Content Posted in 2026 | Theoretical Studies in Literature and Art (TSLA)

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Content Posted in 2026

A Common Measure: The Legitimacy of Applying the “Paradigm” Research Framework to Literary Theory, Sanda Li

Analyzing “Emotion” and Interpreting “Expression”: On the Inheritance and Development of the Concept of “Literature” of Chinese Nation, Bohai Chen

An Eminent Scholar and a Patron of Literature: Remembering the Esteemed Mr. Xu Zhongyu, Ye Bai

A New Interpretation of the Connotations and Significance of Wen Tingyun's Yuefu Yiqu: On the Musical Adaptation of Yuefu Poetry in the Tang Dynasty, Haiyan Liang and Tianjun Li

A Self-Aware Advocate, Practitioner and Promoter of the Construction of an Independent Knowledge System: A Re-evaluation of Professor Xu Zhongyu's Literary Theory Research, Haozhe Tan

Between Autonomy and Heteronomy: The Historical Evolution of Modern German Music Criticism, Kun Bi

Can New Materialisms Transcend Linguistic Theory? An Analysis of the Relationship between Words and Things, Lixing Li

Conference Summary: Symposium in Commemoration of the 110th Anniversary of Mr. Xu Zhongyu's Birth and on “The Construction of an Independent Knowledge System in Chinese Literary Theory”, Xiaotong Chen

Construction and Definition: The Textual Nature of Shi Fu Lüe (Summary of Songs and Fu) and Its Significance in Literary History, Zhiyuan Yin

Critique of Anonymous Advertisements Written by Modern Chinese Writers, Linxiang Peng

Depiction of the “Recluse” in Chinese Painting: An Examination Centered on the Wu School of the Ming Dynasty, Xianpo Yuan

Digital Humanities and Quantitative Research Paradigms in the Study of Foreign Literature, Jian Zhang

Embodiment, Brain, and Intuition: On Hubert Dreyfus and the Cognitive Generation of AI Films, Wencan Xianyu

Evolving Symbols: A Study of the Triple Implications of the Weiqi Iconography in the Song Dynasty, Peichong Xi

Free Quale: The Aesthetic Object under the Purview of New Phenomenology, Yinghan Sheng

How to Investigate the Contemporary?—Conceptions for Cultural Studies of Modernology, Ling Yu Ling Yu

Human Intelligence or Artificial Intelligence? A Few Questions about Literary Narratives in the AI Age, Ying Zhang and Xiangyu Wu

Independent Knowledge and Open Horizons, Fan Nan

Innovation within Tradition: Competitive Strategies of Late Ming Taige (Court) Literature and Their Significance, Xiaolu Xiaolu and Huan Zhang

Intergenerational Intertextuality and the Circulation of Memory: The “Dongpo Reincarnation” Phenomenon among Ming and Qing Literati, Ziqiao Song

“Jinshi Flavor”: The Historical Evolution and Cultural Construction of an Aesthetic Concept, Yilin Wang

Lost in Perception?: Digital Hallucination and Memory Projection in Transmedia Images, Xiao Cai

On the Concept of Continuity in Bio-Art, Jie Xu

Power, Subject, and Psychoanalysis: Theodor Adorno's Affective Social Theory, Yifan Song

Reconstituting “Place”: Experiential Perspective, Emotional Configuration and the Lifeworld, Jun Zhu

Recovering and Rewriting the Scene of Suzhou Xiqu Circle in the Early Qing Dynasty and Its Significance, Ren Gang Ren Gang

Reflections on “Upon the Gardens of Epicurus”: The Transmission of Chinese Garden Aesthetics to the West, Yang Lu

Rewriting Spectrality: On Bernard Stiegler's Critique of the Analogic Gramme, Chen Yang

The Affective Turn and Semblance Art: An Interview with Professor Brian Massumi, Ziyue Yang and Brian Massumi

The Cinematic Representation of Leukemia and the Politics of Exoneration: Japanese “Pure Love” Dramas as Traumatic Memory, Wei Jia

The Development of Li Mengyang's and He Jingming's Concepts on Poetic Style, Chunxiang Wang

The Formation of Hegel's Aesthetics: A Study Centered on the Jena Manuscripts, Yuyang Zhu

The Ideology of Death and the Truth of Art: Frankfurt School's Critique of Heidegger's View of Death, Ao Jin

The Juxtaposition of Liu Zongyuan and Wang Anshi in the Mid-to-Late Qing Dynasty and Its Literary-Historical Significance, Tian Lan

“The North China Experience” and the Formation of Yan'an Literature and Art, Tiantian Fu

The Origin of the Stylistic Form and Knowledge System of Han—Dynasty Fengshi on Disasters and Anomalies, Runzhong Zhang

The Philological Logic of Fu Sinian's Theory of “Literary Reform”, Zitao Zhao

The Relationship between Wang Yangming's Philosophy of Mind and the Ancient Prose of the Early Qing Dynasty: Focusing on Weixi's Ancient Prose, Zebao Zhu

The Sinicization of “Contradiction and Overdetermination”: A Study Centered on the 1964 Translation, Yichen Wang

The Spatial Turn in World Literature Studies, Liu Liu

Title: Aestheticism and Christianity: Walter Pater's Cultural Theory, Li Chen

Whose Philosophical Evidence Is the Organism? A Discussion Based on Huang Jincheng's Organic Modernity: Young Hegel and the Discourse of Aesthetic Modernity, Yunhua Liu

World Literature Rooted in National Character and Comparative Literature with a Global Perspective: Theoretical Contribution of John J. Deeney's “The Chinese School of Comparative Literature”, Weifang Li

Xu Zhongyu, Qian Gurong, and Tong Qingbing as I Know Them: An Interview with Professor Zhang Delin, Yong Zhao and Delin Zhang

Yu Dafu in the Guangdong Peasant Movement and His Promotion of “Peasant Literature and Art”, Bo Feng