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Abstract

Su Shi travelled extensively in China, with his particular interest in visiting temples. During his exiled and relegated periods, he composed a number of temple-visiting poems in places such as Fengxiang, Hangzhou, Huangzhou, and Lingnan. These poems manifest themselves in different literary tastes and aesthetic characteristics. They not only represent Su Shi's progress of Chan enlightenment but also embody the three paradigms of Northern Song literati's temple-visiting poetry, namely, realistic delineation of scenery, elaboration of truth and description of heart, and seeing the nature of mind.

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154

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