Content Posted in 2025
“Achieving a Formal Style and Distinguishing the Ode from Poetry”: Liu Xie's Argument on the Ode, Jianbo Luo and Hanqing Yong
An Agency of the Posthuman Era: Re-understanding Digital Arts as Things, Moxiao Wang
An Analysis of Bertolt Brecht's Reception and Transformation of Yan'an Literature, Yidi Bo
An Analysis of the “Political Concept of Love” by Michael Hardt and Antonio Negri, Li Yuxuan
A New Dimension of Posthumanism: A Study of Cyborg Subject and Subjectivity, Yuqin Jiang
A New Explanation of the Connotation and Poetic Significance of “Poetry Springs from Emotions and Hence Reads Beautifully” in Rhapsody on Literature, Yanfeng Cai and Xiaoli Wei
An Exploration of the Characteristics of the Classical Chinese Concepts of “Literature”, Zhili Cai
Anti-Neo-Confucianism in the Ming and Qing Dynasties and the Birth of Lu Xun's A Madman's Diary, Wei Sun
Art as “Installation-Event”: A Benjaminian Reading of Kafka's “A Hunger Artist”, Han Chen
Artwork as Monad: Theodor Adorno's Interpretation and Reconstruction of Walter Benjamin, Ruoyu Li
A Semiotic Interpretation of Landscape Painting and Its Limitations: A Focus on Duan Lian, Yiqing Liu and Zhijie Sun
A Study of the Critical Dimensions of Ancient Chinese Novel Commentaries, Jie Mao
A Study of Zhu De's Literary and Artistic Thought in the Early Period of the Liberated Areas, Linfang Qin
Bombing Inequality: Graffiti Writing and Spatial Justice, Andrea L. Baldini
Chen Wenzhu and the Transformation of His Literary Thought under the Retro Trend of the “Seven-Scholar School”, Bo Wang and Shuangquan Hu
Construction of Masculinity and Gender Narratives in Ming and Qing Fiction, Chen Chen
Cybernetics and Literary Machines: Cybertext Theory and Its Poetic Significance, Nie Chunhua
De Rerum Natura (On the Nature of Things) and Roman Poetry in the Golden Age, Yongyi Li
Derrida's Theory of Sovereignty—And His Criticism of Robinson Crusoe, Jinlong Xiao
Dialectics of Motion and Stillness: The Theoretical Foundation of Zong Baihua's Construction of “Chinese Aesthetics”, Haoyue Zheng
Différance, Transparency and Truth: Jean-Luc Nancy on Beauty, Zhizhong Zhang
Distanciation and Belonging: Paul Ricoeur's Hermeneutic Detour in Textual Interpretation, Youfeng Hu and Haixia Zhao
Dufrenne's Genetic Phenomenological Explanation of “Affective A Priori”, Ziming Huang
Edward Said on Religion: The Counterpoint between the Sacred and the Secular, Sheng Li
Ekphrasis as a Paradigm of Art History Writing and Its Contemporary Circumstances, Yingying Dai
Envisioning Futures: Derrida, Fisher and Digital Capitalism, Yili Luo
Epistemological Issues in Image Studies, Zhou Xian
Ethical Relationships and Moral Values in Semiosis: The Core Ideas of Semioethics, Xiaolin Tang and Ziran Yu
Examining the Innovativeness of Contemporary AI Art from Marxist View of Technology and Art, Weiyi Wu
Fengge or Wenbi?: An Interpretation of Fan Xiheng's Translation of Buffon's Discourse on Style and Reflection on the Theory of Modern Literary Style, Yue Ren and Aibin Yao
Formation and Dramatic Significance of the “Separation” System in Ming Dynasty Southern Opera Scripts, Zhiyong Chen
From Experience to Theory: Cultural Studies and Its Challenges Within the Chinese Context, Duan Jifang
From “Folk Classic” to “Scholar-Official Classic”: Thousand-Year Reception and Canonization of Liu Yong's CiPoetry, Mingsheng Cao and Xianyi Sha
From Rewriting Civilizational History to Rewriting Literary History, Shunqing Cao and Xiaoyang Guo
From Surviving Images to Poetry of Action: A Glimpse into George Didi-Huberman's Image Theory, Guozhu Yang
From Technical Tool to Technical Individual: Artistic AI in the Relationship Between Humans and Technology, Kebing Tang
From the Harmonious Person to Aesthetic Utopia: A Study of Educational Ideas of Goethe, Schiller and Humboldt from the Perspective of Modernity, Mingqiang Yang and Yingfu Lu
Geist and Letter: The Horenstreit and the Foundation of Fichte's Theory of Aesthetics, Hui Gao
Historical Fiction of the Early Republican Period as a Carrier of Popular Education, Caixun Chen
