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The Paradox of Modernity and the Enlightenment through Myth: Hans Blumenberg’s Theory of Myth and Its Political Implications
Jihua Hu and Yu Shan

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Being Is Media: Heidegger’s Media Ontology and Its Poetic Effect
Xiaoxi Shan

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Reparative Reading，Postcritique, and Methodology in Literary and Cultural Studies
Ling Yang

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Beginning, Renewal and Spirit or Ashes: On Heidegger's Historical Consciousness in His Discussions of Hölderlin's Poetry
Xiaoming Chen

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Two Faces of Literary Ethics: Martha Nussbaum’s Literary View and Its Inner Tension
Yun Fan

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Faust’s Three Experiments and the Birth of Friedrich Kittler’s Interpretation of Discourse Network 1800
Cheng Yu

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From Cultural Studies to Literary Studies: The Evolution, Turn, and Problems of Diaspora Theory
Qixing Zhou

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Potentiality, Resistance and Bare Life: Giorgio Agamben on Melville’s Bartleby
Yanjun Wang and Yaping Wang

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Denotation and Meta-Narratives: Double-Layered Narrative of Films Based on Real Stories
Yuping Zhao

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On the Motivations of the Theory of Imposed Interpretation and Their Paradoxes
Qilin Fu

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From Unfortunate Ending to Conscious Will: The Transformation of Wang Guowei’s Tragic Ideas
Wei Si

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Postemotional Representations and Psychological Symptoms in the Narrative Mechanism of Internet Literature
Wanbo Wang

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Bodily Practice and Symbolic Overflow: How the Perceptual Becomes a Theorist in Practice
Weibang Liu

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The Institutional Nature of Texts: On the Reform of Yuan Zhen’s Imperial Proclamation Writing
Zhihui Zhong

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The Construction of Shuobu in the Genealogy of Zixue
Wenqing Wu

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Qu-poetry in the Republic Era and the Construction of New National Poetry: Centering on Lu Qian’s Non-dramatic Qu-poetry
Shijia Kang

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On Li Linfu and the Poetic Circle in the Golden Age of the Tang Dynasty
Fang Ding

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A Probe into the Social Ecology of Scholars’ Making a Living in Strange Stories from a Chinese Studio
Yongbin Xu

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Rewriting the Classical: Contemporary Writers’ Reception of the Story “Goose Cage Scholar”
Wenbin Gu