Content Posted in 2024
Africa, the Third World, and the Global South: Rethinking the Possibility of Science Fiction Realism, Guangyi Li
Alain Badiou on the Encounter of Love and Art: A New Materialist Poetic Perspective, Cheng Tan
An Analysis of Chen Yan's View of “New Poetry” and the Characteristics of His Later Poetics, Jianwei Pan
An Examination of Liu Shipei's Writing Model and Theory of Parallel Prose, Mingqiang Zhang Zhang Mingqiang, Ph.D., is a professor in the School of Chinese Language and Literature, Guizhou Normal University. His research interests include the literature during the Ming and Qing dynasties and the theory on parallel prose.
“Anti-naturalism”: The Architectural Dimension in Siegfred Kracauer's Early Film Theory, Lanxin Jiang
A Probe into Zhang Xuecheng's Concept of “Classical Prose Derived from History”, Xu Fu
A Reinvestigation of Subjectivity and the Theory of Realism: The Cultural Politics of Hu Feng's Theory of “Subjective Fighting Spirit”, Xiaoping Wang
A Study of Su Shi's Lingnan Experience and Life Consciousness, Xiangrong Zhang
A Study of the Development of Merleau-Ponty's Theory of Perspective Drawing, Xiaodong Zhang Zhang Xiaodong, Ph.D., is an Associate Professor in the School of Arts Management at Shandong University of Arts. His areas of academic specialty include aesthetics of art and phenomenological aesthetics.
A Study of the Relationship between Image and Text of Eighteen Stanzas on the Reed Pipe by Liu Shang and the Picture of Wenji's Return from Captivity by Li Tang, Junlian Fu and Xueli Hao
A Textual Research on the Phenomenon of “Calling Melody as Pai”, Linfu Wang
Bernard Stiegler, Joseph Beuys and Social Sculpture, Kaifeng Xia
Between High and Low Culture: Su Shi's Culinary Odes and Their Classic Formation, Zuqi Wang
Chinese Neo-sensationalists' Reception and Transformation of Junichiro Tanizaki's Literary Works: A History of Reading Centering on Liu Naou's Diary, Shimeng Gao Gao Shimeng, is a Postdoctoral Researcher at School of Chinese Language and literature, Beijing Normal University. Her research interests include modern Chinese literature and literary thought.
Conceptual Transmutation and Landscape Perspective: A New Interpretation of “Scattered Perspective” in Comparative Visions of the East and the West, Sen Li Li Sen, Ph.D., is an associate professor in the School of Arts, Zhejiang Shuren University. His research interests include art theory, transmedia narrative, and iconography.
Construction of the Theoretical System of Yan'an Revolutionary Literature and Art： On the Luyi Woodcarving Work Group, Rong Zeng and Qinhan Zeng
Contemporary Forms of Posthuman Culture in China: A Review of The Opportunities and Challenges of Posthuman Culture Summit, Liang Zheng and Weiwei Zhou
Cuest Editor's Intmduction to the Issue in Focus, Wei Cheng
Daoism and the Fables of Zhuangzi and Han Fei Zi, Yao Zhang and Yong Fang
“De-coincided” Aesthetic Divergence: François Jullien on Chinese Painting, You Wu
Deconstructing “Cognitive Estrangement”: Contingency and the Line of Flight in New Weird Fiction, Guangzhao Lyu
Deepen Our Understanding of Ecological Aesthetics Guided by the Principle of Harmonious Coexistence between Humans and Nature, Xiangzhan Cheng
Dignitas and Venustas in Ancient Rome: The Ciceronian Aesthetic Ideals, Xinyao Xiao Xiao Xinyao, Ph.D., is a lecturer in the Department of Chinese Language and Literature, Chongqing University. Her academic interest includes ancient Roman literature and literature of the European Renaissance.
