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An Interpretation of Shenyun(Spirit and Charm): Qian Zhongshu’s Theory on “Clarity and Profundity” from the Perspective of Geographical Context of Modern Interpretation of Classics
Zhongyi Xia

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Thoughts on Chinese Aesthetics of Vitality
Xuan Wu, Tiantian Cai, and Shu Yan

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On Schelling's Ontological Aesthetics
Fanren Zeng and Qun Reng

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Spirit Resonance and Empathy: A Topic in the History of Modern Chinese and Japanese Aesthetics
Yinglong Peng

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Dialectics of the Avant-Garde and the Regressive: Adorno on Primitivism in Modern Art
Zhijing Wu

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On Dark Ecology and Its Aesthetic Dimension
Jin Zhang

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Little Nightmare in a Vast Cosmos: Dark Ecology and the Poetics of Nightmare in Videogames
Yuhui Jiang

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Critical Climate Change: A Theoretical Perspective for the Construction of World Literary History
Yuan Yuan

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Why Would a Thousand Readers Understand Shakespeare in a Thousand Ways?: The Signifying Logic of a Text from the Perspective of Hermeneutic Openness
Mingdong Gu

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“Homegrown” Practices and Discursive : Revisiting the Debates on Foreign Literature Research in the 1990s
Xinyuan Du

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Allusivity or Explicit-Implicit Comparison: A Critical Review of the Tradition of François Jullien’s Indirect Writing
Xiangyan Jiang

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The Myth of the Concept of Parallel Studies in Comparative Literature
Mengze Yao

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Comparative Studies of Literature and Dance: An Interdisciplinary Approach
Huafei Chen and Mingwen Xiao

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From Semiotics to Phenomenology: The Establishment of the Basic Research Methodologies in Euro-American Performance Analysis
Wei Feng

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On Theatricality
Ke Shi

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Practicing a Community: Collectives of Western Avant-Garde Theatre and Its Performative Turn
Ziwen Gao

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The Development of Yanzhi,Yuanqing, Wendaoguan: The Essence of Literature According to Dugu Ji, Liang Su, and Quan Deyu
Qinghai Liu

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Poetry under Imperial Order and Seven-Character Metrical Poetry in the Early Tang Dynasty
Shun Liu

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Interpreting “que” in Du Fu’s “Qiang Village”
Ren’er Huang and Chao Tong

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The Creation of New Tunes for Ci-Poetry in the Qing Dynasty and Their Dual Forms of Music and Text
Shen Liu and Xianyi Sha

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The Pioneering Efforts of Wu Weiye’s Ci-Poetry and the Founding of Scholars’ Ci-poetry in the Qing Dynasty
Guoan Chen

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Changes and Established Rules: The Relationship between Collected Ci-poetry of Wan Shu and His Rules of Ci-poetry
Yanpeng Wang