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"What Are Poets for" and Ecological Ethics
Kuiying Zhao

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A Critique of Studies of the Cultural Identity of Hong Kong Literature since the 1990s: the Case of Inherent Contradiction between Nativeness and Chineseness
Shiying Xu

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A Probe into the Theory of Event Literature: Reflections on the Reconstruction of Literary Studies "after Theory"
Jing Yin

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Bai Xianyong's New Aesthetics of Kunqu Opera
Sheng Ding

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Becoming, Intensity and Transversal Communication: the Cross-cultural Dialogue between Deleuze's Thoughts and Taoist Thoughts
Dandan Jiang

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Empiricism, Sense and Modernity of Aesthetics: Edmund Burke's The Sublime and Beautiful from the Viewpoint of Medieval Aesthetics
Chen Chen

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From "Poetry Critique" to "Drama Critique": Lü Tiancheng and Qi Biaojia's Critique of Drama
Chao Wang

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Literary Theory: Nationality in an Age of Globalization
Fan Nan

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Lubomir Dolezel's Literature Fiction and Possible Worlds Theory
Yu Zhang

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Pen Names in the "Seventeen Years Period" and the Ecology of Contemporary Chinese Literary Criticism
Pengcheng Kou

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Tactile Culture or Auditory Culture: A Different Future of the Post-Visual Culture
Lianjie Liu

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The Aesthetic Regime of Art and the Construction of Its Politics: on Jacques Rancière's Aesthetic Thoughts
Haiting Zheng

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The Construction and Review of the Wujiang School and Linchuan School: A Study of the History Research Books of Traditional Chinese Drama in the Republic of China
Huaping Cheng

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The Invention of "Japanese" Literature in Colonial Korea, or How Shameless Literary Engagement Could Be under Colonial Conditions
Mihara Yoshiaki

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The Literary Concepts through Novel Titles of the Ming and Qing Dynasties
Guofu Cheng

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The Naming of Bronze Bells in the Shang dynasty;The Concept System of Yuexuan; Bronze Bells' Definition:Three Issues about the Bronze Bell
Fa Zhang

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The Origin of the Title "the Four Dreams of Linchuan" and the Deep Significance of The Peony Pavilion
Baocheng Kang and Yanfang Chen

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The Origination of "Zhong Zhuo Da" from Calligraphy Critique: the Cultural and Literary Historical Background of the Turn of Ci-poetry Criticism in the late Qing Dynasty
Ronggang Jiang

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The Perfect Trinity of Poetry, Calligraphy and Painting as a Neo-Classicist Paradigm in Zhao Mengfu: the Three Aspects of Zhao Meng-Fu's Thought on Literature and Art
Yi Zhang

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Thinking is Folding: Deleuze's Problematique of the Baroque
Kailin Yang

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Transcending the "Word-Image" Debate: the Writing Experiment of T. J. Clark's The Sight of Death
Yi Zhuge