Emotion and Chineseness: Shen Congwen's Continuation and Rewriting of the Miao Region Construction in A Country Codger's Words of Exposure, Wenjian Su and Zekun Chen
Evaluation of Chinese Martial Arts Novels in the Past Century and the Modern Construction of the Xia Culture, Zhesheng Tang
Existential Predicament and Breakthrough of Literary Space Theory： A Study on Robert T. Tally Jr.'s Theory of Literary Cartography, Jianqing Tuo and Yuan Zhang
Exploring the “Original Essence of Emotions”: A Path to the Knowledge Generation in Modern Chinese Literature, Fengfeng Huang
Fictional Narrative as an “Ethical Laboratory”: A Study of Paul Ricoeur's Narrative Ethics, Wenting Xiao
From Cultivation to Liberation: The Theory of Artistic Autonomy in China, Liming Feng
From Ethical Subject to Self of Eros: The Aesthetics of Existence from Foucault to Agamben, Renjie Ye Ye Renjie, Ph. D., is a lecturer in Department of Philosophy in School of Public Administration, Nanjing Normal University, whose present research interests are Continental Philosophy, History of Western Political Thought and Contemporary Literary Theory.
From Imitating Reality to Producing Reality: Heidegger's Phenomenology of Art and Modern Art, Siyu Dai Dai Siyu, Ph.D., is a lecturer in the School of Art, Southeast University. Dai's research focuses on the history of modern Western art and art theory.
From Philosophization of Literature to Literalization of Philosophy: Revisiting Maurice Merleau-Ponty's Thought on the Affinity between Literature and Philosophy, Xinxin Cui Cui Xinxin, Ph.D., is a lecturer of the School of Literature, Capital Normal University, with research focus on the phenomenological aesthetics.
From “Rewriting Lu Xun” to “Patricide”: Historical Investigation into and Reflection on Chinese American Scholars' Criticisms of Lu Xun, Shi Li Li Shi, Ph.D., is an assistant professor at the Institute of Aesthetics and Literary Criticism, Shenzhen University. His research interests include overseas Chinese studies, critical theory and cultural studies.
Georges Didi-Huberman's “Politics of Images” and His Debate with Jacques Rancière on the Pathos of Images, Xueyang Jiang
Guest Editor's Overview, Yue Zhuo
How Illustrations of Dramatic Texts Come to Be Possible?, Xiaoming Liu
How to Do Things with Image: From the Paradigm of Representation to the Paradigm of Performance, Jinping Liu and Jiaqi Gu
Hubert Damisch's Interpretation of the “Trait” in Chinese Painting and Calligraphy, Weiwei Xiang
Immanuel Kant's Investigation into the Beautiful and the Sublime and Its Theoretical Provisions, Puman Li Li Puman is a Ph.D. candidate in the Faculty of Philosophy, Heidelberg University. His research interests include German aesthetics and ethics.
Is Drama Narrative: Investigation of the History and Deep Logic of the Exclusion of Mimetic Storytelling from Narrative, Feixiong Fu u and Yalin Chen
Issues, Resources and Approaches in the Study of Editions of the New-Era Literature, Xianhai Luo
Language and Material： The Life-world of Ah-Q, Qinghua Cao
Legacy of Logic and Lexicon-Based Composition: Traditional Characteristics of Zhang Shizhao's Jiayin Literary Style, Fangzhou Chang
Literary and Artistic Institutions of the Communist Party of China and the Achievement of Cultural Leadership, Jian'gang Yang and Rongzhen Tu
Metalepsis Narrative from the Perspective of Possible Worlds Theory, Bei Qiu
Models of Literary Adaptation Based on Audience Experience and Reflections on Media Technology, Wei Zeng
Narrative Cognition in the Virtual World: Contemporary Western Poetics of Immersion and Their Problems, Haijia Guan
On Adhering to the Right Path and Fostering Innovation in the Study of Marxist Literary Theory, Daren Lai Lai Daren, Ph.D., is a professor in the School of Chinese Language and Literature, Jiangxi Normal University, His research interests include literary theory and literary criticism.
