Abstract
The paper surveys the recent development of Rancière's philosophy of film from the relation between cinema and politics. The paper delineates that movie-making has taken over literary realism and it had become or is becoming or will become a communist machine to negotiate with the new sensibility of human community that is to come. Movie-making actualizes the global redistribution of the new sensibility through images which configure a space of both the past and the present, and it brings the human into a brand new form of life through a new aesthetic politics.
First Page
83
Last Page
89
Recommended Citation
Lu, Xinghua. 2012. "Cinema as Politics: On Rancière's Philosophy of Film." Theoretical Studies in Literature and Art 32, (6): pp.83-89. https://tsla.researchcommons.org/journal/vol32/iss6/3
