Abstract
Over the last century, the legitimacy of Chinese aesthetics has been gradually confirmed in the studies of aesthetics and the writings of the history of aesthetics by Chinese and Western scholars. Cultural exchanges between China and the West have promoted the indigenization of aesthetics in China and deconstructed the universality of Western aesthetics, thus giving rise to the plural concept of "world aesthetics", which paved the way for the modern construction of "Chinese aesthetics". Due to its importance, the way to interpret Chinese aesthetics has become "the meta-question" that promotes the study and writing of the history of "Chinese aesthetics".
First Page
10
Last Page
22
Recommended Citation
Zhao, Qiang. 2019. "The Emergence and Development of "Chinese Aesthetics" in the Modern Times: A Historical Inquiry ." Theoretical Studies in Literature and Art 39, (4): pp.10-22. https://tsla.researchcommons.org/journal/vol39/iss4/16