How is the Hero of Modern Life Possible?: Revisiting Charles Baudelaire's Thoughts on the Aestheticization of Daily Life, Jianqing Tuo
How the Singular Connects to Ethics: Deep Deduction of Samuel Weber's Poetics of Iterability, Liu Yang
How to Reasonably Reconstruct the Fictional World in the Text？—Research on the Possible Worlds Literary Theory, Hua Zhong and Nan Li
Human-Computer Interaction: Tracing the Concept of “Interactivity” in Digital Media Art, Simeng Miao
Inside and Outside the Text: Revisiting Casanova and the “World” Republic of Letters, Wu Xin
Investigating the Original Status of Novelists in Selected Philosophers in Records of Literature and Art in The Book of Han, Li Junjun and Wang Wei
Jacques Lacan's Interpretation of the Ding and the Sublimation of Art, Jing Zhao
Kant's Aesthetic Predicament and the Aesthetic Politics of Contemporary Critical Theory, Chen Liu
Li Kaixian's Views on Qu History and Lyrics and Their Significance in the History of Qu Studies, Li Yihui
Literature Dies in the Digital: Friedrich Kittler on Literature as Medium, Na Jiang
Lu Xun and Zhu Qianzhi: Two Forms of Nihilism in Modern Chinese Thought, Quanzhi Zhang
Lu Xun's Judgement of Good and Evil, and Nietzsche's Ethical Concepts, Yu Zhaoping
Mirroring: A Study of the Relationship between Weng Fanggang's Poetics and Ming Dynasty Poetics, Yanjun Kong
Mirror in Painting and Painting in Mirror: Mirror Images and Narrative Implications in the Engraved Illustrations of Ming and Qing Xiqu and Fictions, Wenwen Han and Diyong Long
Misreading in Lu Xun's Critique of Confucianism: The Intersecting Spiritual Logic of Two Traditions, Shaochong Yuan
Moral Defects and Aesthetic Values: The Immoralism in Western Art Ethics and Its Interpretation, Keke Yang
Narrative, Type and Emotion: Middle-level Approach in Noel Carroll's Philosophy of Art, Youxiang Gong
Neo-avant-garde and the Critique of Late Capitalism: On the Political Dimension of Intermediality, Chang Chen
New Changes in the Theater Ecology in the Late-Qing Shanghai: A Study Based on Wang Guifen's Contract Payment Lawsuit, Chunning Zhao
No Fairy Tale Is Not Black: The Becoming and Trauma in Fairy Tale and Fairy-Tale Films, Yuhui Jiang
Not a “Loudspeaker”: Reevaluating Qian Xuantong's Role in the May Fourth New Culture Movement, Xiaohui Wang
On Cinematic Attention: From Conscious Focusing, “Audience-cinema” to Film Ontology, Xie Shisi
On Digital Literature, Ma Shuangzi
On “Posthumanism”, Martin Crowley
On the Construction of Contemporary Literary Historiography and Related Issues, Xiuming Wu
On the Determinism of Posthuman Technological Aesthetics: Centering on Paul Virilio and Donna Haraway, Moyan Zhang
On the Reorientation of Benjamin's Practice in Gestural Criticism, Fan Zhang and Han Zhang
Organism and Sovereignty: The Problem of Romanticism in Carl Schmitt's Literary Criticism, Yan Su
Paul de Man's Criticism of Lyric from the Perspective of Modernity, Jinhong Zhang and Yuetong Wang
“Poetry Is a Discourse of Republicanism”: On Friedrich Schlegel's Idea of Aesthetical Politics, Jiu Luo
Reality, Truth, and Innovation: The Three Dimensions and Evolution of Qie in Qing Dynasty Poetics, Chen Juan
Reconstructing Matter: New Materialism as a New Ontology for the Anthropocene, Xiaoli Yang
Reexamining “Metalepsis”: The Natural and the Unnatural, Changcai Wang
Reflections on the Origin and Development of the Discourse of the Chinese School of Comparative Literature, Zhen Zhang and Xiaopeng Lu
Reinterpreting the “Preface to Selections of Refined Literature” through “Close– Distant Reading”, Bowei Zhang
Reminiscences and Reflections: An Analysis of Lin Zexu's Heirloom Scroll Feeding Cranes, Jingfei Bai
“Representation”: An Analysis of Its Basic Meanings and Chinese Translation Options, Jianzeng Zhou
Representation and Non-Representation: Exploring Approaches to Western Landscape Criticism, Muren Zhang
Research on Lu Xun's Concept of Dialogue in the Revolutionary Literature Movement, Zhang Xianfei
Rewriting the History of Civilizations and Constructing China's Independent Knowledge System and Discourse System, Cao Shunqing and Xia Tian
