Content Posted in 2021 | Theoretical Studies in Literature and Arts | Theoretical Studies in Literature and Arts Research

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Content Posted in 2021

A Comparison of the Two Historical Narrative Approaches to Qi Baishi's “Late Life Transformation”, Zhongyi Xia

A Hundred-Year Modern Peking Opera: Practices and Experiences, Hengfu Zhu

An Analysis of Chinese Fiction's Impact on the Joseon Conception of Fiction, Weiguo Zhao

Anthologies of Ancient Chinese Fiction Compiled by Western Sinologists and the Construction of the Literary Style of Fiction, Lijuan Song

A Paranoid Anxiety of Life and Its Artistic Expression: A Thematic Study of the Story of Zhuangzhou Drumming the Basin, Yugui Jing

A Study of the Relationship Between Zhou Zuoren and Takeuchi Yoshimi as an Overseas Student in Beijing, Wanming Liu

“Birth of New Things from Old Things”： The Dialectics of Ding Ling's “Transformation” in the Left-wing Literature Movement during the 1930s, Shujie Wu

Cabaret Voltaire or Kabarett Voltaire? Three Breakthroughs of the Concept Gesamtkunstwerk, Duozhi Chen

Cento: The Categorizing Feature and Fictional Function of Verse in the Vernacular Stories of the Song and Yuan Dynasties, Chuyan Ye

Chinese Peking Opera Anthology: A Text-Centered Study of Peking Opera, Dongdong Li

Fables Agreed Upon：A Comparative Study of New Historicism and Alternate History, Feng Li and Yitzhak Lewis

Fictional Text and Reality of the Possible, Shusheng Zhang

Imaginations of the Wei and Jin Dynasties in the Time of Historical Fracture: Rereading Zong Baihua's "On The Tales of the World and the Beauty of the Jin People” in the Context of the Second Sino-Japanese War, Lang Jin

“Inaesthetics” and the “Passion for the Real”: Alain Badiou on the Avant-Garde Art, Kaifeng Xia

Juxtaposition，Narrative Strategies，and Multimedia Explorations: Representation of Time in Comics, Xu Lian

Mao Qiling's Comments on The Romance of the West Chamber and the Value of His Concept of “Lyric Example” in Literary Criticism, Xurong Yang

Multidimensional Construction and Deconstruction of the Claim that the Eight-Legged Essay Was Epitomized in the Ming Dynasty, Xiong Zheng

Narrative of Habitus Distinction: From Fantasy of Identity to Competition of Elegance——Centering on the Image of People Subject to Identity Transformations in Modern Fictions, Daizong Yu

Narratives of Journey to the West in Overseas Sinology, Hongbo Zhu and Xinxin Wang

Nelson Goodman on Exemplification, Hui Zhang

On Allegory, Metaphor, and Allegorical Interpretation, Longxi Zhang

On the Relationship between the Morality Advocating Campaign in the Qing Dynasty and Popular Novels, Caixun Chen

On Wang Yuanhua's Ideas of Jingju and His Reflection on the May Fourth Movement, Wei Li

“Poetic Wisdom”or “Poetic Knowledge”: On the Interlingual Transformation of “Della Sapienza Poetica”, Weixuan Lin

Popular Literature and Art，National Forms and the Re-presentation of Lyricism, Fan Nan

Post-Structural Theories and Chinese Feminist Criticism： On the Theorization of Women's “Subjectivity” in the Cultural Studies of Socialist China, Xi Liu

Recoding Postmodernist Art Criticism: The Debate between Anti-Pluralism and Pluralism, Juanjuan Yang

Socialist-Realist Art from the Perspective of Gaze Theory: An Inquiry from Filmology to Iconology, Ying Lu

Testimony, Narrative, and History: The Plague and Some Issues of Literature as Testimony, Dongfeng Tao

The Aesthetic Concept of On the Absence of Sentiments in Music and a Reflection on the Construction of Chinese Aesthetics, Kai Lin

The Aesthetics of Witheredness and Artistic Creations in the Song Dynasty, Yun Dong

The Breakthrough and Limitations of Qi Biaojia's Xiqu-play Criticism, Shiyang Zhang

The Narrative Tension in Japanese Collection of Pseudo-Biography Kikai gisenden, Dongbo Bian

The New Development of Marxist Literary Criticism Today: An Interview with Barbara Foley, Shengzhen Zhang and Barbara Foley

The Somaesthetics of the Multitude: The Politico-Aesthetic Logic of Antonio Negri and Michael Hardt in Constructing the Subjecthood, Jinying Li

Third Reading of Early Film Theory: The Turn to Dispositif, Affect, and Action Comedy, Yingjin Zhang

Urban Imagination and the Idea of the Nation-State in Modern Chinese Literature, Yongdong Li

Wang Guowei's Theory of Intuition and New Practice of Symbolizing with Affective Image in Ci-poetry, Bailing Yang

Writing of Futurity: On Derrida's Hauntology, Yun Li

Yang Weizhen and the Changes of Poetics in Late Yuan Dynasty, Fang Ding