chinese Cultural Poetics." Theoretical Studies in Literature and Art 33, (3): pp.31-40. https://tsla.researchcommons.org/journal/vol33/iss3/20
