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Abstract

The debate over emulating the Tang or the Song Dynasty poetry was an important link in the evolution of the Qing-Dynasty poetry, in which the reception of Li Shangyin both pointed a direction for the retro poetics and became in most areas a continuation of territory poetics. The three acceptance models culminated the multi-perspective study of Li Shangyin's poetry. Taking into consideration of the complex social context, the paper claims that the concept of history-in-poetry could become the starting point to investigate the theoretical value of the reception of Li Shangyin in the late Qing-Dynasty poetry circle.

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