Content Posted in 2026
A Common Measure: The Legitimacy of Applying the “Paradigm” Research Framework to Literary Theory, Sanda Li
A Contemporary Model for the Modernization of Xiqu: On Xu Fen's Dramatic Writing, Wei Li
A Discussion of the Critical Creative Practice of Lu Xun's Literary Philosophy, Xuan Wu
A Field of Cultural Practice Shaped by the Interaction of Multiple Forces: A Study of Guangzhou Music Teahouses in the Early Reform and Opening-up Period, Dongfeng Tao and Yunxia Fan
An Analysis of Denotation and Connotation: Contribution of Lu Xun's Old Stories Retold, Qinghua Cao
An Eminent Scholar and a Patron of Literature: Remembering the Esteemed Mr. Xu Zhongyu, Ye Bai
A New Interpretation of the Connotations and Significance of Wen Tingyun's Yuefu Yiqu: On the Musical Adaptation of Yuefu Poetry in the Tang Dynasty, Haiyan Liang and Tianjun Li
Aufheben: The Theoretical Approach of Early Chinese Marxist Literary Theory, Rui Lai
Between Autonomy and Heteronomy: The Historical Evolution of Modern German Music Criticism, Kun Bi
Beyond Transitional Justice: Han Kang's Literature and the Politics of Mourning, Weixuan Xi and Sijin He
Biases and Paradoxes: The Politics of New Aestheticism's Depoliticization, Fang Yuan
Critique of Anonymous Advertisements Written by Modern Chinese Writers, Linxiang Peng
Cultural Memory and the Formation of the “Chinese Paradigm” of Contemporary Literary Hermeneutics, Pengfei Gu
Deleuze, Freud and a Reinterpretation of the Three Syntheses, Shubao Dong
Depiction of the “Recluse” in Chinese Painting: An Examination Centered on the Wu School of the Ming Dynasty, Xianpo Yuan
Digital Humanities and Quantitative Research Paradigms in the Study of Foreign Literature, Jian Zhang
Embodiment, Brain, and Intuition: On Hubert Dreyfus and the Cognitive Generation of AI Films, Wencan Xianyu
Evolving Symbols: A Study of the Triple Implications of the Weiqi Iconography in the Song Dynasty, Peichong Xi
Free Quale: The Aesthetic Object under the Purview of New Phenomenology, Yinghan Sheng
From Acceleration and Resonance to Social Energy: An Interview with Hartmut Rosa, Siyu Yao and Hartmut Rosa
Gadamer's Interpretation and Reconstruction of the Theory of Imagination in Kant's Aesthetics, Wencong Nong
How to Investigate the Contemporary?—Conceptions for Cultural Studies of Modernology, Ling Yu Ling Yu
Huang Tingjian's Poetic Practice of Learning from Tao Yuanming, Shangyun Cheng
Human Intelligence or Artificial Intelligence? A Few Questions about Literary Narratives in the AI Age, Ying Zhang and Xiangyu Wu
Independent Knowledge and Open Horizons, Fan Nan
Innovation within Tradition: Competitive Strategies of Late Ming Taige (Court) Literature and Their Significance, Xiaolu Xiaolu and Huan Zhang
“Jinshi Flavor”: The Historical Evolution and Cultural Construction of an Aesthetic Concept, Yilin Wang
Lost in Perception?: Digital Hallucination and Memory Projection in Transmedia Images, Xiao Cai
On the Concept of Continuity in Bio-Art, Jie Xu
On the Implication of the Revival of Parallel Prose in the Qing Dynasty, Jinsong Li
On the Nature and Composition Methods of Historical Xiqu Plays, Hengfu Zhu
Power, Subject, and Psychoanalysis: Theodor Adorno's Affective Social Theory, Yifan Song
Pretext, Hypertext, and Potential Text: An Analysis of Paul Valéry's Poetics of Translation, Lu Gan
Reaffirming “Sensibility”: F. R. Leavis and the Critical Community, Weihua He
Reconstituting “Place”: Experiential Perspective, Emotional Configuration and the Lifeworld, Jun Zhu
