Most Recent Additions* | Theoretical Studies in Literature and Art (TSLA)

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Most Recent Additions*

The Paradigmatic Connection within the Split Subject: Journey to the End of the Night from the Perspectives of Lacanian Specular Images and Theory of Discourses
Zhijiang Han

Fictional Narrative as an “Ethical Laboratory”: A Study of Paul Ricoeur's Narrative Ethics
Wenting Xiao

The “Tabooed Love” between Law and Literature: Before Derrida's Before the Law
Xingzhou Hu

Alain Badiou on the Encounter of Love and Art: A New Materialist Poetic Perspective
Cheng Tan

The Criticism of Ming Anthologies in the Perspective of the Qing Official Scholarship: A Study Based on the Ming Synopsis of A General Catalogue of The Complete Library of the Four Treasures
Yanrong Qi

The Stylistic Change and Theoretical Innovation of Drama Commentaries in the Newspapers and Periodicals at the End of the Qing Dynasty and the Beginning of the Republic of China
Xin Meng

Between High and Low Culture: Su Shi's Culinary Odes and Their Classic Formation
Zuqi Wang

The Concept of Chinese Classical Xiaoshuo and Its Japanese Counterpart and Modern Transformation
Shu Jiang

Another Path of the New Culture Movement: Lu Kanru and Feng Yuanjun's History of Chinese Poetry and the Transformation of Literary and Historical Research in the Republic of China
Wei Cheng

Legacy of Logic and Lexicon-Based Composition: Traditional Characteristics of Zhang Shizhao's Jiayin Literary Style
Fangzhou Chang

Sublating, Inheriting and Integrating: The Evolution of Aesthetic Thought of Wang Guowei
Wei Shi

Cuest Editor's Intmduction to the Issue in Focus
Wei Cheng

Zeng Guofan's Prose Theory from the Perspective of the Learning of Scholar-Officials
Hui Chen

The Humanization of Nature: The Renaissance and “Nature” in Early Modern Chinese Literature
Mingxing Wei

The Western Origin of “Synthesis” in Yuan Kejia's Poetics
Yangben Bai

Exploring the “Original Essence of Emotions”: A Path to the Knowledge Generation in Modern Chinese Literature
Fengfeng Huang

From Cultivation to Liberation: The Theory of Artistic Autonomy in China
Liming Feng

Hubert Damisch's Interpretation of the “Trait” in Chinese Painting and Calligraphy
Weiwei Xiang

“De-coincided” Aesthetic Divergence: François Jullien on Chinese Painting
You Wu

Variation, Vanitas, and Meta-Picture: An Interpretation of the Blue and White Porcelain Bowls with the Pattern of “Dongpo's Tour at Red Cliff” in Jacques Linard's Still Life Paintings
Yanjun He

*Updated as of 11/20/24.