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Abstract

This paper aims to reveal Liu Yongji's litterateur temperament by analyzing the separation and reunion of Xueheng and Xiangjun, and by focusing on Liu Yongji's activities in the 1920s with reference to an inclusive definition of the academic community of Xueheng. In terms of Xueheng, Liu Yongji's role was always a supporter and a follower. In contrast, he adopted a more independent cultural attitude in terms of his discourse for Xiangjun. Unlike Xiangjun, which paid more attention to literature, Xueheng valorized academic research. Unlike Liu Yongji's high-hearted pride, Wu Mi’s style was much more like one of a fighter. These differences reveal Liu Yongji's litterateur temperament.

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