Recovering and Rewriting the Scene of Suzhou Xiqu Circle in the Early Qing Dynasty and Its Significance, Ren Gang Ren Gang
Rethinking “Projection Theory”: Wang Fuzhi's and Gernot Böhme's Theories of “Scene” and “Thing”, Xiaoping Li
Rethinking The Adventures of Pinocchio: The Rebellious Body without Organs and the Fissures of the Italian Nation-State, Diego Gullotta and Lili Lin
Rewriting Spectrality: On Bernard Stiegler's Critique of the Analogic Gramme, Chen Yang
Roland Barthes's Biographical Writing, Qiong Wu
Spirit-Forging Society: Reviving Poetic Voice to “the Great Hero Spirit” and “Iron-Blood Ethos”, Shijin Luo
Summary of the 17th Annual Conference of the Chinese Society of Literary Theory and the Academic Symposium on “Constructing an Autonomous Knowledge System for Chinese Literary Theory and Critical Theory”, Dong Lü and Qingchen Zhang
The Affective Turn and Semblance Art: An Interview with Professor Brian Massumi, Ziyue Yang and Brian Massumi
The Blind Spot of a Great Polymath: Elucidating Qian Zhongshu's “Chinese Poetry and Chinese Painting”, Ruoshui Jiang
“The Crown of Writings”: The Establishment of Liu Yin's Literary Status and His Ideological Origins, Tianxiao Ren
The Development of Li Mengyang's and He Jingming's Concepts on Poetic Style, Chunxiang Wang
The Early Modern Literary Purport of “Brain Transformation” and Its Enlightenment for Modern Fiction, Yishan Ye
The Formation of Hegel's Aesthetics: A Study Centered on the Jena Manuscripts, Yuyang Zhu
The Ideology of Death and the Truth of Art: Frankfurt School's Critique of Heidegger's View of Death, Ao Jin
The Metaphysical Longing for Unity: The Idea of “Love” in Early German Romanticism, Shujiao Wang
The Middle Path to Materiality: Exploring the Origins of Semiotic Materiality Theory, Xudong Guo
The Nature Aesthetics of “Changeable States” and Its Poetic Practice among the Song-dynasty Poets, Xiaoyi Wang
“The North China Experience” and the Formation of Yan'an Literature and Art, Tiantian Fu
The Origin of the Stylistic Form and Knowledge System of Han—Dynasty Fengshi on Disasters and Anomalies, Runzhong Zhang
The Origins of Chinese Poetics and Its Conceptual Cornerstone, Mingdong Gu
The Philological Logic of Fu Sinian's Theory of “Literary Reform”, Zitao Zhao
The Polyphonic Rural World: A Study of the Acoustic Space of Shanyin in Lu You's Poetry, Hua Yao
The Sinicization of “Contradiction and Overdetermination”: A Study Centered on the 1964 Translation, Yichen Wang
The Spatial Turn in World Literature Studies, Liu Liu
The Theoretical Connotations of Modern Chinese Literary Historiography, Xiangxi Fu
The Transgression and Construction of Luce Irigaray's Feminist Theory, Ma Bing
The Translingual Writing of Rickshaws since the Modern Era, Ruoze Huang
Title: Aestheticism and Christianity: Walter Pater's Cultural Theory, Li Chen
“Transnational Literature” and “Transgression” in Literature, Shihua Chen and Buwen Wei
Visual Media, Digital Art, and the Development of Contemporary Aesthetics: An Interview with Professor Dominic McIver Lopes, Caishu Zhou and Dominic Mclver Lopes
Writing Worthies: The Naming and Generic Formation of “Records of Shrine Halls” in the Song Dynasty, Hongxiang Zhao
Xu Zhongyu, Qian Gurong, and Tong Qingbing as I Know Them: An Interview with Professor Zhang Delin, Yong Zhao and Delin Zhang
Yu Dafu in the Guangdong Peasant Movement and His Promotion of “Peasant Literature and Art”, Bo Feng