Theoretical Studies in Literature and Art | Vol 42 | No. 1

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Research Articles

Theoretical Construction of the Sinicized Marxist Theory of Political Literature and Art
Jianzhou Fu

The Origin and System of Modern French Aesthetics: A Reinvestigation Based on the Literature
Ying Zhang

Richard Wagner’s Aesthetics and the Musical Turn of Symbolism
Guohui Li

Modern Aesthetic Symptoms in Among the Flowers and Lois Fusek’s Poetics of Equivalent Translation
Hui Tu

On the Translation of “the Sublime”: Also on the Difference between the Chinese and the Western Conceptions of Mountains
Jia Chen

The Media Transition of Aesthetic Imagination and the Restoration of Literary Independence: On the Renaming of Regional Journals of “Literature and Art”
Lin Yin

Middle School National Language Education in Early Modern China and the Formation of Modern Fiction Concept
Xiaojun Liu

Teaching of Western Literature and New Literature in Modern China: A Case Study of English Education at St. John's University, Shanghai
Laiming Yu and Huan Yan

Between “Practical Use” and “Vain Text”: A Textual Research of the Newly Compiled Epistolary Guidebooks in the Late Qing Dynasty and Early Period of the Republic of China
Yin Lu

Disputes over the Concept of “Literary Study” in Pre-tertiary Education in the Early Years of the Republic of China
Min Li

Where Are We and What to Write?: An Interview with Professor Ha Jin
Zhenling Li and Jin Ha

From “Political Man” to “Free Man”: The Transformation of the Nature of Man in Wang Meng’s Fictions and Its Crisis
Xingpei Shen

The Criticism of Fortress Besieged between 1946 and 1949 and Its Significance in the History of Modern Chinese Literature
Lizhe Xie

New Media Literary Spectacle and the Materiality of Literature
Caishu Zhou

The Eternal Return of Camus
Roger Philippe

Literary Style and the Appearance of the Others: On Merleau-Ponty’s Development of the Theory of Literary Engagement
Wei Jia

Mourning, Vision, and Effusion: Georges Bataille’s Writing of Tears
Guangji Wei

The “Incarnation” of Immanence: On the Genealogy and Sense of Gilles Deleuze’s “New Christ”
Hui Shi

Translucency and Quasi-Temporality: The Accident of Literature from the Perspective of Technical Theory
Zhizhong Zhang

A Probe into the Modern Evolution of the Conceptualization of “Image” and Its Interaction with “Artistic Conception”
Ronggang Jiang

Huang Tingjian’s Prose Writing Methods and the Rise of Prose Theories in the Southern Song Dynasty
Jinjin Le

A Study of the Gong’an School’s Notion of Exceptional People and the Making of Their Literary Positioning
Gang Chen

Turn and Transcendence: The Language Perception of “Changing the Bones and Snatching the Embryo” in Northern Song Dynasty Poetics
Shuya Fang

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ISSN:
0257-0254

CN31-1152/I