Content Posted in 2025 | Theoretical Studies in Literature and Art (TSLA)

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Content Posted in 2025

An Analysis of the “Political Concept of Love” by Michael Hardt and Antonio Negri, Li Yuxuan

At the Quarter Before Noon: The Construction and Transformation of Death Penalty Hour in Ming-Qing Popular Fiction, Ding Yue

“Blandness” and “Lyrical Self”: Re-examining the Category of “Blandness” from the Perspective of Lyrical Tradition, Cao Zhou

Cybernetics and Literary Machines: Cybertext Theory and Its Poetic Significance, Nie Chunhua

Enlightenment, Love and Lu Xun as a “Participant in Life” during the Post-May Fourth Era: Rereading “Regret for the Past” and Its Surroundings, Feng Yuan

Epistemological Issues in Image Studies, Zhou Xian

Essence-Function, Realm and Practice: A New Interpretation on Su Shi's Theory of “Giving Form According to the Thing”, Liu Chi

From Experience to Theory: Cultural Studies and Its Challenges Within the Chinese Context, Duan Jifang

From “Literary Text Zen” to “Literary and Art Zen”: The Reconstruction of Literary Zen in the Late Ming Dynasty and the Evolution of Buddhist Thought on Literature and Art, Wang Yanming

How the Singular Connects to Ethics: Deep Deduction of Samuel Weber's Poetics of Iterability, Liu Yang

Inside and Outside the Text: Revisiting Casanova and the “World” Republic of Letters, Wu Xin

Investigating the Original Status of Novelists in Selected Philosophers in Records of Literature and Art in The Book of Han, Li Junjun and Wang Wei

Li Kaixian's Views on Qu History and Lyrics and Their Significance in the History of Qu Studies, Li Yihui

Lu Xun's Judgement of Good and Evil, and Nietzsche's Ethical Concepts, Yu Zhaoping

Model Sayings: Quotation-Based Literary Schools and Rhetorical Techniques — A Discussion on the Principles and Methods of Genre Distinction in Ancient Chinese Writing, Zhao Debo

On Cinematic Attention: From Conscious Focusing, “Audience-cinema” to Film Ontology, Xie Shisi

On Digital Literature, Ma Shuangzi

Reality, Truth, and Innovation: The Three Dimensions and Evolution of Qie in Qing Dynasty Poetics, Chen Juan

Reflections on the Effectiveness of Aesthetic Education: Based on Theoretical Cognition and Practical Quality, Wang Que

Research on Lu Xun's Concept of Dialogue in the Revolutionary Literature Movement, Zhang Xianfei

Rewriting the History of Civilizations and Constructing China's Independent Knowledge System and Discourse System, Cao Shunqing and Xia Tian

Roger Fry's Research on Chinese Classical Arts and His Construction of Formal Aesthetics, Yang Lixin

Saving Literati Painting from the Sublime: The Aesthetic Strategy in Li Changzhi's Theoretical System of Chinese Painting and Its Criticism, Jin Lang

Scholarization of Qin-Zither and the Aesthetic Preference of Qin-Zither Studies from the Han to the Song Dynasty, Song Jing

Stylistic Expansion and Self-Consciousness: A Conceptual History of the Late Ming Sketches, Tang Zhibo

The Definition and Theoretical Critique of “Audiovisual Litany”: An Initial Exploration of Jonathan Sterne's Sound Studies, Kang Yangdaqi

The Divergences and Convergences of Fang Bao and Li Fu in the Evolution of Qing Dynasty Classical Prose Theory, Lin Feng

The Generation and Basis of Legitimacy of Episteme in Modern Chinese Literary Theory, Jiang Wenzhen

The Intelligible and Sensible Image, Gao Xin

The Multidimensional Perspective of “Contretemps”: Derrida's Interpretation of Romeo and Juliet, Tao Jin

The Order of Paratexts: Strategies of Writing Prefaces as Exemplified by Collected Works from the Qianshan Studio, Ye Ye

The Poetic Tradition and the Significance of Bai Juyi's Classifications of Poetry, Ye Yuewu

The Political Function of the Lyrical: Reevaluating Domestication and Foreignization Through the Untranslatable, Xia Kaiwei and He Ning

The Power of Images: The Role of Artists, Philosophers, and Theorists, Yan Jia

The “Referential Game” in Literary Texts, Huang Jiaguang and Ma Dakang

The Transfiguration of Political Novels: Ancient Greek History and the Construction of Modern East Asian National Consciousness, Shi Jiaqi

The Tripartite Structure of Narrative Communication from the Perspective of “Pre-story Discourse”, Qian Han and Wang Jin

Transborderality, Transmediality, Transdisciplinarity — An Interview with John Pier: Retrospectives and Prospects for Western Narratology, John Pier and Cao Danhong

Virtual Reality vs. Real World: On Materiality and the Difference of Environmental Perception, Wang Qian

Wandering Between the “Image of the Mind” and the “Embodied Image”: Wen C. Fong's Semiotic Explanations for the Lyrical and Expressive Function of Chinese Calligraphy, Wu peitong

Watching Films in the Age of Distraction, Shi Chang