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A Critical Reflection on and Construction of Modern Chinese Literary Theory
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A Positioning of China in the Global Space: Reflecting the Overseas Debate on Chineseness and Sinophone
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Critique of Foucault's Theory of Discourse
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Dialectics between Politics and Literature: on Overseas Studies in Chinese Literature
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Four Characteristics of Ancient Chinese Aesthetics
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Genre Criticism in Ming Dynasty and Zhu Yao'sThe Genre of Ancient Rhapsody
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Literary Debates and Paradigm Shifts in Overseas Studies of Modern Chinese Literature
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Mo Yan's Polarizations: An Interpretation of HisBig Breasts and Wide Hips
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On Liu Gangji's Practical Ontological Aesthetics as an Advance of Practical Aesthetics
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On Liu Xizai's Paradox about the Exhaustibility of Meaning
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On Plato's Religious Justice and Artistic Justice
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Postmodernity, Hegemony, Sexuality
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Sinophone Literature and World Literature in Chinese
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Technology, Apparatus and Meaning: Two Approaches to Myth Interpretation
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The Concept of "Tianji" in Ancient Chinese Literary Criticism under the Perspective of Phenomenology
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The Fragmented Ancient Chinese God System
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The Meta-Ethical Traits: Nothingness, Différance and Spectrology
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The Mythistorical Pattern in the Studies on Origins of Civilization
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The Narrative Function and Stylistic Significance of the Official Papers in the Tang-Dynasty Fictions
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The Primitive State of Antique Chinese Elenchus in Spoken and Written Style
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The Return of Beauty?
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The Rhetoric of "New Manchu": With a Focus onNew ManchuMagazine in Puppet Manchurian State
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Theoretical Traces of Raymond Williams' "Structures of Feeling" and "Cultural Materialism"
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