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Beyond the Binary Opposition between Collectivism and Individualism: A Reflection on the Concept of Collective Memory
Dongfeng Tao

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Ethnographic Audience Research as an Intermediary Paradigm: A Case Study of Bruce Austin's “Cult” Movie Audiences
Kang Lu

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Hyperspace in Postmodern Spectacle of Image: A Critique on the Space Philosophy of Urban Intelligent Surveillance
Zhiwen Deng

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The Aesthetics of Cinematic Violence and the Mechanism of Affect Theory
Qi Gai and Guihai Lin

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Virtual Heterotopia: The Mechanism of Pleasure and Reception of Contemporary Popular Culture
Yanshu Gou

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The Reform Movement of 1898 and the Modern Fate of Eight-Legged Essay
Weizhao Chen

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Xu Fuguan’s Modern Interpretation of “Writings Are for Conveying Truth”
Wei Qin

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Liu Shipei’s Interpretation of the Concept of Chinese Literature
Ruiqing Li

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Four Interrogations Concerning the Methodology of Digital Humanities
Qingfeng Yang

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From Grimm, Mommsen to Nietzsche: The Conceptualization and Controversy in German Philology of the 19th Century and Its Implications to Digital Humanities
Lin Cheng

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Media Formation and Paradigm Production: Evolution of the Method of “Distant Reading” and Its Prospects
Nan Zheng

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“Laborious Versifying” and Poetic Works from the Perspective of Metaphysics since the Mid- and Late Tang Dynasty
Yao Zhong

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A Textual Research on Du Fu’s Absorption of Elaborate Writing from Yin Keng and He Xun
Xu Hu

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From Author to Reader: The "Reader Consciousness" and the Transformation of Qi-Liang Poetry
Yanfeng Cai

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The Canonization of Gui Youguang's Shouxu and Its Significance in Literary History
Liang Dai

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The Reception and Variations of Letters of Ouyang Xiu and Su Shi in Japan
Bo Ci

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Metamodernism: Thoughts on Literary Theory “after Postmodernism”
Hongyue Wang

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The Melancholy of Antonio in The Merchant of Venice: From the Perspectives of Usury and Credit
Min Jiao

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Walter Benjamin’s Critique of Surrealism and Its Body Politics
Wengui Xu

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Reconstructed Time: Gilles Deleuze’s View of Time Based on “Involuntary Memory”
Yuyu Wu

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A Genealogical Study of the Meaning Generation of Literary Text
Changling Fu

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From Non-philosophy to Art-fiction: An Analysis of Francois Laruelle’s Non-aesthetics
Shichang Nie

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Innovation of “Styles” and New “Forgery” in the Age of Artificial Intelligence: From the Perspective of Nelson Goodman’s Theory of Induction
Simeng Miao