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"New Literature" and "Old Tradition":The Interaction between Modern and Traditional Zhanghui Novels
Bingru Guo

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An Analysis of the Phenomenon of Titling Fu with Poetry in the Tang Dynasty
Haoyu Tang

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An Exploration of Literary Ontology from the Perspective of Friedrich Kittler's Media Theory
Guang Yang

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Augmented Reality and the Spatial Turn: The Situational Writing of Cyber Literature and Its Aesthetic Transformation
Moyong Han

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Can "Contemporaries" Know How to Read?
Rabaté Jean-Michel

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Connotations and Characteristics of the Public and the Private in Classical Chinese Poetics: A Case Study of Zhang Xuecheng's Idea "Publicness of Language"
Qingyu Yan

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From "Image" to Simulacrum: Derrida's Discussion on Writing
Shubao Dong

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From Neutrality to the Other: Levinas on Blanchot
Jiajun Wang

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History, Miscellaneous History and Fiction
Jinfeng Zhou

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On the Experiential Basis of Beauty
Hongxiang Li

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On the Genealogy of Heresy in Revolutionary Literature
Huiying Xie

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On the Lyrical Tradition of Chinese Prose
Jianhui Chen

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Political or Ethical: Chen Duxiu's Motive for Writing "Towards a Literary Revolution"
Xu Xu

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The Artistry in the Historical Storytelling Scripts of the Song and Yuan Dynasties
Dajun Xu

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The Diversification of Poetic Preferences in the Light of the Ranking of Su Shi and Huang Tingjian in the Late Northern and Early Southern Song Period
Guochao Liu

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The Emergence and Development of "Chinese Aesthetics" in the Modern Times: A Historical Inquiry
Qiang Zhao

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The In-betweenness of Humankind and Thing: A Crisis of Modernity from the Perspective of Philosophy of Technology
Zhengbo Zhang

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The Innovation on Early Modern Language and the Change of Fiction's Language Style
Xiaojun Liu

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The Paradox of "Self": New Literature's Ethical Problems of "Individual Liberation"
Jianhua Song

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The Receptive Dimension of "The Music of Today Derives from the Music of Antiquity"
Miaodan Chen

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Ways of Seeing: Historicization, Technologization and Chinese Artistic Experience
Tairan Liu