Abstract
The Suzhou xiqu circle in the early Qing dynasty developed a distinctive style characterized by the simultaneous flourishing of creation and performance. This phenomenon was shaped by traditional xiqu heritage, dynastic transition, economic growth, and the internal dynamics of xiqu development. In terms of creation, the emergence of numerous playwrights and works reflected, for the first time, the symbiotic relationship between literati and folk xiqu, achieving a closer integration between literature and the stage. In terms of performances, a vibrant scene arose in which professional folk troupes and gentry family troupes complemented one another, demonstrating diverse modes of xiqu transmission and corresponding to the creative process. Owing to its prosperity, maturity, and well-defined structure, the Suzhou xiqu circle in the early Qing dynasty may was quite unique and important, and be regarded as a pinnacle in the development of classical xiqu. A comprehensive reconstruction and reexamination of this circle can illuminate its unique status and significance in the history of xiqu, advancing the study of this classic topic.
Keywords
early Qing dynasty, Suzhou, xiqu circle, classical xiqu
First Page
63
Last Page
71
Recommended Citation
Ren Gang, Ren Gang. 2025. "Recovering and Rewriting the Scene of Suzhou Xiqu Circle in the Early Qing Dynasty and Its Significance." Theoretical Studies in Literature and Art 45, (6): pp.63-71. https://tsla.researchcommons.org/journal/vol45/iss6/7
