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Thoroughly Understand the New Connotations of the Sinicization and Modernization of Marxist Literary Theory
Xijian Li

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Deepen Our Understanding of Ecological Aesthetics Guided by the Principle of Harmonious Coexistence between Humans and Nature
Xiangzhan Cheng

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Why Landscape Can Be Roamed? Exploring the Physical Road and Its Transcendence in Landscape Painting
Yadan Shen

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“De-coincided” Aesthetic Divergence: François Jullien on Chinese Painting
You Wu

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Why Pope Admired the Chinese Gardens: On Lovejoy's “Beauty of Irregularity” and Its Paradox
Yuming Hu

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Variation, Vanitas, and Meta-Picture: An Interpretation of the Blue and White Porcelain Bowls with the Pattern of “Dongpo's Tour at Red Cliff” in Jacques Linard's Still Life Paintings
Yanjun He

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Hubert Damisch's Interpretation of the “Trait” in Chinese Painting and Calligraphy
Weiwei Xiang

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From Cultivation to Liberation: The Theory of Artistic Autonomy in China
Liming Feng

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Exploring the “Original Essence of Emotions”: A Path to the Knowledge Generation in Modern Chinese Literature
Fengfeng Huang

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The Western Origin of “Synthesis” in Yuan Kejia's Poetics
Yangben Bai

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The Humanization of Nature: The Renaissance and “Nature” in Early Modern Chinese Literature
Mingxing Wei

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Cuest Editor's Intmduction to the Issue in Focus
Wei Cheng

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Zeng Guofan's Prose Theory from the Perspective of the Learning of Scholar-Officials
Hui Chen

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Legacy of Logic and Lexicon-Based Composition: Traditional Characteristics of Zhang Shizhao's Jiayin Literary Style
Fangzhou Chang

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Sublating, Inheriting and Integrating: The Evolution of Aesthetic Thought of Wang Guowei
Wei Shi

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Another Path of the New Culture Movement: Lu Kanru and Feng Yuanjun's History of Chinese Poetry and the Transformation of Literary and Historical Research in the Republic of China
Wei Cheng

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Between High and Low Culture: Su Shi's Culinary Odes and Their Classic Formation
Zuqi Wang

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The Concept of Chinese Classical Xiaoshuo and Its Japanese Counterpart and Modern Transformation
Shu Jiang

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The Stylistic Change and Theoretical Innovation of Drama Commentaries in the Newspapers and Periodicals at the End of the Qing Dynasty and the Beginning of the Republic of China
Xin Meng

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The Criticism of Ming Anthologies in the Perspective of the Qing Official Scholarship: A Study Based on the Ming Synopsis of A General Catalogue of The Complete Library of the Four Treasures
Yanrong Qi

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Alain Badiou on the Encounter of Love and Art: A New Materialist Poetic Perspective
Cheng Tan

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The “Tabooed Love” between Law and Literature: Before Derrida's Before the Law
Xingzhou Hu

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Fictional Narrative as an “Ethical Laboratory”: A Study of Paul Ricoeur's Narrative Ethics
Wenting Xiao

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The Paradigmatic Connection within the Split Subject: Journey to the End of the Night from the Perspectives of Lacanian Specular Images and Theory of Discourses
Zhijiang Han