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"Asked of Everyone as if a Duty": On Immanuel Kant's Question about the Idea of a Common Sense
Chen Chen

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"Writers Should Learn Philology First": The Genesis of a Common Sense in Literature
Feng Lin

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Deleuze's Affect Theory and Becoming-Literature
Yue Ge

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Early Reading Theories of Louis Althusser and the Misjudgment of Surface Reading
Jianzeng Zhou

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Feminist Perspectives on Gender and the Sublime
Rong Chen

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From Commitment to Uselessness: On Georges Bataille's Concept of Literature
Tianshu Zhao

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Ideas of Photography Studies in France: Reflections on Three Contemporary Paradigms
Yichen Lu

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Literature's Loss of Status? Which Status? Whose Status?
Carvalhão Buescu Helena

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Natural History and the "Scientific Discourse Community" of the Three Zhou Brothers
Jianrong Liao

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On Death and Hope in Lu Xun's "Upstairs in the Tavern"
Hong Zhang

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On Liu Yin's Idea of "Relaxing in the Study of Cultural Arts" and Literary Thoughts
Wanli Yang

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Shock and Immersion: The Complex Aesthetic Experience of Chinese New Mainstream Film
Xiaofang Lu

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The Image of Characters in Twentieth-Century Chinese Fiction
Zidong Xu

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The Literati Identification of Wang Shizhen and Its Significance
Xiang Xiong

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The Significance of Concept Differentiation
Dakang Chen

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The Establishment of Modern Art Law of "Do Whatever You Want" and the Reconstruction of Pan-Art Category: Case Study of the Ready-Made Works of Marcel Duchamp
Weisheng Xiao

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The Modern Origin of Animation and the Intermediality of Animation Art
Xueqin Feng

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The Perceptional Foundation of Impressionism
Haiyan Li

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Theory and Philosophy: Antonyms in Our Semantic Field?
Jay Martin

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Triple Dimensions of the "Temporal Turn": Theories of "Contemporaneity" in Western Contemporary Art and Their Problems
Lihui Dong

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Views on Yuefu among Literati in the Song Dynasty and Volumes of Yuefu in Their Collected Works: A Case Study of Wen Tong's Yuefu Zayong
Haiyan Liang

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A Study of Little John and the Making of Quasi-Middle Lu Xun
Chongke Zhu and Liping Liang