Abstract
As a theory of artistic style within the domain of political cultivation, moderation is both the result and rhetorical practice of Confucian ethics and authoritarian politics. Moderation forms its own systemic characteristics, namely, roundabout admonishment in terms of rhetorical strategies, aesthetics of harmony regarding aesthetic taste, and a lyrical principle of starting with genuine feelings and stopping with good manners. However, after the May 4th Movement, it was replaced by the creation principle of "starting with genuine feelings, and ending with genuine feelings".
First Page
129
Last Page
138
Recommended Citation
Liu, Fengjie, and Tiange Fan. 2017. "Three Meanings of Moderation: The Effective Integration of Literary Aesthetics and Ethic Politics as a Practice of Rhetoric Politics." Theoretical Studies in Literature and Art 37, (6): pp.129-138. https://tsla.researchcommons.org/journal/vol37/iss6/21