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A la Recherche du Temps Perdu: Enlightenment on "Hatred" and "Love"
Xiaolei Guo

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A Synopsis of the Symposium of “Literature and Images” and the Books Launch of A History of Literature-Image Relations in China
Wenbo Wang

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A Study of the Concept of “Cyborg”
Guodong Li

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An Exploration into the “Essence of Things” in the Poetics of the Jin and Song Dynasties
Danjun Cai

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Cruelfictions of Psychoanalysis: from Freud to Kafka; from Derrida to Mignotte
Rabaté Jean-Michel

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Cultural Studies and the Intellectual Genealogy of Chinese American Scholars: The Controversies on Lydia H. Liu's Study of the “National Character” and Beyond
Shi Li

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Evaluation of the Identity of “Fengren” in Classical Chinese Poetics
Shiwei Lv

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From Textual Experiments to Experimental Texts: Expressive Repetition in “Artificial Intelligence Literature”
Tianhua Zhu

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Hong Shen’s Artistic Experience and Psychological Journey in the Early 1920s: A Study of Newly Discovered Correspondence Between Hong Shen and George Pierce Baker
Tingting Zhao

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How Did Yuan Zaju Become “Literature of Its Time Period”: Revisiting the Idea “Every Time Period Has Its Own Literature”
Dajun Xu

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How the Althusserian Critics Inherit and Develop Marx’s Thought of Artistic Production
Jifang Duan

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On the Four Forms of Contemporary Cultural Criticism
Minghua Xiao

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On the Tongcheng School’s Preposition of “Both Poetry and Prose Following One Principle”
Wuzheng Pan

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Pre-Qin Concepts of “Image” and Aesthetic Imagism in Chinese Poetry
Yiming Huang

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Reexamining Prototype Theory from the Perspective of Eleanor Rosch’s New Conception of Categorization
Huibin He

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Revisiting the Relationship between Xiqu Illustrations and Stage Performance in the Ming Dynasty
Hao Zhu

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Robert T. Tally Jr.’s Spatial Literary Studies
Ying Fang

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Self-Understanding before the Text: Paul Ricoeur's Conceptualization of the Textual Meaning
Fei Wu

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Semiotic Analysis of “Repulsion” and Its Social and Aesthetic Functions
Guanghui Tan

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Spatial Rhetoric and the Visual Generation of Cultural Memory: A Rhetorical Investigation of the National Museum of China
Wei Zhang

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Speculative Aesthetics and Subject-Object Relation: Michelangelo Antonioni and Samuel Beckett as Examples
Chang Chen

On the Unity of Body and Mind in VR Painting Space: A Study of Spatial Phenomenology from the Perspective of Maurice Merleau-Ponty
Xin Su