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Authors

Chen'guang Ling

Abstract

The writer is the subject of literary expression in the discourse of art interpretation. They interpret paintings as a visual allegory, and penetrate the surface of the canvas to the deep meaning. They look at a picture as if it was a play, and explain an art piece like explaining a story. The main way of commenting on art works is literary rhetoric, emotional projection and semiotic imagination. Their self-positioning is a psychological analyst and their goal is to find the truth. Through the contest with painters at the levels of signs and meaning, the depth and emotional intensity of the literary expression of their artistic interpretation discourse have been enhanced.

First Page

112

Last Page

121

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