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Responsibility and Mission: Constructing the Literary and Art Theory Discourse System in the New Era China
Shuzhuo Jiang

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Writers and Artists in the New Era Need to Manifest Historical Initiative Spirit
Guoqi Ding

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Innovation of Chinese Traditional Culture from the Perspective of Digital Cultural Industries
Fengliang Li and Mengchen Zhou

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Raymond Williams' Significance to Current Literary and Cultural Studies
Ning Wang

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Re-thinking "Eastern Comparative Literature"
Qing Yang and Shunqing Cao

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From World Literature to World Literary Theory: An Attempt to Approach Cross-cultural Aesthetics
Dandan Chen

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A Probe into the Origin of Kunstwissenschaft
Shuyuan Wan

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The "Revision" of Philosophy through Art History and the Dispute between New Image Philosophy and Old Iconology： Debate Based on "Original Works"
Mingjun Lu

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Issues and Methodologies: The Three Approaches of Overseas Scholars to Chinese Art History and Their Prospects
Shilei Song

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Values of Literature in Geographical Research： A Case Study of French Geographers' Study of Literature
Jia Zhao

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From Purely Intentional Objects to Absolutely Intentional Objects： Umberto Eco's Object Theory from His Semiotic Perspective
Yi Lu

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The Rise of Storyworlds: World-Building and the Re-enchanting Culture
Chang Shi

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Dialectics of the "Living Dead": A Critical Study of Zombie Film
Moyan Zhang

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Dialogue in Narratology and the "Chinese Voice": Reflection on Narrative Studies in China since 1997
Shouyi Jiang

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How Did Philologists Influence the New Literature during the May Fourth Movement： A Discussion on Qian Xuantong's View of Vernacular Writing
Xiaohui Wang

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On the Absence of the Image of "the Rickshaw Puller" in Left-Wing Literature
Xin Kang

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The Context of Communication in the Storytelling Field and the Textual Form of Storytelling Scripts of the Song and the Yuan Dynasties
Jiansen Chen and Yingheng Chen

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The Relationship between the Poetic Orientation of "the Seven Great Poets of Jiangsu" and the Trend of Poetry Circle during the Qianlong and Jiaqing Periods
Ye Long

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Chen Xun‘s Explanation of the Structure of Wu Wenying’s Ci-poetry and Its Significance in the History of Ci-poetry
Bai Hei

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The View of "Qin-Han-Wen" in the Anthologies of Ancient Writings in the Middle and Late Ming Dynasty and Its Imperial Examination Orientation
Tianxi Zheng

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The Physical Property and Image Narrative of Ceramics
Aizhen Ni

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Ten Days to Paint Water; Five Days to Paint a Stone: Time Anxiety and the Exposition of Time in the Late Ming Literati Paintings
Ding Wang