On the Aesthetic Characteristics of Lin Geng's Literary History Writing, Songlai Liu and Cuiyuan Gao
On the Common Traits of Poetry and Prose in the Qing Dynasty's Imperial Examination, Shengzheng Chen
On the Genre of Shushi, Oinghua Wang Wang Oinghua, Ph.D., is a professor in the Department of Chinese Language and Literature, East China Normal University. Wang's research focuses on ancient Chinese novels, fiction studies, classical narrative genres and narratology.
On the Wholeness, Thematic Origins and Retro Value of Chen Zi'ang's “Emotional Impressions”, Xiaohua Zhao Zhao Xiaohua, Ph.D., is a lecturer in the School of International Chinese Studies, East China Normal University. Her research interests include the literature from the Han to the Tang dynasties.
Phenomenology of the Speed of Light: Paul Virilio's Philosophy of Speed and Critique of Modernity, Tian Li
Phylogenetics of Literary Texts: Reflections on Its Past and Present, Yiyang Cheng and Chenjie Yuan
“Quasi-Transcendental” and “Being-with”: Jacques Derrida and Jean-Luc Nancy on Drawing, Lin Su
Reflections on the Construction of the Discourse of a Chinese Film School in Recent Years, Hsiao-peng Lu and Haomin Gong
Signifying and the Feeling of Differences, Samuel Weber
Sublating, Inheriting and Integrating: The Evolution of Aesthetic Thought of Wang Guowei, Wei Shi
Tales, Allusions and Poetry: From a Line on Unorthodox Allusion in Yuan Haowen's Thirty Poems on Poetry, Ning Luo Luo Ning, Ph.D., is a professor in the School of Humanities, Southwest Jiaotong University. His research interests include the literature from the Han to the Song dynasties.
Tan Zhengbi's Methodology of Research on the Song and Yuan Dynasty Vernacular Stories, Xiangyu Liu
The Adaptation and Interpretation of the “Gediao (Style and Tone) Theory”: A Case Study of Zhao Yiguang's Writings, Leichao Wang
The Art of “Mood”: The Philosophy of Art in Georg Simmel's “Böcklin's Landscape”, Juehan He
The Chinese Adaptation and Contextualization of the Marxist Concept of the “New Literary and Art Characters”, Shuihe Ji Ji Shuihe is a Professor at the School of Literature and Journalism, Xiangtan University, primarily engaged in the study of Marxist literary theory and comparative literature.
The Concept of Chinese Classical Xiaoshuo and Its Japanese Counterpart and Modern Transformation, Shu Jiang
The Construction of the Possibility of “Moral Beauty” in Analytic Aesthetics, Zhen Li Li Zhen, Ph.D., is a postdoctoral researcher in the School of Philosophy at Fudan University, with research interests in analytic aesthetics. Shen Yubing, Ph.D., is a professor in the School of Philosophy at Fudan University, with interests in contemporary Western aesthetics, contemporary art history, and art criticism. and Yubing Shen
The Cosmic Mind of Pierre Teilhard de Chardin and Its Eco-Aesthetic Significance, Shuyuan Lu
The “De-homogenizing” Writing of Strange Stories from a Chinese Studio in Classical Chinese Fictions during the Qing Dynasty, Jiaojing Zhang Zhang Jiaojing, Ph.D., is a lecturer at the Culture and Education Center of Beijing Jiaotong University. Her research interest includes ancient Chinese fiction.
