Content Posted in 2023
Allusion and the Textual Form of Parallel Prose, Jinsong Li
An Analysis of Overseas Research on Chinese Xiaoshuo Pingdian (Fiction Commentaries), Ying Lin
Another Three Hundred Tang Poems： Structure and Purport of Collected Tang Poetry of Moderate Tone, Xuan, Gu
A Probe into the Origin of Kunstwissenschaft, Shuyuan Wan
A Reflection on Literary Theory Based on Epistemological Models, Jianchang Xing
Beyond Positivism: The Emergence and Approaches of Theatre Historiography in North America, Guanda Wu
Calm and Ease： The Theory of Self-cultivation in Wang Fuzhi's Commentaries on The Book of Songs, Yang Gao and Jingyi Qu
Can the Universal Validity of Judgment of Taste Be Achieved in Language Analysis?, Wei Li
China Questions in Foreign Literature and Theory Studies: Joseph Hillis Miller’s “End of Literature” and Its Critical Reception in China, Dandan Liang and Dejin Xu
Cyber Uber-Marionette: The Overcoming of Gordon Craig's Views on the Body in the Age of Posthumanism, Yang Gao
Dialectics of the "Living Dead": A Critical Study of Zombie Film, Moyan Zhang
Dialogue in Narratology and the "Chinese Voice": Reflection on Narrative Studies in China since 1997, Shouyi Jiang
Film as Perceptive Objectand Temporal Form, Bo Cheng and Haiyan Yuan
From Mimesis to Self-referentiality: Bertolt Brecht, Roland Barthes and Hans-Thies Lehmann on the “Exteriorization” of Theatre, Yinghui Zhao
From Panorama to Metaverse: A Media Archaeological Perspective, Yan Zhang
From World Literature to World Literary Theory: An Attempt to Approach Cross-cultural Aesthetics, Dandan Chen
German Films in Early Chinese Cinematic Concepts, Wenqian Hu
Gilles Deleuze's Reality Tactics of “Image-in-itself”, Xinru Nie
Guest Editor's Introduction and Overview, Yue Zhuo
How Does the Interesting Become an Aesthetic Category： An Analysis of Sianne Ngai's New Aesthetics, Liang Xu
How to Do the Grotesque with Laughter? -- A Foucauldian Self-Doubling Poetics, Chengjun Nie
Inertness， Concentration and Silence： The Triple Mystery of Nicolas Poussin's Rinaldo and Armida, Xin Wang
Innovation of Chinese Traditional Culture from the Perspective of Digital Cultural Industries, Fengliang Li and Mengchen Zhou
Instantaneous Intoxication： A Study of Vision and Eros in Plato's Dialogues, Shanming Tan
Intelligent Writing Experiment and the Avant-Garde Tradition, Hongliang Zhang
Interdisciplinary Translation: Dialogue between Latour and Literary Studies, Ying Liu
Investigating the Narrative Distance of Film from Form to Value, Xuan Zhao
Issues and Methodologies: The Three Approaches of Overseas Scholars to Chinese Art History and Their Prospects, Shilei Song
Jacques Derrida on Literary Language： A Case Study of Romeo and Juliet, Jinlong Xiao
Noise, Silence and Chorus: On the Soundscape of Contemporary Western Theatre, Tian Chen
On the Absence of the Image of "the Rickshaw Puller" in Left-Wing Literature, Xin Kang
On the Female Image in Walter Benjamin's Urban Studies, Lu Huang
Out of Sex-Centrism： A Study of Sedgwick's Queer Performativity, Xinyao Huang
Philosophy of Art, or Aesthetics of Symbolism? On Paul de Man’s Deconstructive Interpretation of Hegel’s Aesthetics, Shanchuan Zhang
Pictures as the Signifying Chain： Douglas Crimp's Postmodern Art Criticism and Interpretation of the Works of the “Pictures Generation”, Zhiliang Wang
Raymond Williams' Significance to Current Literary and Cultural Studies, Ning Wang
Responsibility and Mission: Constructing the Literary and Art Theory Discourse System in the New Era China, Shuzhuo Jiang
Re-thinking "Eastern Comparative Literature", Qing Yang and Shunqing Cao
Subtle and Implicit Rhetoric in Ancient Chinese Literary Criticism, Hongbing Sha
Synopsis of The 10th Youth Forum of China Association for Theory of Literature and Art, Yangyang Wu
The Artistic Expression of Maritime Novels in the Late Qing Dynasty, Yaping Cai
The Chinese Paradigm of Comparative Literature, Qingben Li
The Conceptual Transformation of Literary Aesthetic Theory： From the Expansion of Modernity to the Construction of Contemporaneity, Daren Lai and Nan Guo
The Construction and Artistic Writing of “House Space” in the Lian Pavilion, Zhiyuan Zhu
The Context of Communication in the Storytelling Field and the Textual Form of Storytelling Scripts of the Song and the Yuan Dynasties, Jiansen Chen and Yingheng Chen
The Dilemma of Paid Writing and Its Solution： On Yuan Haowen’s Prose Production, Min Yu
The Distinction between Wen(Verse) and Bi (Prose): Zou Yang’s Contribution to the Establishing of Verse, Chunhong Wang
The Double Labyrinth of Concept： A Study of Video Games within the Framework of Metaverse, Chao Guo and Xiwen Geng
The Grand Achievement of Ancient and Modern Poetics and the Genre, Minghua Ren
The Heideggerian View of the Motherland as “Being Itself” from the Perspective of “the Earth and Nature”, Guangshun He
The Idea of Aesthetic Community and Its Limits in Contemporary Critical Theories, Fei Qi
The Innovation Mechanism of Context: An Investigation Centering on I. A. Richards and Jonathan Culler, Yuyun Feng and Liming Zhou
The Modernizing Process of Theoretical Studies in Ancient Literary Genres, Shihai He
The Multi-directional Functions of Late-Qing Drama： On Huang Xieqing's Dramatic Creation, Limin Ma
The Other of Time： The Metaverse and Its Potential for Slow Time, Yiran Xiong
The Physical Property and Image Narrative of Ceramics, Aizhen Ni
The Rhythmic-Prose-Style Fiction of the Early Republic of China in the Changing Literary Field, Juan Wen
The Rise of Storyworlds: World-Building and the Re-enchanting Culture, Chang Shi
Toward a Convergent Metaverse： Video Games and the Transformation of the Digital Body, Shiyi Wei
Toward a Politics of Compassion, Samuel Weber
Virtual Reality and Metaversal Literature, Xuhong Song
Why Facebook？ — On the Relevance of Metaverse to Contemporary Social Media, Xing Zheng
Writers and Artists in the New Era Need to Manifest Historical Initiative Spirit, Guoqi Ding