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From Experience to Theory: Cultural Studies and Its Challenges Within the Chinese Context
Duan Jifang

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Saving Literati Painting from the Sublime: The Aesthetic Strategy in Li Changzhi's Theoretical System of Chinese Painting and Its Criticism
Jin Lang

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The Generation and Basis of Legitimacy of Episteme in Modern Chinese Literary Theory
Jiang Wenzhen

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Transborderality, Transmediality, Transdisciplinarity — An Interview with John Pier: Retrospectives and Prospects for Western Narratology
John Pier and Cao Danhong

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The Tripartite Structure of Narrative Communication from the Perspective of “Pre-story Discourse”
Qian Han and Wang Jin

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The “Referential Game” in Literary Texts
Huang Jiaguang and Ma Dakang

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Virtual Reality vs. Real World: On Materiality and the Difference of Environmental Perception
Wang Qian

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Cybernetics and Literary Machines: Cybertext Theory and Its Poetic Significance
Nie Chunhua

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The Definition and Theoretical Critique of “Audiovisual Litany”: An Initial Exploration of Jonathan Sterne's Sound Studies
Kang Yangdaqi

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On Digital Literature
Ma Shuangzi

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Roger Fry's Research on Chinese Classical Arts and His Construction of Formal Aesthetics
Yang Lixin

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Wandering Between the “Image of the Mind” and the “Embodied Image”: Wen C. Fong's Semiotic Explanations for the Lyrical and Expressive Function of Chinese Calligraphy
Wu peitong

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The Political Function of the Lyrical: Reevaluating Domestication and Foreignization Through the Untranslatable
Xia Kaiwei and He Ning

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The Order of Paratexts: Strategies of Writing Prefaces as Exemplified by Collected Works from the Qianshan Studio
Ye Ye

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Model Sayings: Quotation-Based Literary Schools and Rhetorical Techniques — A Discussion on the Principles and Methods of Genre Distinction in Ancient Chinese Writing
Zhao Debo

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Stylistic Expansion and Self-Consciousness: A Conceptual History of the Late Ming Sketches
Tang Zhibo

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Essence-Function, Realm and Practice: A New Interpretation on Su Shi's Theory of “Giving Form According to the Thing”
Liu Chi

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Li Kaixian's Views on Qu History and Lyrics and Their Significance in the History of Qu Studies
Li Yihui

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From “Literary Text Zen” to “Literary and Art Zen”: The Reconstruction of Literary Zen in the Late Ming Dynasty and the Evolution of Buddhist Thought on Literature and Art
Wang Yanming

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Reality, Truth, and Innovation: The Three Dimensions and Evolution of Qie in Qing Dynasty Poetics
Chen Juan

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At the Quarter Before Noon: The Construction and Transformation of Death Penalty Hour in Ming-Qing Popular Fiction
Ding Yue