The Design of Evolutionary Trajectories in Chinese Ancient Opera by Historians of the Republican Era and the Model Directed Approach to History, Jingfeng Huang
The Division and Dialogue between Cultural Studies and Aesthetics, Xiangzhan Cheng and Jinjuan Zhang
The First Cry of Call to Arms and Related Topics: From Nostalgia to Diary of a Madman, Chen Li Li Chen, Ph.D., is a lecturer in the Department of Chinese Language and Literature, Chongqing University. Her research interests include modern and contemporary Chinese literature. Guo Chunlin, Ph.D., is a professor in the Department of Chinese Language and Literature, Chongqing University. His research interests include modern and contemporary Chinese literature, and Lu Xun studies. and Chunlin Guo
The Genealogical Continuation of the Aesthetic of Literature and Art and Its External Forces and Internal Causes, Wenfang Yao
The Historical Genesis and Transformation of Bourdieu's Concept of “Habitus”: A Rural Sociological Perspective, Zongshuai Zhang
The Humanization of Nature: The Renaissance and “Nature” in Early Modern Chinese Literature, Mingxing Wei
The Image of the Tiger and the Theme of Desire in The Plum in the Golden Vase, Haixiao Zhu
The Intervention of Real Audiences in the Narrative Process: Exploring a Possible Narrative Theory, Yu Chen
The Introduction of “Inspiration” from Transliteration to Translation in Chinese Context, Yunxia Huang Huang Yunxia, Ph.D., is an associate professor in the School of Literature, Journalism and Communication, South-Central Minzu University. Her research interests include contemporary Chinese literature and culture. He Changsheng, Ph.D., is a professor in the School of Literature, Journalism and Communication, South-Central Minzu University. His research interest include basic literary theory and modern Chinese literary theory. and Changsheng He
The Knowledge Context and Epistemological Value of Editing in Verdict Genre Court-case Fiction, Xiuhong Tu
The Overseas Journeys and Image Metaphor of Chuang-tzu's Singing with Beating Basin, Lijuan Song
The Rejuvenation of the Chinese Nation and the Rejuvenation of the Chinese Literature, Shen Jinhao
The Sacred Land in the Mountains: The Spatial Narrative of “Pavilion” in Traditional Chinese Landscape Painting, Tianle Wang Wang Tianle, Ph.D., is an assistant professor in the School of Art, Sun Yat-sen University. His research interests include ancient Chinese art history and art theory.
The “Tabooed Love” between Law and Literature: Before Derrida's Before the Law, Xingzhou Hu
The “Theoretical Turn” of Fictionality Studies and the Trend of Contemporary Western Research on Fictionality, Danhong Cao
The Vanishing Sound Grammar: Agamben's Critique of Sound Politics, Jian Guo
The Veneration of Wang Xizhi and the Formation of Confucian Calligraphic Orthodoxy, Xingcheng Zhang Zhang Xingcheng, Ph.D., is a professor in the School of Chinese Language and Literature, Southwest University. His research interests include classical Chinese philosophy and literary theory.
The Western Origin of “Synthesis” in Yuan Kejia's Poetics, Yangben Bai
Three Paths of Semiotic Research in the Post-Greimas Paris School, Shuang Li
Three Theoretical Approaches to Rethinking the Theory of Literary Reflection in the New Era, Rui Lai
Time and Space in the Eighteenth-Century European Sentimental Novels, Yan Zhu
Vitalistic Aesthetics: From Deleuze to Rancière, Haiting Zheng Zheng Haiting, Ph. D, is an associate research fellow in the Institute of Literature, Fujian Academy of Social Sciences. Her area of academic specialty is contemporary Western literary theory.
Why Landscape Can Be Roamed? Exploring the Physical Road and Its Transcendence in Landscape Painting, Yadan Shen
Why Pope Admired the Chinese Gardens: On Lovejoy's “Beauty of Irregularity” and Its Paradox, Yuming Hu
Xi Jinping's Discussion on Literary and Art Innovation, Yanqiu Zhao Zhao Yanqiu, Ph.D., is a professor in the School of Chinese Language and Literature, Hunan Normal University. His research interests include literary theory and comparative literature. Fan Xiang is a Ph.D. candidate in the School of Chinese Language and Literature, Hunan Normal University. His research interests include literary theory and western literary theory. and Xiang Fan
Zeng Guofan's Prose Theory from the Perspective of the Learning of Scholar-Officials, Hui Chen