Rita Felski's Critique of Contextualism: Taking Rem Koolhaas and Bruno Latour as a Clue, Lijun Su
Roger Fry's Research on Chinese Classical Arts and His Construction of Formal Aesthetics, Yang Lixin
Skull or Angel: A “Dynamogram” of “Auffahrt”: On Aby Warburg and Walter Benjamin's Baroque, Hongkai Qiao
Stylistic Expansion and Self-Consciousness: A Conceptual History of the Late Ming Sketches, Tang Zhibo
The Advent of the Posthuman Era and the Rise of Posthumanist Criticism, Ning Wang
The Conceptual Connotations and Evolutionary Trajectories of Theatricality, Chengzhou He and Lingbo Fu
The Contribution of Late Ming Publishing Houses to Fiction Commentary, Jinfeng Zhou
The Creative Practice of Gu Kuang's Retrospective Poetics and Its Significance in Literary History, Xuechun Sui
The Debate between Modern-Text Confucianism and Ancient-Text Confucianism and the Modern Transformation of Chinese Literature, Ronggang Jiang
The Definition and Theoretical Critique of “Audiovisual Litany”: An Initial Exploration of Jonathan Sterne's Sound Studies, Kang Yangdaqi
The Generation and Basis of Legitimacy of Episteme in Modern Chinese Literary Theory, Jiang Wenzhen
The Intelligible and Sensible Image, Gao Xin
The Literature Series of the Tianma Bookstore and the Revolutionary Tradition of New Literature, Jianzhou Fu
The Manufactured Mainstream: The Emergence and Commercial Orientation of Genre Fiction Mode in Chinese Internet Literature, Wei Sun and Huanjiang Qiao
The Moral Stuff of Narratives, Paolo Tortonese
The Movement for the Popularization of Literature and Art: Development and Transformation, Yanqiu Zhao
The Multidimensional Perspective of “Contretemps”: Derrida's Interpretation of Romeo and Juliet, Tao Jin
The Neurosis and the Split between the French Symbolism and Decadentism, Guohui Li
The Poetic Tradition and the Significance of Bai Juyi's Classifications of Poetry, Ye Yuewu
The Political Function of the Lyrical: Reevaluating Domestication and Foreignization Through the Untranslatable, Xia Kaiwei and He Ning
The Power of Images: The Role of Artists, Philosophers, and Theorists, Yan Jia
The Realistic Tradition in Xiqu's Stage Art: Insights from Kong Shangren's Peach Blossom Fan, Yaxin Chen
The “Referential Game” in Literary Texts, Huang Jiaguang and Ma Dakang
The Revolutionary Literature Movement and the Turn of Marxist Theory on Literary and Artistic Ideology in China, Daokui Zhang
The Rise of the Concept of “Aesthetic Categories” in Modern China, Wei Han
The Spectrum of “Pleasure”: From Le Plaisir to La Jouissance, Bingqing Li
The Transmission and Shifting Status of Ouyang Xiu's Classical Prose in the Qing Dynasty, You Zhou
The Tripartite Structure of Narrative Communication from the Perspective of “Pre-story Discourse”, Qian Han and Wang Jin
The Use of the Useless:Semiotic Significance of Redundancy in Communication, Shanshan Bai
The Wall of Language and Voice Centesis: Also on Lacan's View of Voice, Juanjuan Ye
Thomas Crow and Avant-garde Theory from a Cultural Studies Perspective, Wei Jiang
Toward a Constructivist Theory of Cultural Trauma, Dongfeng Tao
Towards the Ordinary: The Argument Structure of Jacques Rancière's Poetics of the Sensible, Qiqi Sun
Tracing Textual Discontinuity in Wang Guowei's Criticism on A Dream of Red Mansions, Wei Si
Transborderality, Transmediality, Transdisciplinarity — An Interview with John Pier: Retrospectives and Prospects for Western Narratology, John Pier and Cao Danhong
Viewing Lin Chuanjia's A History of Chinese Literature from the Perspective of Classical Studies, Zhixi Qian
Virtual Reality vs. Real World: On Materiality and the Difference of Environmental Perception, Wang Qian
Watching Films in the Age of Distraction, Shi Chang
What Kind of Literature and Art Can Enhance People's Spiritual Strength?, Yugang Fan
Why Did Heidegger Mark a Cross on “Art”: “Notes on Klee” and the Antinomy of Art, Miaomiao Wu
Yi-Xia Distinction and Cultural Identity in the Reception of Calligraphy in the Northern Dynasties, Xingcheng Zhang