Abstract
The fundamental principle of Gombrich's art criticism lies in his adherence to the "golden mean" between innovation and tradition. The sensible art criticism relies on the impartial evaluation of the expressiveness of artistic works and artists' contribution to the establishment of paradigms and norms. However, some contemporary art theorists and critics argue that Gombrich's "golden mean" has actually been out of balance, due to his overemphasis on tradition and his critical attitude towards modern art. Accordingly, a critical survey of Gombrich's rational principle in the postmodern context, with a reflection on the tension and dialogue between traditional thoughts and modern concepts, is urgently required in contemporary art research field.
First Page
163
Last Page
169
Recommended Citation
Mu, Baoqing, and Guangsheng Zou. 2015. "Reflections on Gombrich's Art Theory in the Postmodern Context." Theoretical Studies in Literature and Art 35, (3): pp.163-169. https://tsla.researchcommons.org/journal/vol35/iss3/14
