Abstract
As a well-known American art critic and art theorist, Rosalind Krauss established her own criticism style from the perspective of structuralism and post-structuralism, drawing on Saussure's ideas, semiology, psychoanalysis and various theories to take a philosophical art criticism on modern and postmodern art. This paper explores her particularly philosophical idea about the theory of grid and the formless while reviewing her philosophical art criticism, and therefore it presents the cultural logic behind modernist myths and essential postmodernism ideas. Hence, through philosophical art criticism, Krauss went through the change from the formalism to post-formalism during the course of unveiling the modernist idea.
First Page
143
Last Page
151
Recommended Citation
Zhou, Wenji. 2017. "The Philosophical Art Criticism of Rosalind Krauss." Theoretical Studies in Literature and Art 37, (1): pp.143-151. https://tsla.researchcommons.org/journal/vol37/iss1/19
