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Literary and Artistic Institutions of the Communist Party of China and the Achievement of Cultural Leadership
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The Cosmic Mind of Pierre Teilhard de Chardin and Its Eco-Aesthetic Significance
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The Genealogical Continuation of the Aesthetic of Literature and Art and Its External Forces and Internal Causes
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The Image of the Tiger and the Theme of Desire in The Plum in the Golden Vase
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Emotion and Chineseness: Shen Congwen's Continuation and Rewriting of the Miao Region Construction in A Country Codger's Words of Exposure
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Three Theoretical Approaches to Rethinking the Theory of Literary Reflection in the New Era
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Is Drama Narrative: Investigation of the History and Deep Logic of the Exclusion of Mimetic Storytelling from Narrative
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Metalepsis Narrative from the Perspective of Possible Worlds Theory
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Three Paths of Semiotic Research in the Post-Greimas Paris School
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Phylogenetics of Literary Texts: Reflections on Its Past and Present
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The Vanishing Sound Grammar: Agamben's Critique of Sound Politics
Jian Guo

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The Historical Genesis and Transformation of Bourdieu's Concept of “Habitus”: A Rural Sociological Perspective
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From Mental Habits to the Sociology of Symbolic Forms: An Analysis of Pierre Bourdieu's French Translation and Interpretation of Erwin Panofsky
Lin Sun

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From “Radical Evil” to Unutterable “Evil”: Archaeology of an Idea in the Context of Post-World War II France
Yi Zhuang

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The Tangibility of Discourse: The Potentials of Literary and Art Theory of the Post-Anthropocene Era: A Synopsis of the 2^nd Senior Seminar on the Interpretation and Critique of the Western Forefront Literary Theory
Wei Jia