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A Probe into the Conceptual Framework and Mechanism for Writing in Vernacular Chinese during the May Fourth Period: Focusing on the Three Schemes Proposed in New Youth
Wei Deng

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A Semantic Analysis of Kant's Judgment of Taste
Shuangyu Xue

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Art as the Foundation of History: On the Historical Dimension of Heidegger's Art Criticism
Congcong Song

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Collected Essays of the Qing Dynasty and the Concept of Literary History in the Early Twentieth Century
Hengchang Chang

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Does Lu Xun Subvert the Discourse of National Character?
Dongfeng Tao

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Enlightenment of "Affection": The Inner Construction and Historical Significance of the Origin of Lu Xun's Literary
Cheng Luo

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Habermas and Hermeneutics: From Verstehen to Lebenswelt
Wolin Richard

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Keywords in the Studies of Regional Literature: A Case Study of Jiangnan in the Qing Dynasty
Shining Luo

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Kuang Zhouyi's Monthly Lessons for the Annotation of Cheng Meng'an's Ci-Poems: A Summary Review
Yuping Peng

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On the Possibilities, Construction, and Functions of Trauma Narratives
Weihua He

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Reconsidering Yan Shu's "Worldly-wise and Self-preserving" Personality
Mingzhen Shao

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Renewing the Centurial Discourse of Chinese Literary Theory Through the Genealogy of Spirit: Case Study of Zong Baihua and Li Changzhi
Yunyan Zhang

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Schematizing Without a Concept: Kant on the Harmony of Imagination and Understanding
Wei Li

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The Birth of the Modern Discipline of Literary and Art Theory during the Period of the May Fourth Movement
Zhixiang Qi

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The Decline and Reconstruction of "Poetic" Text in Chinese "Renaissance"
Changsheng He

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The Everlasting Voyage of Heteronymy: Badiou's Discussion about Pessoa and Plato
Huan Wang and Jiang Lan

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The Genesis of Wang Guowei's Theory of "Jingjie"
Zhi Geng and Pengcheng Kou

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The Inheritance and Innovation of Chinese Creation Culture
Ning Guan

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The Unfinished Theoretical System of Modernism: Origins in the Forms of Knowledge
Xiaoming Yi

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Two Historiographical Approaches to Evaluate Qi Baishi: The Myth of the "People's Painter" and Its Counterargument
Zhongyi Xia

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Where Did the Souls Go?: Revisiting the Chinese Art from the Xinhai Revolution to the May Fourth Movement
Yichuan Wang