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Authors

Abstract

As a fundamental concept and central principle in the early Romantic aesthetic system, “love” is an important medium for achieving wholeness and universal harmony, which embodies the metaphysical longing for unity. This paper analyzes the multiple functions of “love” from four perspectives: the personal, the interpersonal, the human-cosmic, and the metaphysical. In addition, this essay traces how early Romantic thought on “love” promotes the modern semantic configuration of “love” through engagement with the theory of “love” in the Platonic-Christian system. Furthermore, it demonstrates the mystical connotation of “love” by analyzing the adaptive reception of Jakob Böhme by the early Romantics.

Keywords

early German Romanticism, love, unity, the infinite, harmony

First Page

137

Last Page

146

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