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“History” and “Historical Materials”: How to Chronologize the Fiction Theory in the Ming and Qing Dynasties
Zhiping Yang

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“Levi’s Paradox” and Its Solution: Giorgio Agamben’s Poetics of Witnessing
Yiqun Zhou

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A Comparison between Bakhtin’s and Levinas’ Ethics of the Other and Its Aesthetic Significance
Xiao Bi

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After-Poststructuralist Image Theory: Jacques Rancière’s Reconstruction of Roland Barthes’s Photography Theory
Tiantian Wu

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An Elucidation of Herbert Marcuse’s Poetic Thought of “After-Auschwitz”
Fumin Shen

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Behind “not a single word”: On the Relationship between Lu Xun and His Grandfather
Junlin Gao

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Can Faith Heal the Cracks in Cultural Politics? On the Theological Turn of Terry Eagleton in the New Century
Jian Wang

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History, Trauma, and Literature: Dominick LaCapra’s Theory of “Writing Trauma” and Its Ethical Significance
Peng Zhang

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Lu Xun’s Imagery and Its Visual Representations
Naiwu Zhang

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On the Core Scope and Self-Consistency of Media Art and Literature
Qing Yan

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Performing the Melancholy of City: Body, Death, and Photography
Xiao Cai

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Poetry, Politics, and Ethics: The Relationship between the Thought of Qun in the Late Qing Dynasty and Lu Xun’s Poetics in His Early Career
Yaotian Sun

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Reversion and Subversion: The Internal Logic and Cultural Dynamics of the Historical Transformation of Luxury Consumption
Shiping Jiang

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The Artistic Field during the Yongle-Xuande Reign the Ming Dynasty and the Writing of the Ministerial Style
Xianpo Yuan

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The Characteristics and Significance of Ouyang Xiu’s “Guest as Host” in His Ancient-Style Prose
Guang Xu

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The CPC’s Early Popularization Theory and Practice of Literature and Art from the Perspective of Qu Qiubai’s Oral Literary Creation
Xiaohua Cao

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The Influence of Emanuel Swedenborg’s Mysticism on William Blake’s Poetics
Pengfeng Zhang and Shukui Zhan

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The Interplay between Traditional Literary Theory and Marxist Literary Criticism in the Past Hundred Years
Wei Han

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The New Trend of Literary Research in the “Age of Images”: A Summary of the 2020 Conference of the Chinese Association for Literature and Art “Language and Image”
Haibo Yang and Keyu Xu

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The Paradigm, Features and Limitations of “New World Literature”
Lan Hao

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The Realm Aesthetics of “Quick” in Su Shi’s Poems
Chunjie Zhu

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Transforming Anecdotes into Fiction:Zeng Pu’s A Flower in a Sinful Sea and the Study of Anecdotes in the Late Qing Dynasty and the Republic of China
Quan Wei

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TSLA Vol.41 Issues 234-239 Nos.1-6, 2021