The nature of film is the restoration of material reality. The recording and revelation of life movement are powerful confirmation of its artistic uniqueness. In light ofthis fact, it is easy to grasp that the essential function of film asa medium is the sculpting of time. Therefore, the way a film asa perceptive object present time and in what form time is presented are worthy of in-depth consideration. This paper focuses on the expressive technique of audio-visual language at the micro level, tries to analyze the generative trajectory of film’s deep temporal structure through the captured “surface of things”, with a particular reference to Deleuze’s theory of “time-image,” and aims at capture a glimpse of our “deepest needs”in the heart.


film, perception mode, temporal form, audio-visual organizationa

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