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Authors

Chee Lay Tan

Abstract

This paper investigates Chinese Misty poet Duoduo's early pre-exile poems. As Duoduo uses punctuation abundantly in an orderly structure and dates his poems, his works projects themselves as being more transparent than obscure or misty. Even Duoduo himself denied writing Misty poetry, although most critics classified his works as "Misty" and described them as "weird" and "difficult". This paper will examine such confusion by focusing on Duoduo's pre-exile linguistic refashioning via musicality and juxtaposition of unrelated images, which I regard as his main constituent of Mistiness.

First Page

68

Last Page

83

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